Identification of plant cells in black pigments of prehistoric Spanish Levantine rock art by means of a multi-analytical approach. A new method for social identity materialization using chaîne opératoire

We present a new multi-analytical approach to the characterization of black pigments in Spanish Levantine rock art. This new protocol seeks to identify the raw materials that were used, as well as reconstruct the different technical gestures and decision-making processes involved in the obtaining of these black pigments. For the first of these goals, the pictorial mat- ter of the black figurative motifs documented at the Les Dogues rock art shelter (Ares del Maestre, Castello ́ n, Spain) was characterized through the combination of physicochemical and archeobotanical analyses. During the first stage of our research protocol, in situ and non- destructive analyses were carried out by means of…

Latest developments in rock art recording: towards an integral documentation of Levantine rock art sites combining 2D and 3D recording techniques

This paper presents a further step in the integral documentation of prehistoric rock art, combining 2D and 3D digital recording techniques. Image processing and digital enhancement techniques are an invaluable aid to obtain high quality and accurate 2D recordings, especially when working with faint motifs or complex superimpositions. But what constitutes a real breakthrough is the possibility of combining 2D digital tracings with metric 3D models, providing a whole set of metric outputs that improve our understanding of the motifs in their context and, at the same time, can be used to deliver accurate metric reproductions. The Levantine rock art at Cingle de la Mola Remigia (Ares del Maestr…

Las pinturas rupestres del Cingle del Mas d'en Josep (Tírig, Castelló): consideraciones sobre la territorialización del arte levantino a partir del análisis de las figuras de bóvidos y jabalíes

An approximation to the study of black pigments in Cova Remigia (Castell on, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art

International audience; Spanish Levantine Rock Art is a unique pictorial expression within the prehistoric European context. Located in shelters in the inland regions of the Iberian Mediterranean basin, this art form, which must be necessarily studied in the frame of the process of neolithization of this territory, still lacks direct dating, and therefore its authorship is still open to debate. In this paper we present the first characterization of black pigments used in the Cova Remigia shelters in the Valltorta-Gassulla area (Castell on, Spain) by means of EDXRF spectrometry combined with SEM-EDS and Raman spectroscopy. Our aim is both to identify the raw material used for the preparation…