0000000000116934

AUTHOR

Clemens Maidhof

0000-0002-9562-9551

showing 3 related works from this author

Effects of Selective Attention on Syntax Processing in Music and Language

2010

Abstract The present study investigated the effects of auditory selective attention on the processing of syntactic information in music and speech using event-related potentials. Spoken sentences or musical chord sequences were either presented in isolation, or simultaneously. When presented simultaneously, participants had to focus their attention either on speech, or on music. Final words of sentences and final harmonies of chord sequences were syntactically either correct or incorrect. Irregular chords elicited an early right anterior negativity (ERAN), whose amplitude was decreased when music was simultaneously presented with speech, compared to when only music was presented. However, t…

AdultMaleAuditory perceptionCognitive NeuroscienceSpeech recognition150ElectroencephalographyChoice Behavior050105 experimental psychologyYoung Adult03 medical and health sciences0302 clinical medicineReaction TimemedicineHumansAttention0501 psychology and cognitive sciencesSelective attentionEarly left anterior negativityLanguageAnalysis of VarianceBrain Mappingmedicine.diagnostic_testMusical syntax05 social sciencesBrainElectroencephalographySyntaxLinguisticsSemanticsHarmony (Music)Acoustic StimulationAuditory PerceptionEvoked Potentials AuditoryChord (music)FemalePsychologyMusic030217 neurology & neurosurgery
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Predictive error detection in pianists: A combined ERP and motion capture study

2013

Performing a piece of music involves the interplay of several cognitive and motor processes and requires extensive training to achieve a high skill level. However, even professional musicians commit errors occasionally. Previous event-related potential (ERP) studies have investigated the neurophysiological correlates of pitch errors during piano performance, and reported pre-error negativity already occurring approximately 70–100 ms before the error had been committed and audible. It was assumed that this pre-error negativity reflects predictive control processes that compare predicted consequences with actual consequences of one's own actions. However, in previous investigations, correct a…

Musical expertiseSpeech recognitionElectroencephalographyMotion capture050105 experimental psychologyMotion (physics)lcsh:RC321-57103 medical and health sciencesBehavioral Neuroscienceevent-related potential0302 clinical medicineperformance monitoringEvent-related potentialmusic performancemedicinemotor control0501 psychology and cognitive sciencesOriginal Research ArticleEEGlcsh:Neurosciences. Biological psychiatry. NeuropsychiatryBiological Psychiatryta515medicine.diagnostic_testMovement (music)05 social sciencesMotor controlCognitionNeurophysiologymusical expertisePsychiatry and Mental healthNeuropsychology and Physiological PsychologyNeurologyPerformance monitoringPsychology030217 neurology & neurosurgeryNeuroscienceFrontiers in Human Neuroscience
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Music and Action

2013

Music performance includes planning, initiation, execution, monitoring, and correction of actions. This makes music performance a valuable tool for the study of human action and its neural correlates. This chapter reports action-related processes evoked by the perception of actions, and processes of error correction during music performance. Neuroscientific studies showed that, during the perception of action, neural systems are active that are also active during the performance of such actions. This supports the "common coding principle" stating that the late stages of perception and the early stages of action share a common representational format (such as the same neural code). Studies o…

Auditory feedbackNeural correlates of consciousnessAction (philosophy)Computer scienceMusic and emotionPerceptionmedia_common.quotation_subjectEfference copyCognitionNeural codingCognitive psychologymedia_common
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