Stefan Zweig, Il mondo di ieri (Die Welt von Gestern), 1942

Dialettica di riso e pianto in "Leonce und Lena" di Georg Buechner

Leonce and lena by Georg Buechner is a typical example of the mixture of tragic and comic in 19th century drama. A sentimental comedy and merciless political satire at the same time, this play by Buechner has often been interpreted as an example of theatre of estrangement

Poetica del dettaglio e metafore visuali in Gotthold Ephraim Lessing

Jan Philipp Reemtsma, Lessing in Hamburg. 1766–1770, München 2007 e Ethik und Ästhetik des Mitleids. Hrsg. von Nina Gülcher und Irmela von der Lühe, Freiburg i.B. 2007

Recensione a: La circolazione del sapere nei processi traduttivi della lingua letteraria tedesca, a cura di Raul Calzoni

Recensione al volume La circolazione del sapere nei processi traduttivi della lingua letteraria tedesca, a cura di Raul Calzoni, Mimesis, 2018

Der Künstler, der Literat und die Widersprüchlichkeit des Deutschtums. Thomas Manns Essayistik 1893-1919

TUCCI F (2013). "Vivere da soldato senza essere tale". Gli scritti di guerra di Thomas Mann. STUDIA THEODISCA, vol. 20, p. 51-63, ISSN: 1593-2478

"Il reciproco ereditarsi dei poeti”. Dante e Brecht

Tendenze recenti della Lessing-Forschung. A proposito del “Lessing-Handbuch" di Monika Fick

Le passioni allo specchio. "Mitleid" e sistema degli affetti nel teatro di Lessing

Theater im Kulturwandel des 18. Jahrhunderts. Inszenierung und Wahrnehmung von Körper – Musik – Sprache. Hrsg. von Erika Fischer-Lichte und Jörg Schönert, Göttingen 1999

Cultura e parodia in "Das Treffen in Telgte"

Barbara Fischer, Nathans Ende. Von Lessing bis Tabori. Zur deutsch-jüdischen Rezeption von “Nathan der Weise”, Göttingen 2000

Cinema e fotografia. Su "Palermo Shooting" di Wim Wenders

The topic complex of photographer and photography is of central importance for Wim Wenders' cinematic and literary work. Of course, it is not just about photography itself, but a subtle play with narrative and metapoetic references. All the figures of photographers who from the beginning repeatedly appear as protagonists in Wenders' films also tell of pictures and how to make them. Most of them are men who have a disturbed relationship to the world around them and to their own selves. Men who travel in search of a truer grip on reality.

Lessings Mitleidsbegriff im Kontext der europäischen Diskussion über die Leidenschaften

«Ich kann Nietzsche nicht böse sein, weil er mir meine Deutschen verdorben hat…». Thomas Mann lettore della Geburt der Tragödie

The paper proposes an analysis of the reception of Nietzsche’s Die Geburt der Tragödie in Thomas Mann, with particular attention to the essay (1947) dedicated to the philosopher and to Doktor Faustus. The novel is read as an example of productive reception: Nietzsche’s categories of Apollonian and Dionysian, and even more so the idea of a rebirth of the great tragic art, become narrative cues that animate the entire story. The Doktor Faustus does not limit itself to parodying particular concepts of the Birth of Tragedy, but ends up presenting itself as a captivating ‘instruction manual’ for a correct reading of Nietzsche’s work.

«Ogni fotografia contiene anche una seconda immagine, all’inizio invisibile». Sul concetto di “disposizione” nei fototesti di Wim Wenders

Il saggio propone un'analisi di alcuni fototesti di Wim Wenders, con particolare attenzione all'estetica fotografica di Wenders, a partire dal concetto di Einstellung The essay offers an analysis of Wim Wenders' phototexts, devoting particular attention to Wenders' photographic aesthetics, starting from the concept of 'Einstellung'

L’età dell’oro come mito di rinascita nell’opera di Friedrich Hölderlin

Kerstin Hensel. La poesia come "invenzione dell'esperienza"

Brecht, Stanislavskij e la politica culturale della DDR

Io scrivo ciò che vedo. Einmal di Wim Wenders tra immagini autocelebrative e priorità del racconto

Like many of Wenders’ films, the book Una volta (Einmal. Bilder und Geschichten, 1994; Once: Pictures and Stories) is the result of a fruitful encounter between different arts. Wenders now takes on the role of photographer and narrator, while never completely abandoning the more usual role of director. The beginning of every short composition in Einmal, associated with one or more images, is the usual one of fairy tales. However, the word “once” that precedes as a title most of the compositions is not just an intertextual reference to the genre of children’s literature. It is more a sort of declaration of poetics, the choice of a specific stylistic register, as well as an attempt to adhere …

Nathan und die Ringparabel im Kontext antisemitischer Lessing-Darstellungen. Eugen Duering und Sebastian Brunner

Il contributo analizza due casi di ricezione di G.E. Lessing e della sua opera "Nathan der Weise" in autori di chiaro orientamento antisemita nella Germania e nell'Austria del XIX secolo: il protestante Eugen Duering e il cattolico Sebastian Brunner. Oggetto della loro feroce quanto faziosa polemica è il concetto di tolleranza lessinghiano.

"Deutschlands ganze Tugend und Schoenheit entfaltet sich erst im Kriege". I "Pensieri di guerra" di Thomas Mann

«Deutschlands ganze Tugend und Schönheit entfaltet sich erst im Kriege». Thomas Mann’s Thoughts in Wartime by Francesca Tucci Thomas Mann’s writings of a journalistic nature, produced on the day following the outbreak of the conflict, provide one of the most significant cross-sections of “Culture in wartime”. These writings are remarkably topical, and, as regards analogy of tone and theme, they are in perfect accordance with the militarist output of the time. However, a more profound level of signification can be traced in these writings, and this allows the original nucleus of specifically Mannian themes, bound with a double-knot to the sphere of Art, to shine through as a constant presenc…

Hermann Kurzke, Thomas Mann. Epoche – Werk – Wirkung, München 1997

Il «monologo finale» del Faust: una discussione e le sue conseguenze

Traduzione di un saggio di Cesare Cases: Il «monologo finale» del Faust: una discussione e le sue conseguenze Translation of Cesare Cases': Il "monologo finale del Faust: una discussione e le sue conseguenze

Palermo Shooting: Wim Wenders’ Variation zum Thema Italienische Reise

Der Themenkomplex Fotograf und Fotografie ist von zentraler Bedeutung für Wim Wenders filmisches und literarisches Werk. Dabei geht es selbstverständlich nicht nur um das Fotografieren an sich, sondern um ein subtiles Spiel mit narrativen und metapoetischen Bezügen. Von Bildern und vom Bildermachen erzählen auch all die Figuren von Fotografen, die von Anfang an immer wieder als Hauptdarsteller in Filmen Wenders vorkommen. Meistens handelt es sich dabei um Männer, die eine gestörte Beziehung zu der sie umgebenden Welt und zum eigenen Selbst haben. Männer, die reisen, auf der Suche nach einem wahreren Zugriff auf die Realität. Der Wenders-Film Palermo Shooting (2008) lässt sich als eine Art z…