0000000000322466
AUTHOR
G. Cimadomo
Las grandes Exposiciones en Europa: 1992-2002. Efectos duraderos sobre la ciudad y apropiación por parte de la ciudadanía.
This paper studies the influence of great contemporary Expositions on the transformation of cities and of territories, developing some aspects we consider relevant of these events: their growing relevance in urban contemporary politics and the urban and architectural project as creator of the regeneration of abandoned or obsolete areas. Against the short duration of these events, the positive and negative effects, like the definition of new urban and territorial domains, the modernization of infrastructures and services, the impulse of private stakeholders toward building lands and the consolidation of City-Brand in tourism nets among others, have a much longer duration, and depend on the u…
Il potere dell’architettura. L’ideologia di regime all’Esposizione Internazionale di Parigi 1937
The political crackdown during the 20th Century finds in the International Events a special place for the hosting Countries to spread their ideologies to the visitors and to all the other Countries attending the event. National Pavilions become the subject of propaganda, and their architectural language became an important part of the collective identity’s reclaimed logic, even if it wasn’t always real. Paris International Exposition of 1937 is a paradigmatic case: it’s a mirror of that time and of the prewar period’s international tensions. Born under the auspices of peace, it finally results the most relevant expression of the relation between Power and Architecture.
LA ARQUITECTURA DE LOS PABELLONES EXPOSITIVOS: REPRESENTACIÓN IDEOLÓGICA DEL RÉGIMEN
Las Exposiciones son el reflexo de la voluntad política de demonstrar la capacidad de llevar a cumplimiento tanto operaciones emblemáticas y reales como lugares imaginarios de utopías posibles. A partir de la Exposición de París de 1867 se invitan los países participantes a construir un edificio que represente su carácter nacional, hecho que impulsa un cambio sustancial en la historia de las Exposiciones: los pabellones concebidos antes como contenedores, adquieren mayor importancia que los objetos e inventos que se exponen en sus interiores. Encontramos en este hecho un camino de ida y vuelta, la identidad nacional impulsa un determinado lenguaje para la construcción de estos edificios, qu…