0000000000403187
AUTHOR
Sirke Nieminen
showing 3 related works from this author
Affective reactions to musical stimuli reflect emotional use of music in everyday life
2013
Music is a common means for regulating affective states in everyday life, but little is known about the individual differences in this behaviour. We investigated affective reactions to musical stimuli as an explanatory factor. Forty-four young adults rated self-selected music regarding perceived and felt emotions, preference, pleasantness and beauty. The ratings were reduced into five factors representing affective response tendencies. The participants also filled in the Music in Mood Regulation (MMR) questionnaire assessing seven music-related mood regulation strategies in everyday life. High beauty and pleasantness ratings for liked music correlated with the use of music for inducing str…
A functional MRI study of happy and sad emotions in music with and without lyrics
2011
Musical emotions, such as happiness and sadness, have been investigated using instrumental music devoid of linguistic content. However, pop and rock, the most common musical genres, utilize lyrics for conveying emotions. Using participants’ self-selected musical excerpts, we studied their behavior and brain responses to elucidate how lyrics interact with musical emotion processing, as reflected by emotion recognition and activation of limbic areas involved in affective experience. We extracted samples from subjects’ selections of sad and happy pieces and sorted them according to the presence of lyrics. Acoustic feature analysis showed that music with lyrics differed from music without lyric…
The development of aesthetic responses to music and their underlying neural and psychological mechanisms.
2011
In the field of psychology, the first studies in experimental aesthetics were conducted approximately 140 years ago. Since then, research has mainly concentrated on aesthetic responses to visual art. Both the aesthetic experience of music and, especially, its development have received rather limited attention. Moreover, until now, very little attention has been paid to the investigation of the aesthetic experience of music using neuroscientific methods. Aesthetic experiences are multidimensional and include inter alia sensory, perceptual, affective, and cognitive components. Aesthetic processes are usually experienced as pleasing and rewarding and are, thus, important and valuable experienc…