0000000000431337

AUTHOR

Paolo Paladini

showing 2 related works from this author

Optimal positioning of the humeral component in the reverse shoulder prosthesis.

2014

Total reverse shoulder arthroplasty is becoming more and more the standard therapeutic practice for glenohumeral arthropathy with massive lesions of the rotator cuff. The biomechanical principle of this prosthesis is represented by the reversion of the normal anatomy of the shoulder joint. This non-anatomical prosthesis leads to a medialization of the rotation centre of the glenohumeral joint and also to a distalization of the humeral head. All that causes a deltoid tension increasing so allowing a larger abduction of the arm. Main complications of the reverse shoulder prosthesis are due to the joint instability, the scapular notching and the wear of the polyethylene insert. The main goal o…

musculoskeletal diseasesmedicine.medical_specialtyFEM analysesmedicine.medical_treatmentReplacementDeltoid curveProsthesis DesignProsthesisArthroplastyArthropathymedicineHumansOrthopedics and Sports MedicineHumerusRotator cuffArthroplasty ReplacementSettore ING-IND/15 - Disegno E Metodi Dell'Ingegneria IndustrialeTotal reverse shoulder arthroplasty Intrinsic stability FEM analyses Polyethylene wear Stability ratioFEM analyses; Intrinsic stability; Polyethylene wear; Stability ratio; Total reverse shoulder arthroplasty; Arthroplasty Replacement; Humans; Humerus; Prosthesis Design; Shoulder Joint; Orthopedics and Sports Medicine; Surgery; Medicine (all)business.industryShoulder JointMedicine (all)Intrinsic stabilityHumerusShoulder Prosthesismedicine.diseaseArthroplastySurgerymedicine.anatomical_structurePolyethylene wearStability ratioTotal reverse shoulder arthroplastySurgeryShoulder jointbusinesshuman activitiesMusculoskeletal surgery
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Pauli Paladini Pharii apud Tarentum habita oratio [Dityrambi et epigrammata]

Ms. il·luminat Títol obtingut del f. 1v, el títol de la segona obra tret de l'estudi del manuscrit realitzat per Graciotti Col·lació: Paper, f. iiii (paper) + 2, 40 (al principi dos fulls sense numerar, els f. 16v, 34v, 35v, 37r, 38r, 39-40 en blanc) + f. iiii (paper) ; doble numeració moderna a llapis Composició: Escrit a 16 línies Escriptura: Humanística cursiva, s'alternen poemes en llatí i italià Decoració: Inici del text en majúscules en or, així com dos caplletres en la part inferior del full escut dels ducs de Calàbria, envoltat d'una orla en or, de la qual ixen quatre línies que duen a quatre escuts amb les barres d'Aragó de diferents formes (f. 1r). Escut de Paolo Paladini (f. 17r)…

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