0000000000465252
AUTHOR
Emanuel Modoc
Geografia romanului românesc (1901-1932): arealul național
This article is part of a series that investigates through quantitative and geocritical means the corpus of novels created by the research project Astra Data Mining. The Digital Museum of the Romanian Novel 1901-1932 (around 370 novels digitized). One of the many foci of our analyses delves into the internal geography of the Romanian novel as it manifests itself through geolocated metadata that reveal the spatial diversity of the corpus, concerning not only plot setting, but also relating to the main topographical nodes underpinning the novelists’ consciousness. Because of such geolocational diversity, the following study will only deal with the national setting of the Romanian novel.
Poli de producție ai romanului românesc (1901-1932): Rețele editoriale și forme de canonizare
The following study employs a quantitative analysis of the Romanian novelistic production from the period 1901-1932. By using the literary corpus developed by the research project ASTRA Data Mining. The Digital Museum of the Romanian Novel 1901-1932, implemented by ASTRA National Museum Complex, this paper focuses on the secondary canonical writers (with their “b-sides and rarities”), the novelists’ origins, the abundance and the geographical nodes of production, in order to investigate the dynamic relation between national cultural centers and their respective editorial networks, as well as the mechanisms of canonization within the Romanian novel of the period.
Genurile romanului românesc (1901-1932). O analiză cantitativă
Combining the instruments of quantitative analysis with those of genre theory, the present article studies the ratio, characteristics, and tendencies underpinning the most important subgenres of the Romanian novel between 1901 and 1932. Among these subgenres, we lay special emphasis on those of popular fiction, on the social, historical, sentimental, psychological, and philosophical novel, as well as on the so-called “event novel”. The conclusions of our inquiry illustrate the ever-growing divide between artistic literature and popular fiction, the recasting of the Romanian novelistic subgenres during the early 20th century, and the gradual relocation of the novelists’ focus from the unmedi…