0000000000466276
AUTHOR
David Morariu
The Affective Geography of Paris in the 19th Century Romanian Novel: Between Admiration and Aversion
Based on “The Emotions of London”, a research project initiated at the Stanford Literary Lab, my article focuses on two relevant issues. First of all, I aim to demonstrate, as the “geography of emotions” experiment has already proved, that distant reading approaches and big data interpretation do not necessarily have to replace traditional methods of analysis. In other words, by using a corpus of 157 texts, I intend to outline the affective image of Paris as presented in the nineteenth century Romanian novel. Secondly, the aspect that makes my article different from “The Emotions of London” is that my purpose does not lie in analysing emotions associated with certain place-names in Paris, b…
Poli de producție ai romanului românesc (1901-1932): Rețele editoriale și forme de canonizare
The following study employs a quantitative analysis of the Romanian novelistic production from the period 1901-1932. By using the literary corpus developed by the research project ASTRA Data Mining. The Digital Museum of the Romanian Novel 1901-1932, implemented by ASTRA National Museum Complex, this paper focuses on the secondary canonical writers (with their “b-sides and rarities”), the novelists’ origins, the abundance and the geographical nodes of production, in order to investigate the dynamic relation between national cultural centers and their respective editorial networks, as well as the mechanisms of canonization within the Romanian novel of the period.
Genurile romanului românesc (1901-1932). O analiză cantitativă
Combining the instruments of quantitative analysis with those of genre theory, the present article studies the ratio, characteristics, and tendencies underpinning the most important subgenres of the Romanian novel between 1901 and 1932. Among these subgenres, we lay special emphasis on those of popular fiction, on the social, historical, sentimental, psychological, and philosophical novel, as well as on the so-called “event novel”. The conclusions of our inquiry illustrate the ever-growing divide between artistic literature and popular fiction, the recasting of the Romanian novelistic subgenres during the early 20th century, and the gradual relocation of the novelists’ focus from the unmedi…
Critica Literară Românească Din Perspectiva Metodelor De Analiză Autocolonială (1840-1939)
Abstract This study aims to analyze the Romanian critical discourses of the second half of the 19th century and especially of the first half of the 20th century, starting from the central concept of “self-colonization”, coined by Alexander Kiossev. The article opens with the conceptual delimiting of the phenomenon imposed by the Bulgarian theoretician and with the hypothesis that Romanian culture can be attributed to self-colonizing cultures. The demonstration of this hypothesis consists of three arguments. The critical discourses belonging to G. Ibrăileanu, E. Lovinescu and C. Dobrogeanu-Gherea highlight, firstly, some of the characteristics of this self-subordination relation. The way the…