0000000000479076
AUTHOR
S Di Bella
Balconi, veli e schermi. Come il panorama contemporaneo affonda il paesaggio antico
The article puts in a sequence the ideas of wall, picture, frame, window, veil, screen and balcony in order to describe the process of "close range" spectacularisation whereby the gaze gives up the ancient landscape because it loves too much the modernity of "panorama".
OBTAINING MESENCHYMAL STEM CELLS FROM ADIPOSE TISSUE OR MURIN ORIGIN: EXPERIMENTAL STUDY.
The aim of this study was to isolate and characterize rat adipose Derived Mesenchymal Stem Cells (AD-MSCs) in order to evaluate their proliferative potential and their ability to different cell types. AD-MSCs and Derived Mesenchymal Stem Cells (BM-MSCs) have the same characteristic in terms of plasticity. The advantage of adipose tissue is that it is an easier accessible source and it offers a large amount of MSCs by less invasive surgical tecniques. MSCs were obtained from subcutaneous adipose tissue of Wistar rats. first of all microbiological controls were made to exclude the presence of bacteria of fungi in then tissue. Adipose tissue was mechanically and enzimatically fragmented and st…
M-arte. La colonia e i cloni
A few examples of artistic activity in space exploration are reported and hypotheses are made as to what a museum on another planet would be like. Considerations are also made about the value of the original piece of art today.
La “democrazia diretta” e la sua comunicazione visuale
This text explains the current call for direct (or pure) democracy as a consequence of the pervasive weight of visual culture in the contemporary world.
Croce und die Aetas Kantiana. Anmerkungen zur historiographischen Konstruktion
The essay investigates what theory of historical time can be found in Croce's philosophical historiography. His analysis of philosophical debate in Kant's epoch, especially in regard to W. v. Humboldt, Jacobi and Schleiermacher, serves as example of this theory.
Guy Debord, classicità, tempo e spazio
After having defined what "classical" means (the recovery of one's own time from time), the essay explains why Debord's theory of historicity is to be considered "classical". This assertion is argued with reference to Hegel, Croce, Feuerbach.
Benedetto Croce e ‘l’espressione che fa il mondo’
L'Estetica di Croce è qui vista come fondamento linguistico del rapporto soggetto-oggetto, non come teoria dell'arte. Ciò consente di comprendere in modo relativamente innovativo l'atteggiamento che questa filosofia ha assunto nei confronti dell'idealismo, dello storicismo, della natura e della cultura. Croce’s Aesthetics is here seen as linguistic foundation of the subject- object relation, not as a theory of art. This makes it possible to understand in a relatively innovative way the stance this philosophy has taken in relation to idealism, historicism, nature and culture.
Croce e la modernità tedesca
The book collects the proceedings of the international symposium held with the support of the DFG in 2016 at Villa Vigoni about the relationship between Benedetto Croce and German culture. In particular, the essays deal with the question of the crisis of modernity in German culture through a spectrum of inquiries ranging from Kant to Th. Mann. Il volume costituisce l'edizione italiana dei materiali del seminario internazionale svoltosi con il sostegno della DFG nel 2016 presso Villa Vigoni, avente per argomento il ruolo di Croce in Germania e della cultura tedesca per Croce. In particolare, i singoli contributi affrontano la questione della crisi della modernità nella cultura tedesca in uno…
Benedetto Croce und die Deutschen
Volume di saggi sul rapporto tra Croce e la cultura tedesca, filosofica, letteraria e politica.