Diversitate identitară în romanul românesc (1844-1932)
This study explores, using intersectionality and quantitative analysis, several axes that help shape the identity of the characters in the fictional worlds from a corpus of approximately 500 Romanian novels published between 1844 and 1932. They are gender, ethnicity/nationality, and class/work. It also briefly analyzes the gender gap in the production of the novel and examines the dynamics between the gender of the authors and the gender of the main character(s) and the person of the narration, by using metadata compiled by our research team and complex searches in the digital corpus.
The Sickle and the Piano. A Distant Reading of Work in the Nineteenth Century Romanian Novel
This article conducts a semantic search of The Digital Museum of the Romanian Novel: The 19th Century (MDRR), through which the authors attempt to identify the occurrences of several key concepts for class and labour imagery in the nineteenth-century Romanian novel, such as “muncă” [labour/work], “muncitor” [labourer/worker], “țăran” [peasant], “funcționar” [civil servant], alongside two main words that strikingly point out to a dissemblance of representation of work: “seceră” [sickle] and “pian” [piano]. The authors show that physical work is underrepresented in the Romanian novel between 1844 and 1900, and that novelists prefer to participate to the rise of the novel through representing …
Poli de producție ai romanului românesc (1901-1932): Rețele editoriale și forme de canonizare
The following study employs a quantitative analysis of the Romanian novelistic production from the period 1901-1932. By using the literary corpus developed by the research project ASTRA Data Mining. The Digital Museum of the Romanian Novel 1901-1932, implemented by ASTRA National Museum Complex, this paper focuses on the secondary canonical writers (with their “b-sides and rarities”), the novelists’ origins, the abundance and the geographical nodes of production, in order to investigate the dynamic relation between national cultural centers and their respective editorial networks, as well as the mechanisms of canonization within the Romanian novel of the period.
Genurile romanului românesc (1901-1932). O analiză cantitativă
Combining the instruments of quantitative analysis with those of genre theory, the present article studies the ratio, characteristics, and tendencies underpinning the most important subgenres of the Romanian novel between 1901 and 1932. Among these subgenres, we lay special emphasis on those of popular fiction, on the social, historical, sentimental, psychological, and philosophical novel, as well as on the so-called “event novel”. The conclusions of our inquiry illustrate the ever-growing divide between artistic literature and popular fiction, the recasting of the Romanian novelistic subgenres during the early 20th century, and the gradual relocation of the novelists’ focus from the unmedi…