0000000000652582
AUTHOR
Alessandro Luigini
Ten Words About Morphogenetic Images
This chapter describes how the repertoire of images derived from morphogenetic shaping processes is widely studied in every scientific and humanistic field. These are from the pioneering experiences of cinematic, programmed and generative arts of the 1960s and 1970s, the utopian digital space spells in the ‘90s, the morphogenetic architectural projects in the early 2000s, to the latest experiences. It is possible to look at these currents with a critical look detached from the time distance that has developed. Many denominations indicate processes and experiences in different fields but result from a common intellectual matrix. This is used to generate shapes, figures, spaces or images from…
Visual Culture and Cultural Heritage: ViC-CH a Synthesis Between Digital Representation and Heritage Experience
The dissemination possibilities offered by digital technologies provide multiple ways of reading and fruition of the cultural heritage. In order to define a visualization and communication strategy through images, the paper shows some of the results of the ViC-CH Visual Culture and Cultural Heritage workshop, which involved the University of Trento and the Free University of Bozen-Bolzano. The graphic elaborations focused on the Library of the Priest Seminar in Brixen; photomodelling, short films with drone shots and virtual visits have been some of the ways of manipulating the image for the animation and realistic visualization of a cultural heritage not easily accessible to date (The pape…
Digital experience for the enhancement of cultural heritage. VR and AR models of the Valentin im Viertel farmhouse.
Il saggio affronta lo studio del maso Valentim im Viertel attraverso la realizzazione del modello digitale utilizzato come strumento per la conoscenza dell’architettura della tradizione del Sud Tirolo. La metodologia adottata si basa sull’acquisizione dei dati rielaborati attraverso modelli VR e AR per la valorizzazione del patrimonio. This study deals with development of the farmhouse Valentim im Viertel digital model used as a tool for the knowledge of the South Tyrol traditional architecture. The methodological approach shows the acquisition of data and the use of VR and AR models for the enhancement of the cultural heritage.
3D DIGITAL MODELS FOR A WIDESPREAD MUSEUM: THE RENON’S “BAUERNHÖFE”
Abstract. The aim of the paper is to study the characteristics of different 3D digital models (point clouds, mesh, CSG, BIM) for the realization of a museum of historical buildings widespread in the territory of South Tyrol through the 3D modeling of several farmhouses between the towns of Collalbo, Longomoso and Siffiano, in the Renon area. Therefore, moving from a defined case study, the paper proposes a workflow for model choice, use, and sharing considering also users profile.The objective is to create a system that allows, the sharing, both on site and remotely, of farmhouses digital models, information, images and documents found during the research. The purpose is to enhance the terr…
AHBIM for Wooden Built Heritage Conservation
The chapter investigates the potential offered by the Building Information Modeling for the conservation of the wooden architectural heritage. Based on the architectural survey, the BIM modeling of a South Tyrolean farm was carried out, with particular attention to the aspects related to its management and maintenance. Inside the database connected to the model, information about the building has been included, which can also be used on site through the use of mobile devices. The sharing of such information within a single platform avoids risks connected to the failure or incorrect transmission of data, allowing the optimization of the management, maintenance and conservation of the archite…
Actuality of Art Education at the Beginning of XX Century in East Europe. Graphic Constructions Through Gestaltung and Formenlehre in Figurative Creativities Teaching Pathways
The great innovations in the field of the elaboration of forms and figures in the last century have often sometimes accompanied the amazement and optimism of the discovery, a methodological uncertainty shared with other fields of Knowledge. It is undeniable that the advent of information technology and representation—together with the socio-economic changes that have taken place—has laid the foundations for an irreversible ontological leap in the process of form processing, and yet very often there are references historians that can somehow inspire current theories and practices. In this sense, some interpretations considered to be classical, from Valery to Benjamin, from Arnheim to Waburg,…