EL USO DE RECURSOS NATURALES LOCALES EN LA PRODUCCIÓN DE SUPERFICIES PICTÓRICAS DECORATIVAS EN TEMPLOS JESUITAS DE LA NUEVA VIZCAYA (CHIHUAHUA, MÉXICO).

New results in ancient Maya rituals researches: The study of human painted bones fragments from Calakmul archaeological site (Mexico)

Abstract The funeral chambers of the ancient city of Calakmul (Mexico) and the individuals who were buried in them have brought in recent decades new knowledge about the beliefs and funeral customs of the pre-Hispanic Maya. Tombs and bodies were prepared as part of the rituals that should favor the return of ch'ulel to the Underworld, known as Xibalba by the ancient Maya. The ch'ulel is one of the two anemic entities that inhabit the individual, equivalent to our concept of the soul. Bodies preparation included coloured scented body ointments application, with a deep symbolic connotation and probably also a conservative purpose. The aim of this research was to characterize pigments and bind…

Life after death: a physicochemical study of materials used by the ancient Maya in human bone ointments

Ancient Maya believed in life after death. They used to prepare dead bodies during burial ceremonies whose purpose was to celebrate the dead and to help them passing through the way from earthly life to the beyond one. Bodies preparation included coloured scented body ointment application, with a deep symbolic connotation and probably also a conservative purpose. The aim of this research was to characterize pigments and binders used by ancient Maya in the preparation of body oint ments used to paint human bones. Emblematic painted bone samples from Xcambó (Maya archaeological site located in the municipality of Dzemul, in the Mexican state of Yucatán) were investigated through a non-destruc…

Multi-technical approach for the characterization of polychrome decorative surfaces at Spanish Mission Churches in Nueva Vizcaya (Chihuahua, Mexico)

An interdisciplinary and multi-institutional group of science and art conservation specialists has provided new insight into the painting materials used in the polychrome walls and wooden ceilings in four seventeenth century Spanish colonial churches of Nueva Vizcaya (Chihuahua, Mexico). A multi-analytical study of the decorative surfaces was performed in situ using spectroscopic approaches (XRF, FORS), False Colour Infrared Reflectography – IRFC, as well as micro sampling for ATR-FTIR, LM and GC/MS laboratory analyses. A survey of natural resources were also studied by ATR-FTIR and LM to elucidate the natural occurrence of a select number of materials found in the surrounding areas of the …

New insights into the composition of historical remedies and pharmaceutical formulations: the identification of natural resins and balsams by gas chromatographic-mass spectrometric investigations

AbstractThe present paper reports one of the first studies on the identification of natural resins and balsams in modern era drug formulations. Gas chromatography coupled with mass spectrometry (GC-MS) was applied to investigate the composition of ancient remedies and pharmaceutical formulations coming from the Spezieria di Santa Maria della Scala in Rome, founded at the end of the seventeenth century by the Discalced Carmelites. The obtained results highlight the presence of complex mixtures containing resinaceous and lipidic-based compounds. Thanks to the detection of characteristic markers, it was possible to identify several natural resins, such as guaiacum resin, ladano resin and scamm…

Investigation of modern oil paints through a physico-chemical integrated approach. Emblematic cases from Valencia, Spain

Abstract The study and the characterisation of modern and contemporary oil paintings is still a challenging issue, in particular considering the significant changes in paint production across the 19th and 20th centuries. This paper presents the results of the first physico-chemical integrated study of the artistic materials used in six paintings from the School of Art and Higher Design of Valencia (Escola d'Art i Superior de Disseny, EASD-Valencia), artworks created between 1871 and 1943 by four famous Valencian artists: Salustiano Asenso Arozarena, Salvador Abril I Blasco, Enrique Navas Escuriet and Jose Bellver Delmas. A wide range of inorganic and organic compounds was identified through…