Sustainability Way Beyond Academia: Public Art as a Driver for Behavioural Change and the Participatory Quest of Gayle Chong Kwan

The paper offers a survey on the recent academic interest surrounding the field of art and sustainability, arguing that scholars have lingered on descriptive studies, focusing on the assumed ‘emotional’ potential of art, or on an instrumental attitude towards art taken as just one more communication channel to deliver scientific data. One more strain of scholarly investigation emerged among art historians exploring recent environmentalist or ecological art, though without taking into full account its aesthetic dimension and thus how it contributes to different ways of knowledge production. The present research offers instead a take on public art practices showing their particular capability…

Consolidation Comes with Practice: On Ending a Prime Exploratory Journey in the Digital and Public Humanities

With this second issue of magazén’s 2021 volume we are drawing towards the end of a research journey, which involved dozens of international scholars mutually pondering what kind of methodological consolidation was in sight for the wider and heterogeneous field of digital and public humanities after more than two decades in the making.

Il primo collegio universitario di Venezia. Ca' Dolfin nelle vicende storiche dell'Università Ca' Foscari

Nella prima sezione del libro su Ca' Dolfin viene inquadrata la vicenda generale del collegio universitario in esame. Sulla base della documentazione emersa dagli archivi dell’Ateneo, specie i verbali degli organi collegiali, si ripercorrono le tappe e le ragioni che hanno portato all’istituzione del Collegio di Ca’ Dolfin, nonché alla sua definitiva chiusura, contestualizzandole nel più ampio periodo storico dell’Italia repubblicana.

Bring a flower to New York City, then another hundred and a thousand more: The multilateral forms of making art in the socio-political practice of Sasha Vinci

An essay on the sustainable projects of Sasha Vinci for his solo exhibition in New York City.

I Dolfin e la loro dimora veneziana. Vicende attorno a una nobile famiglia e al palazzo di San Pantalon

Questo saggio apre l’ultima parte del volume dedicato a Ca' Dolfin, trattando gli aspetti storici e storico-artistici che riguardano il palazzo dell’antica famiglia dei Dolfin. Il contributo concentra in particolare sulla dinastia dei Dolfin, di cui il palazzo su rio Novo rappresentò la dimora principale e di conseguenza ospitò importanti episodi della storia politica e artistica di Venezia. Viene inoltre ripercorsa la storia di competenza fra la famiglia Dolfin e i diversi artisti che hanno decorato il palazzo, tra cui in particolare Giambattista Tiepolo e i suoi dieci teneri di tematica romana antica.

Style As A Common Currency And Its Aesthetic Consequences: Appropriation of Forms and Procedures in Neo-conceptual Art of Late 20th Century

The present paper is structured in four interconnected parts that work towards the possible understanding of the concept of style from the perspective of contemporary artists. The temporal scope of the research covers the 1980s and the following decade, though it focuses particularly on the interval between 1988 and 1992, since these years are widely regarded as the seminal period for young British artists. Taking the UK as an example, the geographic scope is concentrated on London and Glasgow, since the latter city rose into prominence as the only true counterpart to the English capital’s art scene in the period under consideration.

EIN ABBILD VON VENEZIANISCHER LEBENDIGKEIT: Barkarolen und ihre Spiegelung in den Künsten des Settecento / AN IMAGE OF VENETIAN LIVELINESS: Barcaroles and their glare in the arts of the Settecento

An introduction to the retrieved Venetian barcaroles of Johann Adolph Hasse, put in the context of Venetian 18th century culture, particularly genre painting and comedy theatre.

Vaghezze e stravaganze para-letterarie nella critica d’arte anglo-americana. L’art-writing nel secondo Novecento da strategia retorica a genere autonomo

Vagueness and para-literary extravagance in the Anglo-American art criticism. Art-writing in the second half of the twentieth century from a rhetorical strategy to an autonomous genre · The essay offers an analysis of the transformations that occurred due to the dynamic artistic debate in the United States in the second half of the 20th century, when art-writing and art criticism were constantly subject to redefinition with regard to an object – the artwork – which was gradually becoming undetermined. Retracing the evolution of the reflections on art criticism, the paper shows how it progressively tended towards a form of autonomous narrative taking the steps from art – employing vagueness …

Un quadretto di vivacità veneziana: Goethe, Hasse e il riverbero delle barcarole nelle arti del Settecento

Saggio specialistico tematico in occasione della nuova produzione della Fondazione Teatro La Fenice intitolato "Gondellieder: Goethe e le canzoni da battello"

Tappe e testimonianze nella vicenda trentennale di ALEA. Cenni storici e opinioni su un'associazione fra Cafoscarini

In considerazione dei trent’anni dalla fondazione di ALEA, il presente contributo vuole essere occasione per ricostruire l’evoluzione storica di questa realtà. Il breve contributo è incentrato soprattutto sulla ricostruzione delle vicende e delle motivazioni che hanno visto nascere e fiorire l'associazione dei laureati in economia aziendale, intesa come bordo di coltura per le più attuali esperienze di associazionismo fra Cafoscarini. Tale tentativo si riconnette metodologicamente al saggio della sezione terza del presente volume, poiché discende dal medesimo lavoro di ricerca, soffermandosi sulle fonti capaci di illuminare il percorso di ALEA. Nello specifico, affianco ai materiali prodott…

Prove generali di teatro musicale in Laguna. Il contesto musicale veneziano del primo Seicento e il ruolo di Monteverdi nella nascita del melodramma a Venezia

Il presente elaborato intende focalizzare da una parte alcuni elementi del contesto generale veneziano gravidi d’effetti – sia diretti sia indiretti – sullo sviluppo dell’arte monteverdiana, dall’altra invece quegli episodi nella vita di Monteverdi che contribuirono in maniera decisiva allo sviluppo del melodramma e del suo sistema teatrale in laguna.

Lionello Perera: An Italian Banker and Patron in New York

The book presents the long-lost biography of Lionello Perera, principal banker, patron, and philanthropist of the Italian American community in New York at the inception of the twentieth century. Born and raised in Venice, Lionello Perera took over his uncle’s financial activity in Wall Street and developed the family business into a stronghold of the Italian American community. His remarkable career led him to become the Vice President of Bank of America in 1928 as an associate of California born Amadeo P. Giannini, while he also was instrumental to the political success of New York mayor Fiorello La Guardia. Recognised as a true founding father of the Italian American community of the Eas…

Arte convenzionale – ovvero – perché non possono esistere artisti realmente anticonformisti

The representation of the artist is generally that of a nonconformist, a lonely Bohemian eager to revolutionise the world from his studio. From this perspective, the traditional interpretation of art history is one of linear progress, spurred on by moments of innovation aiming at new states of conventionalism. This article shows how such a perspective has much to do with the philosophy of modern times, even though it doesn’t provide a satisfactory explanation of the meaning and development of art throughout the centuries, bound as they are instead to the necessity of convention with the values of society (or of its élite) rather than on wild individualism.

Manager e cambiamento organizzativo alla Biennale di Venezia

Nel 1998 il legislatore ha avviato in Biennale una fase di rin- novamento alla cui guida si sono alternati tre presidenti. Confrontandone strategia e operato, nonché le relazioni che hanno instaurato con l’ambiente di riferimento, si intende verificare il grado di successo del cambiamento nonché il diverso ruolo gioca- to dal presidente, dalla strategia adottata, dalle pressioni politiche, legislative e del mondo culturale. In altri termini, si vuole valutare se il cambiamento previsto dal legislatore sia stato effettivamente realizzato e in quale misura, oppure se, al contrario, si registri la mera adesione formale ai nuovi valori aziendali. L’analisi ha evidenziato come ciascuno dei tre p…

Diverging Collectives: Artist-Run Spaces versus Warehouse Shows Comparative models of art production and cooperation among young British artists

The paper addresses the case of artist-run spaces and warehouse shows in the United Kingdom between the 1980s and 1990s, a time when autonomous group shows and independent artist collectives sprawled particularly thanks to the engagement of a new generation of artists, among whom were found later celebrities such as Damien Hirst and Douglas Gordon. It will be argued that both artist-run spaces and warehouse shows were feasible solutions for young authors against art market barriers and economic crisis, although they held structural and organisational differences that would affect aesthetic outcomes and present art history with a shift in the model of the art collective.

Il senso di Paolo Ciregia per l’essenza e le esigenze dell’arte sostenibile: Diario di un inaspettato caso d’arte processuale a partire dal concetto di barriera

Saggio critico sull'arte partecipativa e sull'esperimento di arte sostenibile di Paolo Ciregia a Ca' Foscari in seguito alla vittoria dello Sustainable Art Prize 2018.

Assembling Reminders for a Particular Purpose: Paolozzi’s Ephemera, Toys and Collectibles

This chapter addresses the centrality of environmental installations in Paolozzi’s late production and the relevance that the practice of “assembling reminders for a particular purpose” holds in his understanding of the artist’s profession, further constituting another aspect of affinity with Wittgenstein. In order to do so, Mantoan examines three aspects that are instrumental to understand Paolozzi’s ‘collecting mood’ that led him to assemble a rich variety of items, ephemera, toys and objects of popular culture: the first one concerns the likely origins of this attitude, grounded in his childhood years, as well as in the influence of Parisian Surrealism and American mass culture; the seco…

BORDERS AND BORDER CROSSING BETWEEN ART WORLDS. Successful attempts and epic failures to enter new domains in recent British art

The paper attempts to answer, whether it is possible for successful artists in one specific sector to access the domain of another artistic field at their free will. In doing so, this contribution analyses the possible existence of borders and gatekeepers between different art worlds. The aim is not just finding or defining boundaries between art fields, but rather understanding, if boundaries can be pierced through, as well as the conditions that might hinder acceptance. Moving from an art theoretical and philosophical perspective, the present paper will discuss the thesis of Pierre Bourdieu, Howard Becker, Berys Gaut and Joseph Margolis on boundary conditions in the arts. Subsequently the…

Tracce di vita collegiale a Ca' Dolfin: alcuni estratti significativi dalle testimonianze e dai materiali dei Cadolfiniani

Il capitolo traccia la storia del Collegio di Merito istituito presso Ca' Dolfin all'Università Ca' Foscari di Venezia.

Of Consolidation and Canons in a Heterogeneous Field Called Digital and Public Humanities

Introduction to magazén issue 2.1 (2021) on "Consolidation" of models, methods and practices in the field of Digital and Public Humanities.

The Road to Parnassus. Artist Strategies in Contemporary Art. Rise and Success of Glasgow artist Douglas Gordon and of the wider YBA generation

How can one become a successful artist? Where should one start a career in the art world? What are useful strategies to achieve recognition in the art system? Such questions hoard in students' minds ever since entering art school and they probably chase every kind of art professional who is at an early career stage. “The Road to Parnassus” tries to understand what makes a good start in today's art world, who are influential players in the field and which strategies might apply. The swift career ascension of Glasgow artist Douglas Gordon – one of today's leading visual artists – and of the broader YBA generation that rose into worldwide prominence in the 1990s – Damien Hirst and Sarah Lucas …

Carezza e Fiori: Vinci/Galesi alle radici dell'arte ambientale e partecipativa

Introduzione alla performance di Vinci/Galesi per la vittoria dello Sustainable Art Prize 2017.

Autoritär, Elitär & Unzugänglich: Kunst, Macht und Markt in der Gegenwart

This book addresses the development of art production and the wider art market in the 20th century according to various characteristics that make it authoritative, elitist and inaccessible. Dürfen ein toter Haifsch in einer mit Formalin gefüllten Theke von Damien Hirst oder die Skulptur eines enormen Luftballonhündchens von Jeff Koons als Kunst verstanden werden? Weshalb liegen Denk- und Handlungsweisen in der heutigen Kunstwelt jenen des Aktienmarkts näher, statt den gesellschaftlichen Vorstellungen im Sinne einer zugänglichen Kunst zu entsprechen? Gibt es noch Künstler*innen, die einen demokratischeren oder partizipatorischen Weg planen? Welchen Sinn für Ästhetik schafft zeitgenössische K…

A New Venture and a Commitment to Disciplinary Fusion in the Domain of Digital and Public Humanities

First introduction to Magazén

La fine dell'artista bohémien. Auto-imprenditorialità e differenziazione della produzione nel mercato dell'arte

Il presente contributo intende esporre alcune riflessioni che emergono da una conoscenza diretta del sistema dell’arte contemporanea, oltre che dallo studio approfondito del dibattito scientifico sul suo funzionamento. Si propone a tal fine una chiave di lettura aziendalista, tesa cioè a identificare comportamenti relativi all’organizzazione della produzione che dimostrino la consapevolezza circa le risorse chiave, i processi fondamentali e le strategie necessarie al successo nel campo specifico. Senza addentrarsi nel tema della creatività individuale dei singoli produttori interni al settore artistico, in questo breve trattato verrà analizzata la figura dell’artista intesa come prototipo d…

A te Berlin da Venezia. La redenzione artistica di quei pittori tedeschi che guardavano a Vedova

Saggio tematico sul rapporto fra Emilio Vedova e la Germania, in particolare i pittori tedeschi del secondo Novecento, in occasione del centenario dalla nascita per il catalogo ufficiale della Fondazione Vedova.

Mimicking Spatial Aesthetics: the Kunsthalle-effect on Young British Artists

This chapter argues that UK artists at the end of the 20th century were confronted with the utter absence of Kunsthalle-like spaces in their country, but they set forth to independently organise such exhibition venues and to produce artworks or installations that would fit in there, in order to speak a global language.

The third party embedded. Clients of artworks for public venues in Renaissance Venice

The third party seen as a category of analysis for the client-artist relationship in Renaissance Venice.

La fine dell’artista bohémien……o l’irresistibile ascesa dell’artista (auto)imprenditore

L’immaginario collettivo è un’entità insidiosa, poiché ciò che vi si fissa scivola verso lo stereotipo permanente. Tale resistenza è dovuta alla nostra necessità di consolatorie convenzioni sociali, da cui emergono i paradigmi che ci guidano nell’esplorazione dell’esistente. 1 Uno di questi miti, all’apparenza impossibile da scardinare, è quello dell’artista bohémien inteso come anticonformista per eccellenza, insofferente ai lacciuoli della società. La figura dell’autore romantico che dall’atelier progetta di rivoluzionare il mondo ha certo subito qualche défaillance, se si considerano eccessi e imperscrutabilità dell’arte contemporanea, ma in sostanza non ha perso il suo smalto originario…

Una nuova governance per gli Atenei. Ma quale?

Trattato sulla governance degli Atenei italiani.

Sustainable Art for Sustainable Cities: A Performance and a Screening Afternoon at EDRA50 Brooklyn

On the occasion of EDRA50 Brooklyn, held at NYU Tandon School of Engineering and devoted to the topic of “Sustainable Urban Environments: Research, Design and Planning for the Next 50 Years”, it was decided that a collateral program of sustainable art activities could widely enrich the conference impact and scope. Furthermore, it provided an interesting opportunity for conference attendees, mostly involved in the fields of research, education and planning, to discover projects or ideas that spring from creative practice and evaluate emerging trends such as the visual arts devoted to sustainability.

Una nuova governance per gli Atenei: cosa dovrebbe cambiare nel governo universitario e dove si colloca Ca' Foscari

Excursus sui sistemi di governance delle università italiane.

Recent challenges to contemporary art databases. Digitisation Practices and Archive Development in Artist Estates

Over the last decade, databases have appeared as the only solution for artist estates and collections seeking to categorise and disseminate their artworks and thereby enhance their position and reputation. Grounded in empirical work and scholarly research, this paper examines the archive digitisation practices at three high-ranking art organisations – Douglas Gordon’s studio, the Sigmar Polke Estate and the Julia Stoschek Collection – to show how the creation of databases has become central in conforming to best practices and providing valuable information to the art market. In revealing the mindset, requirements and conditions of such digitisation projects, this text offers a reflection on…

Video art between aesthetic maturity and medium immersion: Patterns of change and generational shift in moving image technology

This chapter addresses how technological change in the field of moving images affected the visual arts by means of various waves depending on the subsequent generations of artists, who employed the new medium according to their awareness and nativity towards the video.

Saint Benedict staring at us: Clients as the third party in Modern Art. A theoretical model and a case study in Renaissance Venice

Il presente saggio intende approfondire il ruolo della committenza quale terza parte nel sistema dell’arte in Età Moderna. Al fine di identificare un possibile rapporto di terzietà nell’arte, l’approccio di ricerca si fonda sulla sociologia dell’arte e si concentra sul funzionamento economico della produzione artistica, pur sfruttando infine la tradizione dei casi di studio di matrice iconologica per verificare la correttezza del modello proposto. L’esempio sotto osservazione fa riferimento al Rinascimento Veneziano trattandosi del Trittico dei Frari di Giovanni Bellini, realizzato alla fine del XV secolo e concernente la disputa sull’Immacolata Concezione della Madonna. This paper aims at …

«All We Are Saying Is Give Pizza Chance»: L’effetto YBA e l’irruzione di una nuova generazione alle Biennali degli anni Novanta del Novecento

The chapter addresses the rise of the Young British Artists (YBA) in their home country and their subsequent international spread during the 1990s as seen in connection with the Venice Biennale occurring between 1993 and 2003. Particularly, the author argues that the Aperto ’93 section devoted to young artists at the Arsenale for the 45th Biennale was an unexpected starting point for the YBAs on the global stage and their first Venetian appraisal convinced home institutions such as the British Council to finance a large program of international exhibitions for this new artistic generation. Throughout the 1990s the Biennale thus became a major stage for the rising YBAs, which in turn deeply …

By Way of Another Editorial on Fusions in the Digital and Public Humanities

This second issue of magazén closes the inaugural volume 2020 and thematically follows high on the heels of the first one, as they are both connected to the topic of ‘fusions’, a term which in our intentions functions as a picklock to investigate recent developments in the wider field of digital and public humanities.

Quei bravi ragazzi di Ca' Bembo, ieri e oggi. Opinioni e racconti di notable Alumni per tracciare una storia dei laureati in Economia aziendale di Venezia

Sono ormai trascorsi trent'anni dalla fondazione di ALEA e ben quaranta dacché uscirono da Ca' Foscari i primi laureati del corso di laurea in economia aziendale. Tale orizzonte temporale sembra sufficiente per dedicarsi allo studio delle origini di entrambi, nonché per valutare l'impatto che la formazione aziendalista ha avuto sui laureati di Ca' Bembo e – di converso – quello che i Cambembini hanno quindi profuso sul mondo delle organizzazioni. La ricorrenza del trentennale offre un'occasione privilegiata per riflettere sulla tradizione aziendalista veneziana anche guardando alle carriere di alcuni laureati eccellenti, interrogandoli sul loro passato a Ca' Foscari e sulla successiva traie…

Process art as an aesthetic alternative

The present chapter examines Creed’s early career, particularly the artistic connection to his hometown as well as his peculiar conception of creativeness, for which Douglas Gordon emerges as an influential point of reference. This link to Glasgow has been widely overlooked by critics so far, who rather analyse Creed from a London-centred perspective. Hence, the principal aim of this chapter is to broaden the research scope and possibly detect some strains of early philosophical reasoning and artistic ontogenesis that gradually shaped Creed’s early production. My investigation covers roughly a decade from the late 1980s – Creed’s art school years in London – to the end of the century, short…

An Introduction to the Artist Who “Needed” Wittgenstein

TRASLAZIONE DEI SIGNIFICATI E (IN)DETERMINAZIONE DEL CONTESTO NELLA PUBLIC ART: Considerazioni teoriche e storico-artistiche attorno alla pittura urbana di Andrea Ravo Mattoni

The paper investigates the recovery of classical artworks done through street art by Andrea ‘Ravo’ Mattoni, thus connecting his practice with social responsibility and aesthetic contextualisation emerging from public art in the wake of John Latham’s contextualism and Joseph Beuys’ social sculpture. The choice to recover classical iconography and repertoire from the sites of his interventions offers further the chance to consider the role of contemporary artists in expanding public consciousness and accessibility to cultural heritage by transferring images and meanings from museum rooms to open streets in the original sites. In doing so Ravo Mattoni’s murales try to immerse the viewer into a…

Half-Masturbation or the Constant Stimulus of Video Art. Kidnapping the Viewer with Douglas Gordon’s 24 Hour Psycho

Some people find it very annoying to visit a contemporary art show and to remain stuck in darkened rooms with videos running on monitors or projected against the walls. However, it is hard not to be drawn towards the passing frames and the audience inevitably tries to pick up the plot. Video art appears capable to bind the spectator compelling one in front of the screen, waiting to be amused or repelled. There appears to be some sort of irresistible attraction towards it, a sort of instinctive stimulus. How may an artist foster this natural lure creating attractive video pieces? Bruce Nauman for instance holds the viewer staring at videos as he bounces a ball against the wall or his balls w…

The Public Artist as a Fringe Agent for Sustainability: Practices of Environmentalist Driven Art-Activism and Their Digital Perspectives

The chapter investigates today’s intersection of visual arts and sustainability, which developed thanks to the civic agency of public artists especially concerned with environmental issues. Since its inception, public art operated on the fringe, thus framing a space for new practices and wider audiences. Drawing on an interdisciplinary analysis of the last two decades that shaped sustainable art practices, the chapter explores key concepts, practices, categories, and exemplary artworks that defined public art as a form of activism addressing environmental concerns. The chapter analyzes examples of ecological interventions, community engagement, radical actions, and digital sharing that effi…

[Re]Constructing Lost Realities, Possible Worlds and Future Perspectives Through Digital and Public Humanities

The 2022 volume of Magazén is devoted to practical aspects in the Digital and Public Humanities. The first issue is thus entitled [re]constructions, focusing on the wide array of practices that prospered in our wide field for [re]configuring lost realities, [re]creating long gone dimensions, [re]building likely scenarios, [re]considering exhibition settings, and [re]covering disappeared traces of historical and cultural value.

Digital Picklock for Video Art Exgesis: Reflections, Conditions and Possible Employment of Distant Viewing to Moving Image Datasets in Visual Arts Scholarship

With the advent of digital humanities new expectations and challenges are emerging for institutions harbouring video artworks, specifically in offering access and analytical tools to their archival collections. The paper argues for the possible employment of distant viewing to allow visual arts scholars an unprecedented take on video art, holding together both quantitative comparison and aesthetic considerations. In doing so, the paper addresses the peculiar conditions of video art that need proper consideration for a fruitful employment of distant viewing. Set on the background of the existing platforms for video-art consumption ���such as UBU Network, JSC Media Centre, and Daata Streaming…

La Repubblica delle Meraviglie

Catalogue of the performance titled "La Repubblica delle Meraviglie"

CONSOLIDATION

CONSOLIDATION in the Digital and Public Humanities

Consolidation

magazén - International Journal for Digital and Public Humanities is the interdisciplinary journal of the Venice Centre for Digital and Public Humanities (VeDPH) based at the Department of Humanities at Ca’ Foscari University of Venice undergoing double blind peer review and published twice per year in open access by Edizioni Ca’ Foscari. The articles of this volume focus on the consolidation of scholarly practices and research models circulating in the international scholarly context of Digital and Public Humanities addressing the concept of ‘consolidations’ from different perspectives and with different methodological approaches and presenting a varied and yet intertwined landscape.

Johann Adolph Hasse: Venetian Barcaroles

15 Venetian barcaroles retrieved from the 18th century collection of Johann Adolph Hasse, originally transcribed by Adamo Scola for Walsh in London (1744-48).

You are (NOT) welcome: Barriere (im)percettibili nel contesto urbano contemporaneo

Research an catalogue devoted to the concept of urban barriers fro the perspective of sustainable art

Paolozzi & Wittgenstein: The Artist and the Philosopher

Conceived as a collection of essays, this edited volume exceptionally brings together philosophers and art historians of different geographic and generational backgrounds to discuss Wittgenstein and Paolozzi, giving voice to a variety of disciplinary approaches and shaping diverse topics that may arouse the interest of a twofold audience. As a matter of fact, the book offers both a unique take on Paolozzi’s oeuvre, reassessing his pivotal importance in the second half of the twentieth century—especially as far as medium diversity and the use of popular culture are concerned—and a convenient opportunity to explore Wittgenstein’s thought related to visual arts and his influence on contemporar…

Una nuova governance per gli Atenei. Ma quale? (su lavoce.info)

Trattato sulla governance degli atenei italiani.

30+ anni di aziendalisti in Laguna. Gli studi manageriali a Venezia

La ricorrenza del trentennale di ALEA, la storica associazione dei laureati in economia aziendale di Ca’ Foscari, apre a una riflessione corale sullo sviluppo degli studi manageriali a Venezia. Primo in Italia assieme alla Bocconi, il corso di laurea in economia aziendale dell’Ateneo veneziano ha formato generazioni di manager, imprenditori e specialisti di caratura internazionale. Scritto assieme a diversi docenti e laureati eccellenti che hanno animato Ca’ Bembo, sede storica del dipartimento, il presente volume indaga l’evoluzione delle discipline aziendali in Laguna, oltre a restituire significative esperienze dei professionisti del management usciti da Ca’ Foscari.

QuindiciPercento. Dialogo sulla disabilità nel mondo

Catalogo della mostra fotografica di Christian Tasso

Fusions

FUSIONS