6533b7d0fe1ef96bd125a15d

RESEARCH PRODUCT

A prequel to Nollywood: South African photo novels and their pan-African consumption in the late 1960s

Matthias Krings

subject

Cultural StudiesLinguistics and LanguageHistoryLiterature and Literary TheoryVisual Arts and Performing ArtsAnthropologyPan africanModernitymedia_common.quotation_subjectPopular cultureCharacter (symbol)Consumption (sociology)AdventureLanguage and LinguisticsNollywoodMusicVisual culturemedia_common

description

This article interrogates the history of the photo novel in Africa with particular reference to African Film, a magazine of almost pan-African circulation, published between 1968 and 1972 in South Africa. Featuring the adventures of Lance Spearman, an African crime fighter, the magazine was read widely across Anglophone Africa, from Nigeria and Ghana to South Africa, Zambia, Tanzania, Kenya and Uganda. After a brief introduction to the history of the photo novel, the author discusses the production, content, reception, and legacy of the Lance Spearman photo novels. It is argued that Lance Spearman may be understood as a crossover of James Bond and Philip Marlowe, and several influences from contemporary Western popular culture are traced. Contemporary readers cherished the visual modernity of the photo novels and readily identified with their stylish and street-wise main character. It is argued that African Film magazine played an important (today almost forgotten) role within the history of visual media ...

https://doi.org/10.1080/13696810903488611