6533b7d0fe1ef96bd125b7bc

RESEARCH PRODUCT

Neural discrimination of nonprototypical chords in music experts and laymen:an MEG study

Irina AnourovaKaren Johanne PallesenOlga VaryaginaTuomas EerolaMiika JärvenpääChristopher J. BaileyMari TervaniemiElvira Brattico

subject

AdultMalemedicine.medical_specialtyCognitive NeuroscienceMismatch negativityAudiologyRecognition (Psychology)Auditory cortex050105 experimental psychologyPitch Discrimination03 medical and health sciencesYoung AdultDiscrimination Psychological0302 clinical medicineReference ValuesmedicineAuditory systemHumans0501 psychology and cognitive sciencesAttention10. No inequalityCerebral CortexDiscrimination (Psychology)Communicationmedicine.diagnostic_testbusiness.industryMajor and minor05 social sciencesMagnetoencephalographyRecognition PsychologyMagnetoencephalographyConsonance and dissonancemedicine.anatomical_structureAcoustic StimulationEvoked Potentials AuditoryChord (music)FemalePsychologybusiness030217 neurology & neurosurgeryMusicPitch (Music)

description

Abstract At the level of the auditory cortex, musicians discriminate pitch changes more accurately than nonmusicians. However, it is not agreed upon how sound familiarity and musical expertise interact in the formation of pitch-change discrimination skills, that is, whether musicians possess musical pitch discrimination abilities that are generally more accurate than in nonmusicians or, alternatively, whether they may be distinguished from nonmusicians particularly with respect to the discrimination of nonprototypical sounds that do not play a reference role in Western tonal music. To resolve this, we used magnetoencephalography (MEG) to measure the change-related magnetic mismatch response (MMNm) in musicians and nonmusicians to two nonprototypical chords, a “dissonant” chord containing a highly unpleasant interval and a “mistuned” chord including a mistuned pitch, and a minor chord, all inserted in a context of major chords. Major and minor are the most frequently used chords in Western tonal music which both musicians and nonmusicians are most familiar with, whereas the other chords are more rarely encountered in tonal music. The MMNm was stronger in musicians than in nonmusicians in response to the dissonant and mistuned chords, whereas no group difference was found in the MMNm strength to minor chords. Correspondingly, the length of musical training correlated with the MMNm strength for the dissonant and mistuned chords only. Our findings provide evidence for superior automatic discrimination of nonprototypical chords in musicians. Most likely, this results from a highly sophisticated auditory system in musicians allowing a more efficient discrimination of chords deviating from the conventional categories of tonal music.

10.1162/jocn.2008.21144https://pure.au.dk/portal/da/publications/neural-discrimination-of-nonprototypical-chords-in-music-experts-and-laymen(bb46da10-ac53-11df-8c1a-000ea68e967b).html