6533b7d5fe1ef96bd1264e00

RESEARCH PRODUCT

Para uma cooperação da escuta e do movimento: Estudo intercultural sobre a percepção dos ritmos tradicionais do Xangô (Olinda, PE)

Emmanuel Bigand Jean-pierre Estival Farid Matallah

subject

[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing arts[ SCCO.PSYC ] Cognitive science/PsychologyMusical Cognition[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsMusical RhythmEtnomusicologiaAfrican-Brazilian MusicMúsica afro-brasileira[SCCO.PSYC] Cognitive science/Psychology[SCCO.PSYC]Cognitive science/PsychologyCognição musicalRitmo musicalEthnomusicology

description

Combining musical cognition and ethnomusicological approaches, this article seeks to verify if the capacity of recognizing and actually doing the appropriate beat of musical rhythms after listening to musical excerpts is influenced by the movements of the body. We would like to show to what extent variables like "musical competence" ("musicians" and "non-musicians") and "cultural origin" ("Brazilians" and "French") do influence such capacity. We try to answer these questions by applying an experimental protocol designed for that end. The musical rhythms used in the experiment are drawn from the musical and religious traditions of the xangô african-brazilian cult, as they are practiced in Olinda, Pernambuco.

https://hal.archives-ouvertes.fr/hal-00717948