6533b7d7fe1ef96bd1268e0d

RESEARCH PRODUCT

Introduction: The World as a Stereogram

José Filipe SilvaMikko Yrjönsuuri

subject

Cognitive scienceVisual perceptionConceptualizationmedia_common.quotation_subject05 social sciencesAgency (philosophy)Cognition06 humanities and the artsRepresentation (arts)Experiential learning050105 experimental psychology060104 historyPerception0501 psychology and cognitive sciences0601 history and archaeologyPsychologyCoherence (linguistics)media_common

description

This paper presents the historically most important theories of how visual perception is made spatial in the cognitive processing of the sensory input to the eye. All of them involve active engagement of the mind. Firstly, in the medieval theories physiological processes developed three-dimensional imagery in the brain, and active mental processing was needed to build coherence in the perceptual experience as a whole but not to yield the basic idea of spatiality. Secondly, according to Descartes, the eyes produced a unified two-dimensional visual image that was neurally transmitted to the inner surface of the brain. The innate conception of three-dimensional spatiality was superimposed intellectually on this image and thus all spatial perception involves mental judgment. Thirdly, Berkeley rejected innateness and claimed that the experiential three-dimensionality in vision was due to associating visual ideas to ideas of other senses, among which proprioceptive senses were the most important. Spatiality is thus not due to the basic visual experience itself in any of these three models.

https://doi.org/10.1007/978-3-319-04361-6_1