6533b828fe1ef96bd1288f77

RESEARCH PRODUCT

Born to dance but beat deaf: A new form of congenital amusia

Sylvie NozaradanPetri ToiviainenIsabelle PeretzOlivier PichéCaroline PalmerCaroline PalmerJessica Phillips-silverNathalie Gosselin

subject

MaleDanceCognitive NeuroscienceExperimental and Cognitive PsychologyMetronomeMusicalAmusiabehavioral disciplines and activitiesMotion capture050105 experimental psychologylaw.invention03 medical and health sciencesBehavioral NeuroscienceYoung Adult0302 clinical medicineRhythmlawmedicineHumans0501 psychology and cognitive sciencesDancingCommunicationBeat deafnessbusiness.industry05 social sciencesAuditory Perceptual Disordersmedicine.diseasehumanitiesPersons With Hearing Impairmentsta6131Auditory PerceptionbusinessPsychologyhuman activitiesBeat (music)030217 neurology & neurosurgeryMusicCognitive psychology

description

Humans move to the beat of music. Despite the ubiquity and early emergence of this response, some individuals report being unable to feel the beat in music. We report a sample of people without special training, all of whom were proficient at perceiving and producing the musical beat with the exception of one case (“Mathieu”). Motion capture and psychophysical tests revealed that people synchronized full-body motion to music and detected when a model dancer was not in time with the music. In contrast, Mathieu failed to period- and phase-lock his movement to the beat of most music pieces, and failed to detect most asynchronies of the model dancer. Mathieu’s near-normal synchronization with a metronome suggests that the deficit concerns beat finding in the context of music. These results point to time as having a distinct neurobiological origin from pitch in music processing.

10.1016/j.neuropsychologia.2011.02.002https://doi.org/10.1016/j.neuropsychologia.2011.02.002