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RESEARCH PRODUCT

L'image bruissante

subject

description

By making a dialogue between a selection of Pía Elizondo's black-and-white photographs and Coral Bracho's poems, we propose to question the textures and rustling forms in action in the photo-poetic object a priori silent. In spite of their own technicality, these esthesic expressions engage in converging gaze and listening: words, rhythms, images of light and shadow configure landscapes of outcrops, fleeting or lasting resonances, intensities territories and thus pose the problem of the figurability of silence and its circulation in the sensitive material. Playing here with the precarious limits of seeing and saying, always in tension with what escapes them, photography and poem alternately quiet, suspend sound and sense, or risk themselves elsewhere.