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RESEARCH PRODUCT

Las mujeres caídas como herederas de María Magdalena en el audiovisual (1910-1919)

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espanolLas imagenes actuan como focos de influencia para la creacion de otras imagenes, historias o personajes (Fritz Saxl). Este es el caso de la mitica Magdalena, quien ha funcionado como agente contaminante para crear toda una estirpe de herederas, entre las que se encuentran las mujeres caidas. Estos personajes viven su auge en la literatura decimononica, teniendo tambien su presencia en la pintura de esa misma cronologia. Despues, saltaran al cine con un importante momento de auge en la segunda decada del siglo XX. NO ME PERMITE TERMINAR DE INCLUIR EL RESUMEN EnglishImages can be a point of influence for the creation of other images, stories or characters. This is true of the mythical Mary Magdalene, a contaminating factor in the creation of a whole line of heiresses, among them fallen women. These characters experienced their apogee in 19th-century literature and art, before making the move to cinema and becoming especially prevalent in the second decade of the 20th century. This paper studies this phenomenon in North American cinema of the period between 1910 and 1919. Two main issues are addressed: the legacy of Mary Magdalene and its theoretical foundations; and the possibilities offered by the film press in gaining an understanding of films that have not survived to this day.