6533b836fe1ef96bd12a05b6
RESEARCH PRODUCT
Fautes musicales et fautes textuelles dans les lais lyriques transmis par les chansonniers du Roi (M) et de Noailles (T)
Francesco Carapezzasubject
Settore L-FIL-LET/09 - Filologia E Linguistica Romanzalais lyriques anonymes[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsRomance Philologytextual criticismPhilologie romanechansonnier français MTextual Criticism Romance Philology Medieval Musicology scribal error anonymous lyrical lais French Chansonnier M French Chansonnier T French Chansonnier fragment Bo.French chansonnier Tcritique textuelleFrench chansonnier Mcritique textuelle philologie romane musicologie médiévale faute textuelle faute musicale lais lyriques anonymes chansonnier français M chansonnier français T fragment de chansonnier français Bo.[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsFrench chansonnier fragment BoSettore L-ART/07 - Musicologia E Storia Della Musicamusicologie médiévalefragment de chansonnier français Bomedieval musicologyanonymous lyrical laischansonnier français Tdescription
In this contribution we shall present some anomalies in the musical notation of the anonymous lyric lais transmitted by French chansonniers M and T (i.e. Kievrefoil, Markiol and Nompar), which share the same source, and to which a recently discovered chansonnier fragment (Bo) can be added. The plural attestation of these heterostrophic texts allows to nuance the strict notion of musical error, advocated by John H. Marshall for this very corpus. Finally, we discuss an interesting case (Nompar, str. X) where musical notation can effectively help the reconstruction of a text corrupted in both witnesses.
| year | journal | country | edition | language |
|---|---|---|---|---|
| 2020-01-01 |