6533b850fe1ef96bd12a856a

RESEARCH PRODUCT

Influences of rhythm- and timbre-related musical features on characteristics of music-induced movement

Suvi SaarikallioPetri ToiviainenBirgitta BurgerGeoff LuckMarc Thompson

subject

lcsh:BF1-990musical feature extractionEmbodied music cognitionspectral fluxliikkeenkaappaus050105 experimental psychology03 medical and health sciences0302 clinical medicinePopular musicRhythmmotion capturedancePsychology0501 psychology and cognitive sciencesSet (psychology)music-induced movementGeneral PsychologyInduced movementOriginal ResearchCommunicationMovement (music)business.industrypulse clarity05 social scienceslcsh:PsychologyEmbodied cognitionta6131businessPsychologyTimbre030217 neurology & neurosurgery

description

Music makes us move. Several factors can affect the characteristics of such movements, including individual factors or musical features. For this study, we investigated the effect of rhythm- and timbre-related musical features as well as tempo on movement characteristics. Sixty participants were presented with 30 musical stimuli representing different styles of popular music, and instructed to move along with the music. Optical motion capture was used to record participants’ movements. Subsequently, eight movement features and four rhythm- and timbre-related musical features were computationally extracted from the data, while the tempo was assessed in a perceptual experiment. A subsequent correlational analysis revealed that, for instance, clear pulses seemed to be embodied with the whole body, i.e., by using various movement types of different body parts, whereas spectral flux and percussiveness were found to be more distinctly related to certain body parts, such as head and hand movement. A series of ANOVAs with the stimuli being divided into three groups of five stimuli each based on the tempo revealed no significant differences between the groups, suggesting that the tempo of our stimuli set failed to have an effect on the movement features. In general, the results can be linked to the framework of embodied music cognition, as they show that body movements are used to reflect, imitate, and predict musical characteristics. peerReviewed

10.3389/fpsyg.2013.00183https://doi.org/10.3389/fpsyg.2013.00183