6533b851fe1ef96bd12a9045

RESEARCH PRODUCT

Identification of lead pigments in nanosamples from ancient paintings and polychromed sculptures using voltammetry of nanoparticles/atomic force microscopy.

Xavier Mas-barberàMaría Teresa Doménech-carbóAntonio Doménech-carbó

subject

PaintingSculptureChemistryAtomic force microscopyMineralogyArchaeologyAnalytical ChemistryArchaeological sciencePigmentvisual_artvisual_art.visual_art_mediumLithargeFrescoVoltammetry

description

Voltammetry of nanoparticles coupled with atomic force microscopy was used to identify lead pigments in nanosamples proceeding from works of art. Upon mechanical attachment of few nanograms of sample to a graphite plate, well-defined voltammetric responses were obtained for lead orange, lead yellow, lead white, litharge, minium, Naples yellow, and tin-lead yellow, allowing for an unambiguous identification of such pigments. Atomic force images provide evidence for the occurrence of pigment-characteristic reduction processes accompanied by metal deposition on the graphite substrate. Electrochemical parameters are used for pigment identification. Application to the method for identifying lead pigments in different model binder+pigment specimens and pictorial samples from the canvas painting collection (anonymous, 17th century) of the Saint Joseph Church in Taormina (Italy), the frescoes painted by Antonio Acisclo Palomino y Velasco (1698) in the vault of the Sant Joan del Mercat church in Valencia (Spain) and an anonymous polychromed sculpture (16th century) representing a Martyr Saint from Alacant (Spain) is described.

10.1016/j.talanta.2006.07.053https://pubmed.ncbi.nlm.nih.gov/19071493