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RESEARCH PRODUCT
Amusic does not mean unmusical: Beat perception and synchronization ability despite pitch deafness
Nathalie GosselinIsabelle PeretzJessica Phillips-silverPetri Toiviainensubject
AdultAuditory perceptionmedicine.medical_specialtyCognitive NeuroscienceEmotionsExperimental and Cognitive PsychologyAmusiaAudiologyDiscrimination PsychologicalRhythmArts and Humanities (miscellaneous)otorhinolaryngologic diseasesDevelopmental and Educational PsychologymedicineHumansPitch PerceptionBeat deafnessCommunicationbusiness.industryAuditory Perceptual DisordersBody movementmedicine.diseasehumanitiesPersons With Hearing ImpairmentsNeuropsychology and Physiological PsychologyAcoustic StimulationTone deafnessCase-Control Studiesta6131Auditory PerceptionFemalebusinessPsychologyBeat (music)MusicPitch (Music)description
Pitch deafness, the most commonly known form of congenital amusia, refers to a severe deficit in musical pitch processing (i.e., melody discrimination and recognition) that can leave time processing--including rhythm, metre, and "feeling the beat"--preserved. In Experiment 1, we show that by presenting musical excerpts in nonpitched drum timbres, rather than pitched piano tones, amusics show normal metre recognition. Experiment 2 reveals that body movement influences amusics' interpretation of the beat of an ambiguous drum rhythm. Experiment 3 and a subsequent exploratory study show an ability to synchronize movement to the beat of popular dance music and potential for improvement when given a modest amount of practice. Together the present results are consistent with the idea that rhythm and beat processing are spared in pitch deafness--that is, being pitch-deaf does not mean one is beat-deaf. In the context of drum music especially, amusics can be musical.
year | journal | country | edition | language |
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2013-07-01 | Cognitive Neuropsychology |