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RESEARCH PRODUCT

Hidden sources of joy, fear, and sadness: Explicit versus implicit neural processing of musical emotions.

Brigitte BogertBenjamin P. GoldElvira BratticoIballa BurunatTaru Numminen-konttiJouko LampinenMikko SamsJussi Numminen

subject

MaleBrain activity and meditationCaudateEmotionsHappinessBehavioral Neuroscience0302 clinical medicineImage Processing Computer-AssistedBRAIN-REGIONSAttentionmedia_commonBrain MappingCognitive neuroscience of musicmedicine.diagnostic_test05 social sciencesPROSODYBrainFearMiddle AgedFUNCTIONAL MRIMagnetic Resonance ImaginghumanitiesSadnessmedicine.anatomical_structureNEUROSCIENCEFMRIta6131CAUDATE-NUCLEUSFemalePsychologyimplicit processingCognitive psychologyExplicit processingAdultexplicit processing515 PsychologyCognitive Neurosciencemedia_common.quotation_subjectmusiikkiemotionExperimental and Cognitive PsychologyImplicit processingbehavioral disciplines and activitiesta3112050105 experimental psychologyPremotor cortex03 medical and health sciencesYoung AdultJournal ArticlemedicineMiddle frontal gyrusHumans0501 psychology and cognitive sciencescaudateMEANINGLESS SPEECHBACKGROUND MUSICEmotion3112 NeurosciencesOxygenAcoustic StimulationMusic and emotionOrbitofrontal cortexVOXEL-BASED METAANALYSISFunctional magnetic resonance imaginghuman activities030217 neurology & neurosurgeryMusicPhotic StimulationRESPONSES

description

Music is often used to regulate emotions and mood. Typically, music conveys and induces emotions even when one does not attend to them. Studies on the neural substrates of musical emotions have, however, only examined brain activity when subjects have focused on the emotional content of the music. Here we address with functional magnetic resonance imaging (fMRI) the neural processing of happy, sad, and fearful music with a paradigm in which 56 subjects were instructed to either classify the emotions (explicit condition) or pay attention to the number of instruments playing (implicit condition) in 4-s music clips. In the implicit vs. explicit condition, stimuli activated bilaterally the inferior parietal lobule, premotor cortex, caudate, and ventromedial frontal areas. The cortical dorsomedial prefrontal and occipital areas activated during explicit processing were those previously shown to be associated with the cognitive processing of music and emotion recognition and regulation. Moreover, happiness in music was associated with activity in the bilateral auditory cortex, left parahippocampal gyrus, and supplementary motor area, whereas the negative emotions of sadness and fear corresponded with activation of the left anterior cingulate and middle frontal gyrus and down-regulation of the orbitofrontal cortex. Our study demonstrates for the first time in healthy subjects the neural underpinnings of the implicit processing of brief musical emotions, particularly in frontoparietal, dorsolateral prefrontal, and striatal areas of the brain. (C) 2016 Elsevier Ltd. All rights reserved. Peer reviewed

10.1016/j.neuropsychologia.2016.07.005https://pubmed.ncbi.nlm.nih.gov/27394152