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RESEARCH PRODUCT
Repetition priming: Is music special?
Emmanuel BigandD. ManderlierBarbara TillmannBénédicte Poulin-charronnatsubject
Sound Spectrographymedia_common.quotation_subjectRepetition primingPilot Projects050109 social psychologyExperimental and Cognitive PsychologyMusical050105 experimental psychologyPitch DiscriminationPerceptionReaction TimeHumans0501 psychology and cognitive sciencesGeneral Psychologymedia_commonCommunicationbusiness.industry05 social sciencesSignificant differenceEnvironmental soundsAssociation LearningCognitionMemory Short-TermAuditory PerceptionChord (music)CuesPsychologybusinessPriming (psychology)MusicPsychoacousticsCognitive psychologydescription
Using short and long contexts, the present study investigated musical priming effects that are based on chord repetition and harmonic relatedness. A musical target (a chord) was preceded by either an identical prime or a different but harmonically related prime. In contrast to words, pictures, and environmental sounds, chord processing was not facilitated by repetition. Experiments 1 and 2 using single-chord primes showed either no significant difference between chord repetition and harmonic relatedness or facilitated processing for harmonically related targets. Experiment 3 using longer prime contexts showed that musical priming depended more on the musical function of the target in the preceding context than on target repetition. The effect of musical function was decreased, but not qualitatively changed, by chord repetition. The outcome of this study challenges predictions of sensory approaches and supports a cognitive approach of musical priming.
year | journal | country | edition | language |
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2005-12-21 | The Quarterly Journal of Experimental Psychology Section A |