Search results for " Iconography"

showing 10 items of 48 documents

Iconography and monumental art in "feodal space" from the 10th to the 12th century : the depiction of the Three Kings and its spread

2012

This dissertation deals with the iconography of the Three Kings from the Xth to the XIIth century, by means of a study of its adaptation on monumental decoration in Latin Europe, so as to unravel how it was adapted by feudal society. In order to do so, the first question is that of the new royal status acquired in the Xth century by the Magi from the Gospel of Matthew, analyzed thanks to the concept of “ruler figure” that emerged at the time and was depicted by Marc Bloch in Les Rois thaumaturges (1924) and Ernst Kantorowicz in the The King’s Two Bodies (1957). The aim is to define where the newly defined Three Kings stand in the intricate network of “ties between man and man” theorized by …

Occident latinWise MenLatin OccidentFeudalismArt monumentalMagiSpace[SHS.RELIG] Humanities and Social Sciences/Religions[ SHS.ART ] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history1000-1200RoyautéChristian iconographyRois magesFéodalité[SHS.RELIG]Humanities and Social Sciences/ReligionsKingshipArchitectural decorationEspace[SHS.ART] Humanities and Social Sciences/Art and art history[ SHS.RELIG ] Humanities and Social Sciences/ReligionsÉpiphanieIconographie chrétienne
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Co łączy "Wędrowca nad morzem chmur" i "Kobietę w oknie" - bohaterów płócien Caspara Davida Friedricha

2020

The author attempts to interpret two paintings by Caspar David Friedrich with the motif of the hero turned with the back to the spectator. The former is one of his most renown works entitled Wanderer above the Sea of Fog also known as Wanderer Above the Mist, the latter, a slightly later work Woman at a Window – the example of a frequently used open widow motif in the iconography of Romanticism. The differences that decide on the meaning of these two canvases – as the author argues – is the gender of the created personas and the place from which they perceive the world.

Romantic iconographysztukafine artsmistykamysticismikonografia romantyczna
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The Visual Experience of Triumphant Church. The Mosaic of S. Maria in Trastevere

2021

Rome; Christian art; Medieval; Mosaic; Iconography. Epigraphy; Liturgy; Art theory; Colors; Church Reform; 11th century[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and PrehistoryIconography. EpigraphyColorsChurch ReformRomeChristian artSettore L-ART/01 - Storia dell'Arte Medievale11th centuryMosaicMedievalArt theoryLiturgy
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Czytanie malarstwa romantycznego w szkole – aksjologiczny wymiar malarstwa Caspara Davida Friedricha

2015

Autorka szkicu podejmuje próbę diagnozy dzisiejszej sytuacji panującej w szkolnej metodyce „czytania” dzieł malarskich i kreśli idealną sytuację szkolnej egzegezy sztuk plastycznych, pozwalającą na wniknięcie w trzy wymiary dzieła: ontologiczny, semiotyczny i aksjologiczny. Jako przykład twórców, których obrazy dają szerokie możliwości interpretacyjne i umożliwiają odkrywanie metafizycznego wymiaru sztuki, podaje ikonografię romantyczną, a w niej malarstwo Kaspara Davida Friedricha. Zasadniczą część szkicu stanowi interpretacja dwóch obrazów niemieckiego artysty z motywem bohatera odwróconego plecami do widza. Pierwszy z nich to jedna z bardziej znanych jego kompozycji pt. Wędrowiec nad mor…

School methodologyRomantic iconographymetodyka nauczaniasztukamysticfine artsikonografia romantycznamistyka.Polonistyka. Innowacje
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Le tympan du portail central de la cathédrale de Nantes

1998

The tympanum of the central portal of Nantes cathedral. Owing to a reassessment of the available sources on the sculptured decor of the façade of Saint-Pierre et Saint-Paul cathedral in Nantes, it is possible to bring some precisions about the original state of the building. The tympanum of the central portal of this façade did not present, as is usually acknowledged, an original openwork design which was filled up in the 17th century when the organ loft was erected. The analysis of the still existing remnants, as well as the size and nature of the stones used in this portal leads one to think that its present state dates back to the actual construction. Textual pieces of evidence allow the…

Sculpturemedia_common.quotation_subject11. SustainabilityFrance religious architecture 15th-17th centuries ; Nantes cathedral ; sculptured tympanum ; iconography ; Last Judgment.Art historyFacade[SHS.ART] Humanities and Social Sciences/Art and art historyArt[SHS.ART]Humanities and Social Sciences/Art and art historyIconographyComputingMilieux_MISCELLANEOUSOpenworkmedia_common
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LO STROBILO DI ABETE DELLE MADONIE (ABIES NEBRODENSIS) IN UN DISEGNO INEDITO DI ANGELINA DAMIANI LANZA

2017

The cone of Abies nebrodensis (Pinaceae) in an unreleased watercolored drawing by Angelina Damiani Lanza. – A watercolored drawing of the Abies nebrodensis cone, the endemic fir tree of the Madonie Mountains, in Sicily, for a long time considered extinct, is presented and commented on. Made by Angelina Damiani, daughter of architect Giuseppe Damiani Almeyda and husband of Domenico Lanza, the first Sicilian botanist who is interested in protecting the threatened tree species. The de- sign, donated by the daughter of the authoress, Maria Filippina Lanza Sangiuliano, and since 2006 exhibited in the small museum of the Palermo Botanical Garden, highlights the historical and scientific importanc…

Settore BIO/02 - Botanica Sistematicalants and art botanical iconography threatened plants flora Abies ne- brodensis Sicily.
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The Urban Landscape in the Graphic Representation of the Cathedral of Palermo

2018

This study proposes some reflections on the relationship between the Cathedral of Palermo and the urban portion where it is placed, in relation to the indissoluble connection with the landscape that in the history offered a variety of perceptive suggestions marked by the passage and the coexistence of different cultural and social domination. To this end, the multiscale historical-urban planning analysis puts in place the role that territorial and urban morphology has had over time in relation to the Cathedral of Palermo. In this sense, the relationship between the architectural artefacts, such as the Royal Palace and the Town Hall, and the urban context is studied according to its access r…

Settore ICAR/17 - DisegnoDrawing of architecture cathedral of Palermo digital modelling iconography landscape representation
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La Piazza del Garraffello a Palermo tra iconografia storica e attualità

2018

The proposed contribution is focused on the graphic analysis of an eighteenth-century perspective view portraying one of the most ancient squares of the City of Palermo (piazza Garraffello). It is an engraving print made by F. Cichè in 1711 on commission of the Guild of Silversmiths: the square is completely described with the fountain (still existing) in the foreground, and with the corporate lodges of foreign nations in the background (these two buildings nowadays have disappeared). In the picture is also visible a temporary triumphal arch with canopy erected by the same guild who had commissioned the view: this is the object of main perspectival interest. The study of the perspective use…

Settore ICAR/17 - DisegnoHistorical iconography graphic analysis three-dimensional reconfiguration.
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Letture grafiche sulla città di Bressanone: modelli e schemi

2019

L’articolo affronta un’analisi morfologica e urbana di Bressanone attraverso la modellazione digitale del territorio e del tessuto edilizio con l’obiettivo di definire una modalità di osservazione dal paesaggio alla città in grado di fornire, attraverso l’elaborazione di nuove immagini, gli strumenti per la conoscenza del patrimonio storico-architettonico di Bressanone. I valori simbolici, restituiti dalle immagini prodotte, declinano la complessità orografica e urbana nel linguaggio della rappresentazione che traduce il processo analitico in un apparato iconografico digitale. Le vedute realizzate a partire dal XVI secolo vengono integrate con le nuove elaborazioni grafiche, rintracciando i…

Settore ICAR/17 - Disegnoanalisi grafica modellazione digitale Bressanone iconografia digitale ricostruzione storico-urbanistica.graphic analysis digital modeling Bressanone digital iconography historic-urban reconstruction.
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Iconografie religiose fenicie nelle emissioni di Melite (Malta)

2005

Unlike the Punic issues of Sicily, in which the Phoenician religious iconography plays only a marginal role, on the coins of the III-II century BC. J. C. of Melite, this theme is very present. The permanence of these themes in the monetary issues of peripheral and marginal areas, such as Melite, can be explained as a desire to preserve a cultural heritage and the relative religious identity, which resisted the political conquest of Rome (218 BC)

Settore L-ANT/04 - Numismaticamonetary iconography Melite religious iconography coins cultural heritage
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