Search results for " Literary theory"

showing 10 items of 1759 documents

Eric Fernie, Romanesque Architecture: The First Style of the European Age. (Pelican History of Art Series.) New Haven: Yale University Press, 2014. P…

2015

Cultural StudiesHistoryWhite (horse)HistoryLiterature and Literary TheoryVisual Arts and Performing ArtsbiologyReligious studiesArt historyHavenStyle (visual arts)PhilosophyPelicanbiology.animalArchitectureTheologyHistory of artSpeculum
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Morphologie, sélection et mythe du corps idéal.

2011

9 pages; National audience

Cultural StudiesHistory[ SDV.BID.EVO ] Life Sciences [q-bio]/Biodiversity/Populations and Evolution [q-bio.PE]Literature and Literary Theory[SDV.BID.EVO] Life Sciences [q-bio]/Biodiversity/Populations and Evolution [q-bio.PE]BiologyComputingMilieux_MISCELLANEOUS
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Des curés chez Bacchus : satire anticléricale et opposition politique chez Gustave Courbet (1863-1868)

2013

International audience; Dans les années 1860, parallèlement à sa virulente opposition au Second Empire, Gustave Courbet produit des tableaux, pamphlets et illustrations qui servent son combat anticlérical. En écho au Retour de la conférence, refusé pour immoralité au Salon de 1863 et au Salon des Refusés – l’œuvre montre un cortège de curés ivres –, le peintre publie en 1868 un opuscule, Les Curés en goguette, illustré de six dessins qu’il conçoit comme une extension de son tableau original et comme une intervention polémique, à caractère satirique, dans la tradition de la caricature anticléricale. Mais cette suite d’images, jusqu’alors peu étudiée, croise d’autres préoccupations de Courbet…

Cultural StudiesHistory[SHS.DROIT]Humanities and Social Sciences/Law[SHS.DROIT] Humanities and Social Sciences/LawLiterature and Literary TheoryVisual Arts and Performing Artssatire anticléricalecurésBacchusGustave Courbet16. Peace & justice[ SHS.DROIT ] Humanities and Social Sciences/Lawopposition politique
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Ciudad ideal y ciudad real en el teatro de Calderón

2020

La ciudad en el teatro de Calderon se elabora segun procedimientos deicticos que se originan de dos perspectivas epistemologicas que connotan la Weltanschauung de autor constitutiva de su ‘Filosofia de la Historia’. La primera plantea una vision escatologica de toda la historia humana elaborada a partir de la Patristica hasta san Agustin ( De civitate Dei ). La segunda procede de la cultura humanistica renacentista que establece los preceptos del escenario en la base de la distincion de los generos dramaticos. Sin embargo, la poetica del autor a veces construye las dos perspectivas de forma dialectica, puesto que traza un esbozo de la ciudad que se muestra en su vigencia y en su evolucion. …

Cultural StudiesHistorylcsh:French literature - Italian literature - Spanish literature - Portuguese literatureLiterature and Literary TheoryVisual Arts and Performing ArtsPhilosophylcsh:PQ1-3999HumanitiesHipogrifo: Revista de Literatura y Cultura del Siglo de Oro
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Baudelaire’s Influence on Duo Duo’s Poetry through Chen Jingrong, a Chinese Woman Poet Translating from French

2012

Abstract As a woman poet, Chen Jingrong’s productions encompassed the whole 20 th century: of particular interest are her poetry translations from the French language. Thanks to her translation work, valuable understanding of Charles Baudelaire’s poetry was made available in China, which influenced the Chinese contemporary poet, Duo Duo, when he first started writing poetry during his youth. This paper tries to depict the importance of this contribution of Chen Jingrong and its effect on the process of renovation of the contemporary poetic scene in China. Keywords: Chen Jingrong, Baudelaire, Duo Duo, contemporary Chinese poetry, translation Izvlecek Opus kitajske pesnice Chen Jingrong zaobj…

Cultural StudiesHistorylcsh:H53Literature and Literary TheorySociology and Political Sciencemedia_common.quotation_subjecttranslationChenBaudelaireChinamedia_commonlcsh:Social sciences and state - Asia (Asian studies only)LiteraturebiologyPoetrybusiness.industrycontemporary Chinese poetryChen Jingrong Baudelaire Duo Duo contemporary Chinese poetry translationFrenchArtbiology.organism_classificationlanguage.human_languageChen JingrongPhilosophylanguageChinese poetryPerformance artbusinessDuo DuoAsian Studies
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(De)constructing “America”: the Case of Emir Kusturica’s Arizona Dream (1993)

2010

By means of an analysis of Kusturica’s only film about America, Arizona Dream, this article argues that while the United States offers a vision of a united society founded on diversity, it also represses, altering in the process both society and the landscape. National unity is consequently a dream – a dream the film suggests that has often been dreamed up by un-Americans. Filtered through Kusturica’s own perceptions of America – and his position on the Balkan War (1991-2001) – the film seems to suggest sadness at the loss of a multi-ethnic, multi-cultural perspective. Through its representations of geography and ethnic diversity, and its dense network of filmic citations, what Arizona Drea…

Cultural StudiesHistorylcsh:United StatesHistoryLiterature and Literary TheorySociology and Political Sciencemedia_common.quotation_subjectFilm citationGeography Planning and DevelopmentAuteur theoryNew Yorklcsh:HM401-1281Balkan Warlcsh:History AmericaEskimosPoliticsMovie theaterMetafictionCultural diversityDreamlcsh:E-FArizona Dreammedia_commonLiteratureGeographybusiness.industryMedia studiesEthnic diversityAmerican Dreamlcsh:Sociology (General)lcsh:E151-889InuitMetafictionDeconstructionbusinessSocial Sciences (miscellaneous)AlaskaDiversity (politics)European Journal of American Studies
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La quête des “gréviculteurs

2017

International audience

Cultural StudiesHistoryquêteLiterature and Literary Theory[ SHS.HIST ] Humanities and Social Sciences/History[SHS.HIST] Humanities and Social Sciences/History[SHS.HIST]Humanities and Social Sciences/HistorygréviculteursComputingMilieux_MISCELLANEOUS
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El mito de Narciso en Yo soy otro (2008) de Óscar Campo: del misterio del ser a la violencia (auto)terrorista

2017

En el presente artículo, analizaremos al detalle la refiguración posmoderna del mito clásico de Narciso en el largometraje Yo soy otro (2008), dirigido por el cineasta colombiano Óscar Campo. Según argüiremos desde una amplia perspectiva filosófica enfocada en las epistemologías contemporáneas del individuo posmetafísico, este filme propone una apropiación audaz de la trágica historia del efebo heleno que subsume las preocupaciones existenciales que determinan al sujeto contemporáneo y causan su auto-absorción individualista, su líquida impotencia, su falta de referentes trascendentales y sus pulsiones mortíferas.

Cultural StudiesIndividualismPsychoanalysisLiterature and Literary TheoryTerrorismFilm directorSubject (philosophy)Art historySociologyTranscendental numberMythologyPostmodernismExistentialismAmaltea. Revista de mitocrítica
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Un asesinato en la Valldigna (Valencia, 1492)

2005

In 1492, a fatal robbery was committed in a small village in the Kingdom of Valencia. This article analyses the statements of the witnesses to a confession of this crime that were recorded in an Arabic document. The document provides evidence for the application of sharī'a law among Muslims in a territory that was no longer part of an Islamic state - in this case, the meting out of punishments for blood crimes. The survival of the document as part of the case file of the Christian court that adjudicated the case shows that the Valencian justice system considered valid documents produced by a Muslim judge, by a court clerk or by a notary. Moreover, these decisions were provided in Arabic wit…

Cultural StudiesLegal normHistoryHistoryLiterature and Literary Theorylcsh:CB3-482lcsh:Islammedia_common.quotation_subjectBP1-253Islamlcsh:History of CivilizationConfessionEconomic JusticeIslamValencianlanguage.human_languageKingdomState (polity)LawPhenomenonlanguageHistory of CivilizationCB3-482lcsh:BP1-253media_commonAl-Qanṭara
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Framing Migrant Memories: Lampedusa's Fragmented Archives

2022

The small island of Lampedusa, a key destination of the Central Mediterranean Route connecting Africa to Italy, offers a special observatory on the contemporary trans-Mediterranean odyssey of migrants, although often transformed into a “border spectacle.” Upon landing, migrants are stripped of their belongings, as these are impounded by the authorities. Such an act of dispossession is intended to deprive them of their histories, family ties and cultural identity. Photographer Mario Badagliacca has portrayed a selection of these lost and retrieved items in his work Fragments (2013). Each object reveals expectations, fears, desires, endurance, but cannot tell a full story. They are fragments …

Cultural StudiesLinguistics and LanguageBorder SpectacleLiterature and Literary TheoryMario Badagliacca's FragmentLampedusa; Black Mediterranean; Border Spectacle; Mario Badagliacca's Fragments; photography and poetry; Maaza Mengiste's “Nepenthe”; African Diaspora; ArchivesLampedusaphotography and poetryArchiveAfrican DiasporaSettore L-LIN/10 - Letteratura IngleseBlack MediterraneanMaaza Mengiste's NepentheAltre Modernità
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