Search results for " MUSEUM"

showing 10 items of 218 documents

Proximité identitaire « publics musée d’art » et fréquentation du lieu culturel

2018

The value that individuals attach to a cultural object can be explained, among other things, by their individual identity project or belonging to a group. We will try to consider new strategic orientations for art museum professionals that can achieve several objectives regarding the museum visitors (or non-visitors): increase their attendance, change the relationship of the art museum with the public and attract other individuals.This work allows the conceptualization of the "public-art museum" identity proximity, the confirmation of its dimensions, and finally, the analysis of the relationship between the "public-art museum" identity proximity and the attendance the behaviour of the cultu…

Identité socialePublics[SHS.MUSEO] Humanities and Social Sciences/Cultural heritage and museologyIdentity proximityMusée d’art[SHS.GESTION]Humanities and Social Sciences/Business administrationSocial identityArt museum[SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museologyAttendance behaviourProximité identitaireComportement de fréquentation[SHS.GESTION] Humanities and Social Sciences/Business administration
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La dimensione tecnologica del museo: forme, tecniche, "identità mutanti" tra storia e contemporaneità

2005

Nella cultura contemporanea il tema della conservazione dell’eredità storica, della rappresentazione e della trasmissibilità dell’arte è argomento ampiamente dibattuto. La forza culturale del museo, detentore dell’eredità, può essere interpretata secondo diverse traiettorie di forme. La memoria intende esprimersi sulle origini e sul significato della "macchina museale" attraverso l’analisi critica dell’oggetto, sia esso contenitore, palco di rappresentazione o scena interattiva. Sonda i processi di comunicazione relativamente alla forma architettonica, alla funzione ed alla fruizione del prodotto espositivo. Tenendo conto delle diverse scuole di pensiero sulla spettacolarizzazione dell’arte…

In present days the storical heritage the transmission of art and its performance is very important argument of debate. Its representation is the building museum in many different forms. The building museum of art is the most important place for exsposition of masterpieces instead the museum of architecture exhibits the works through projects and patterns. Today museum reconstructs the human perception of space using new technologies. The same thing happens for the museum of science and technique where the visitor gets involved in scientific representation. Therefore museum can be a place of study and scientific research. It can be either memory of past times or place of contemporaneity. This study expresses origin and meaning of building museum through the critical analysis of architectonic forms technological aims and the proper use of the exspositive space.Settore ICAR/12 - Tecnologia Dell'Architettura
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Document Word Clouds: Visualising Web Documents as Tag Clouds to Aid Users in Relevance Decisions

2009

Περιέχει το πλήρες κείμενο Information Retrieval systems spend a great effort on determining the significant terms in a document. When, instead, a user is looking at a document he cannot benefit from such information. He has to read the text to understand which words are important. In this paper we take a look at the idea of enhancing the perception of web documents with visualisation techniques borrowed from the tag clouds of Web 2.0. Highlighting the important words in a document by using a larger font size allows to get a quick impression of the relevant concepts in a text. As this process does not depend on a user query it can also be used for explorative search. A user study showed, th…

Information retrievalProcess (engineering)Computer sciencemedia_common.quotation_subjectDocument clusteringUser requirements documentWorld Wide WebPerceptionRelevance (information retrieval)Tag cloudtf–idfΤεχνικές υπηρεσίες σε βιβλιοθήκες αρχεία και μουσείαTechnical services in libraries archives and museumsWord (computer architecture)media_common
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Il mare colore del sangue

2018

In their artwork "Calendoola: SURUS", visual artists Simone Trabucchi and Simone Bertuzzi AKA Invernomuto, in their characteristically visionary language combine sensory experiences and political urgency, offering a reflection on a potentially dystopian society incapable of coming to terms with its own history of colonial, imperial, neocolonial, and global domination. In their 2018 installation at the MAXXI Musuem in Rome, men bleed, turtles lie on their backs, and elephants look on, wise and inexorable. Meanwhile the sea is burning and has turned blood-red. It is the blood of the sons who cross it from opposite sides of the Mediterranean, some succeeding, others succumbing to its abysses. …

InvernomutoCalendoola: Surucolonialismvisual artrepresentationthe Black MediterraneanneocolonialismMAXXI Museum.migration
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Leonard Woolley, Lawrence d’Arabie et les fouilles de Karkémish

2008

essay on the excavations of Karkemish

Lawrence d'Arabia Leonard Woolley archaeology and colonialism Syria British MuseumSettore L-OR/05 - Archeologia E Storia Dell'Arte Del Vicino Oriente Antico
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Un inedito ritratto di Leonora Cybo nelle collezioni di Palazzo Falson a Malta

2013

Il saggio studia un affascinante ritratto della nobildonna toscana Leonora Cybo, oggi a Palazzo Falson Historic House Museum (Malta)

Leonora (Eleonora) Cybo Chiappino Vitelli Palazzo Falson Historic House Museum MaltaSettore L-ART/02 - Storia Dell'Arte Moderna
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An enigmatic portrait of Leonora Cybo at Palazzo Falson

2013

An unpublished portrait of the Tuscan noblewoman Leonora Cybo is kept today at Palazzo Falson Historic House Museum in Mdina (Malta).

Leonora Cybo Palazzo Falson Historic House Museum Mdina (Malta) Chiappino VitelliSettore L-ART/02 - Storia Dell'Arte Moderna
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Museum services modernization in Latvia and Lithuania: observation results

2021

Straipsnyje analizuojama muziejų paskirtis ir jų veiklos kismas keičiantis visuomenei. Muziejai turėtų ne tik atlikti kaupiamąją, šviečiamąją, bet ir auklėjamąją funkcijas, siekdami pritraukti išrankius (ypač jaunesnio amžiaus) lankytojus, todėl svarbu paslaugas modernizuoti. Pritaikius stebėjimo metodą, aplankyti 22 muziejai Lietuvoje ir Latvijoje. Taikant teorijoje išskirtus paslaugų modernizavimo kriterijus muziejuose nustatyta, kad vis dar daugelio jų lankymo laikas nepatrauklus, pasigendama paslaugų žmonėms su negalia, trūksta įtraukimo į muziejinę veiklą, elementarių paslaugų, kaip kavinių, parduotuvių, kur lankytojai galėtų nusipirkti replikas, eksponatų suvenyrų kopijas. The evolvin…

Lietuva (Lithuania)Muziejai / MuseumsStebėjimasLatvija (Latvia)General Earth and Planetary SciencesObservationLatviaGeneral Environmental ScienceRegional Formation and Development Studies
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Mario di Laurito, Madonna dell’Itria, 1529-1536

2022

Observations on the canvas, due to the brush of Mario de Laurito, an elegant painter of composite culture active between Naples and Sicily in the first half of XVI century, it came to the Diocesan Museum of Palermo from the local church of the archconfraternity of the Santissima Annunziata "outside Porta San Giorgio "(late fifteenth - early sixteenth century, for which Travagliato 2010) fortunately shortly before the allied bombings on Palermo which between April and May 1943 caused the destruction (Guiotto 1946).

Marian iconographySettore L-ART/01 - Storia Dell'Arte MedievaleMario di LauritoDiocesan MuseumMadonna of the ItriaRenaissance paintingSicilyPalermo
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Pittore attivo in Sicilia nella seconda metà del XV secolo, Madonna dell’Itria

2022

The complex conservative history of the work, the Madonna dell’Itria, executed in fresco, detached from the back wall of the presbytery of the eponymous sacred building and restored in 1990, then transferred to the Diocesan Museum of Palermo

Marian iconographylate Gothic paintingSettore L-ART/01 - Storia Dell'Arte MedievaleDiocesan MuseumMadonna of the ItriaSicilyPalermo
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