Search results for " Musica"

showing 10 items of 901 documents

Stockhausen, l'utopia musicale a Palermo

2008

Settore SPS/08 - Sociologia Dei Processi Culturali E ComunicativiK.H.Stockausen Settimane di Nuova Musica
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L'ultimo Pierrot

2014

Settore SPS/08 - Sociologia Dei Processi Culturali E ComunicativiSociologi della musica- Austria- Krngold
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Heinz-Klaus Metzger o della musica negativa

2010

Settore SPS/08 - Sociologia Dei Processi Culturali E Comunicativicritica musicale Avanguardia musicale del secondo dopoguerra
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Canti di Sicilia: un percorso musicale fra Otto e Novecento

2017

Il saggio prende le mosse dalle prime ricerche sulla musica popolare siciliana condotte da Vigo, Salomone Marino e Pitrè per soffermarsi sulle raccolta dei "Canti della terra e del mare di Sicilia" (1907) di Antonio Favara e sulla rielaborazione di una melodia trascritta da Alberto Favara inclusa da Luciano Berio nel ciclo "Folk Songs" (1964).

Sicilia Musica popolare Vigo Salomone Marino Pitrè Favara Tiby Canti della terra e del mare di Sicilia Uccello Berio Berberian Folk songsSettore L-ART/07 - Musicologia E Storia Della MusicaSicily Popular Music Vigo Salomone Marino Pitrè Favara Tiby Canti della terra e del mare di Sicilia Uccello Berio Berberian Folk Songs (1964)
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Musica e rito nei contesti anellenici della Sicilia di VI-V secolo a.C.

2014

Il rinvenimento di un frammento di aulos e di un pomello di una lyra tra i materiali dello scarico di Grotta Vanella a Segesta provenienti da un’area sacra posta sull’Acropoli, testimonianze di grande rilievo nel panorama della documentazione materiale della Sicilia greca e anellenica, sollecita a ripensare al ruolo e al valore della musica in certi contesti della Sicilia ‘indigena’. A fianco delle evidenze segestane, si analizza un caso appartenente a un altro comprensorio anellenico dell’isola, Sabucina (corredo della Tomba 78 della necropoli nord-est), che documenta quello stesso uso della musica e dei suoi simboli da parte di gruppi elitari come elemento di distinzione sociale e strumen…

Sicilia musica rito Segesta SabucinaSettore L-ANT/07 - Archeologia Classica
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La construcció del significat en l'obra d'Olivier Messiaen: «Saint François d'Assise», música de l'invisible

2014

El color, el so, el ritme, els ocells i la fe catòlica, són nocions d’una importància manifesta en el pensament musical del compositor francès Olivier Messiaen. Aquesta memòria se centra en l’estudi de la significació de la seva obra. El Saint François d’Assise representa la culminació de l’art musical de Messiaen. Malgrat la forma fragmentària de l’obra, la substància fonamental d’aquesta òpera no es troba en la narració de les diverses escenes de la vida del sant, sinó en l’articulació precisa dels significats que palesen el seu ascens espiritual devers la gràcia i la santedat. A través de l’anàlisi del discurs que trobem en l’aparell textual de l’obra, constituït pel llibret, i de l’anàl…

Significació musicalOperaOlivier Messiaen:CIENCIAS DE LAS ARTES Y LAS LETRAS::Teoría análisis y crítica de las Bellas Artes::Música musicología [UNESCO]UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS::Teoría análisis y crítica de las Bellas Artes::Música musicologíaSaint François d'AssiseMúsica del segle XXCatolicismeCant d'ocells
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The 'Other' Coastal Area of Venice: Musical Ties with Istria and Dalmatia

2018

Despite the difficulty of classifying the art music of Istria and Dalmatia, and according to several degrees of subordination, adaptation, and autonomy from Venice and Italy, the essay examines the multilingual society of the aforementioned regions and the extraordinary development of a rare Slavic-Romance cultural symbiosis during the sixteenth century. The main topics focused are: 1- the linguistic and cultural frame, 2 - the professional music from Koper (Capodistria) to the free Republic of Dubrovnik (Rugusa), 3 - the music for Protestants and the policy of Catholic Church at the time of the Counter Reformation, 4 - the value of incidental music on stage, either in Croatian or Italian t…

Sixteenth-Century Music Venice Istria Dalmatia Slavic-Romance Cultural SymbiosSettore L-ART/07 - Musicologia E Storia Della MusicaMusica del sedicesimo secolo Venezia Istria Dalmazia Simbiosi culturale slavo-romanza
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Musicologie sans frontières / Muzikologija bez granice / Musicology without Frontiers: Svecani zbornik za Stanislava Tuksara / Essays in Honour of St…

2010

La vita e l'opera di Stanislav Tuksar e il suo contributo alla musicologia internazionale. In particolare gli studi di estetica della musica e di storiografia, nonché il suo lavoro di editor della "International Review of the Aesthetics and Sociology of Music" e i saggi importanti sul rapporto tra le culture nazionali e il cosmopolitismo nell'Europa centrale, in relazione alla Croazia e agli Slavi del Sud dal sedicesimo al diciannovesimo secolo.

Slavi del SudMusica StoriografiaMitteleuropaSettore L-ART/07 - Musicologia E Storia Della MusicaEstetica; Musica Storiografia; Mitteleuropa; Slavi del SudEstetica
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Creating Digital Musical Instruments With and for Children: Including Vocal Sketching as a Method for Engaging in Codesign

2020

International audience; A class of master of science students and a group of preschool children codesigned new digital musical instruments based on workshop interviews involving vocal sketching, a method for imitating and portraying sounds. The aim of the study was to explore how the students and children would approach vocal sketching as one of several design methods. The children described musical instruments to the students using vocal sketching and other modalities (verbal, drawing, gestures). The resulting instruments built by the students were showcased at the Swedish Museum of Performing Arts in Stockholm. Although all the children tried vocal sketching during preparatory tasks, few …

Social PsychologyInformationSystems_INFORMATIONINTERFACESANDPRESENTATION(e.g.HCI)Context (language use)02 engineering and technologyMusicalvocal sketchingdigital musical instrumentschildrenprototype building0202 electrical engineering electronic engineering information engineeringMathematics education0501 psychology and cognitive sciences[INFO.INFO-HC]Computer Science [cs]/Human-Computer Interaction [cs.HC]Design methods050107 human factorsClass (computer programming)Modalities[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts4. EducationCommunication05 social sciences020207 software engineeringHuman-Computer Interactioncodesign[INFO.INFO-SD]Computer Science [cs]/Sound [cs.SD]Performing artsPsychologyperformanceGesture
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L’anxiété de performance dans l’enseignement musical. Une revue de littérature

2022

How might music teachers help their students cope with the anxiety-provoking aspects of public performance? This article aims to provide some elements to answer this question. It is important to consider that public performance is one of the main aspects of musical practice from the start of the learning process. Given the high prevalence of music performance anxiety—MPA among musicians of all levels and ages, the teacher has an important role. Based on a literature review, the sources of MPA are analyzed and, for each of them, strategies that could be used by a music teacher are indicated. Emphasis is placed on prevention and on the importance of raising music teachers’ awareness of MPA.

Social Sciences and Humanitiesliterature reviewanxiété de performance musicaleGeneral Medicinecoping strategiesmusic teachersmusic performance anxietyrévision de la littératurestratégies de gestionprévention[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artspreventionSciences Humaines et Socialesenseignants de musique[SHS] Humanities and Social Sciences
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