Search results for " Musica"
showing 10 items of 901 documents
Écriture et perception des grandes formes en musique contemporaine et, en particulier, chez Roger Reynolds. « Le cristal et la flamme »
2003
This PhD addresses the issue of musical time and form in the second half of the XXth century with the joint perspective of composition and perception. The first chapter describes composer’s main conceptions of musical time, compositional strategies, functions and formal models, as well as the main musicological theories concerning musical form. The second chapter is devoted to the semiotic square of musical form (definition, typological and syntagmatic approach). The third chapter is dedicated to R. Reynolds’The Angel of Death, a work that allows us to compare writing and perception. The fourth chapter reviews the main studies and theories forged by psychology around this question, and pres…
Music Cities. Estrategias para el desarrollo de la economía de la música
2016
El concepto de Music City está adquiriendo relevancia paralelamente al interés sobre el impacto económico de la cultura, especialmente del sector musical comercial, y su creciente importancia en la planificación urbanística. Con la política local y regional postcrisis en el punto de mira, la gestión cultural apoyada en una investigación apropiada posibilita el desarrollo de una estrategia musical que aproveche los recursos creativos e industriales del territorio. Coordinando a las instituciones públicas, la iniciativa privada y la ciudadanía, esta especialización estratégica genera beneficios transversales para la ciudad, aumentando también su atractivo para visitantes y residentes. The con…
Melodrammatici e risorgimentali: "I briganti" visti da Parigi
2022
L'articolo si concentra sull'opera di Saverio Mercadante e Jacopo Crescini "I briganti" (Parigi, Théâtre-Italien, 1836), e indaga, in una prospettiva storiografica culturale e ricostruttiva, i suoi significati melodrammatici e risorgimentali. The article focuses on the opera of Saverio Mercadante and Jacopo Crescini "I briganti" (Paris, Théâtre-Italien, 1836), and investigates, in a cultural and reconstructive historiographical perspective, its melodramatic and risorgimental meanings.
La Pazzia Senile e la sua regolata "fabrica"
2022
The contribution analyzes Adriano Banchieri’s “La Pazzia Senile” (1598-59) both as a publishing product, following its genesis and fortune, and as a poetic-musical artifact, examining its compositional style and performative implications. An in-depth study is devoted in particular to the relationship between “La Pazzia Senile” and commedia dell'arte
50 ans de psychologie de la musique
2011
International audience; Il y a cinquante ans paraissait La perception de la musique, ouvrage majeur par lequel Robert Francès instituait une forme novatrice d’approche du fait musical. Son style, sa cohérence scientifique, joints à une assise culturelle et à des intuitions exceptionnelles, lui confèrent une place d’autorité inégalée. Cette oeuvre vaut toujours à Robert Francès un important capital de sympathie et de respect souvent résumé par le titre de « père de la psychologie de la musique française ». L’héritage de La perception de la musiquese doit d’être pensé, débattu et analysé, surtout lorsque cinquante années de recul nous le permettent. C’est là tout le projet de ce recueil. Il r…
The rise of music historiography in Italy in the second half of the 19th century: Between positivism and evolutionism
2009
Alla tradizione della storia pensata e scritta dai filosofi, i quali deducevano il reale dall’universale secondo logiche aprioristiche, reagirono con forza i musicologi italiani L. Torchi e O. Chilesotti nella seconda metà del diciannovesimo secolo. La soggezione spontanea ai dettami del positivismo e dell’evoluzionismo permise a questi studiosi di affrontare qualsiasi tipo di linguaggio musicale, di rifiutare l’estetica romantica del sentimento associato ai simboli sonori e di dedicarsi alla raccolta dei reperti avanzando confronti sagaci sul piano delle forme e dei generi. Scopo del loro metodo, influenzato dalla coeva scuola degli studi storici della letteratura italiana, era dimostrare …
Logos e foné, musica e voce
2008
Fenomenologia della voce umana nella musica contemporanea
Musica humana
2011
La musica di Federico Incardona è pensiero in suoni: la costruzione vi è sempre al servizio d'un discorso dialettico, denso e profondo, ma limpido e fluido.
Introduzione. Il suono delle cose
2018
This paper introduces the book of the theoretical texts by the composer Federico Incardona (Palermo, 1958-2006), collected and put in order by his students, now stored in the musicological library of Palermo University; it draws a concept map to guide the reader into Incardona’s labyrinthine path. The fundamental concepts, highlighted and analyzed, are: the “inaudito” (what you never heard) as the result of a research in which the composer is involved even physically; the “sign”, as a tool to objectify the unheard; the “tone row” as the order of notes obtained by their bonds with the sensations and experiences: the epiphany of the sound of things: the “tradition” as “permanent revolution”, …