Search results for " Pompei"
showing 7 items of 17 documents
Una caccia al cinghiale, mostri marini e temi nilotici nei mosaici pavimentali dell’ottocentesco palazzo Forcella a Palermo: tra suggestioni classich…
2016
The Marquise Forcella palace in Palermo shows a curious mixture of neoclassical and neo-medieval styles. It was built in the years immediately after the revolution of 1820. Particularly close to the Borbonic Court, Enrico Forcella was the administrator of the restoration of the Royal Palace in Palermo. As he had at his disposal the same specialized workers of the Royal Palace, he decided to copy some of the artworks from King Roger’s room and the Cappella Palatina. He also added some details derived from other Norman buildings in Palermo. These included the Zisa Castle, but he also sourced the Islamic Palaces of Andalusia, in particular the Alhambra in Granada and the Alcazar in Seville. A …
Analogismi, relazioni e nessi concettuali
2018
Nell’osservare la mostra degli esiti didattici dei Laboratori di progettazione architettonica dei professori Renato Capozzi e Federica Visconti colpiscono alcuni aspetti che si ritiene possano essere assunti quali asserzioni concettuali e teoriche poste a fondamento dell’intero processo progettuale e della stessa idea di architettura ad esso sottointesa. Il ragionamento prende avvio dall’affermazione sulla “città archeologica” di Pompei come un giacimento di conoscenza architettonica e urbana. Gli esiti dei laboratori mostrano proprio questa straordinaria fertilità esercitata dalle vive testimonianze del mondo antico e la loro capacità di saper generare, ancora oggi, una reazione poetica. A…
Pittura antica e restauro virtuale
2020
This contribution presents the preliminary work, carried out over the past few months, concerning the reconstructive study of the paintings and mosaics of the Centennial House ", Insula IX-8, in Pompeii. In particular, the work focused on the decorated surfaces of 11 rooms located along the western part of the house, between the large central peristyle and the centenary alley. The different state of conservation of the paintings and mosaics made it necessary to use two different methods of digital intervention: the "virtual restoration" and the "virtual reconstruction". Both aim to reconstruct the initial condition of the appearance of the paintings at the time of their creation and use the…
Measure differential inclusions: existence results and minimum problems
2020
AbstractWe focus on a very general problem in the theory of dynamic systems, namely that of studying measure differential inclusions with varying measures. The multifunction on the right hand side has compact non-necessarily convex values in a real Euclidean space and satisfies bounded variation hypotheses with respect to the Pompeiu excess (and not to the Hausdorff-Pompeiu distance, as usually in literature). This is possible due to the use of interesting selection principles for excess bounded variation set-valued mappings. Conditions for the minimization of a generic functional with respect to a family of measures generated by equiregulated left-continuous, nondecreasing functions and to…
Echi pompeiani ed ercolanesi nella scenografia teatrale del XIX secolo
2010
Tra le opere liriche messe in scena nel primo Ottocento, alcune erano ambientate nell’antichità greco-romana. Per la creazione di scenari che apparissero plausibili gli scenografi talora riproducevano monumenti reali, come quelli di Pompei ed Ercolano.
Incontrarsi: teatri e ginnasi
2017
I teatri e i ginnasi sono tra le componenti più significative della riqualificazione del quadro urbano delle città ellenistiche, sia in Grecia che in Occidente. Si delineano gli aspetti culturali, sociali e ideologici di queste categorie di edifici- complessi e le valenze della loro acquisizione a Pompei.
Note sulla definizione della possessio nel Festo Farnesiano (Napoli, BNN, IV. A. 3)
2019
The eleventh-century manuscript known as the Codex Farnesianus (now Naples, BNN, IV. A. 3) sole medieval witness of Sextus Pompeius Festus' work De verborum significatione, transmits Aelius Gallus' definition of the legal concept of possession (Fest. pp. 260-262 L.). The interpretation of this definition entirely depends on the reconstruction of the text. Two passages are problematical because of two blank spaces (fol. 11r int., lin. 3 and lin. 4), in connection with which the scribe characterizes the model of the manuscript as 'blind' (caecus). Lindsay's edition of Festus' work does not constitute a codicologically valid starting point of for a reliable reconstruction of the definition. Fu…