Search results for " Rome"
showing 10 items of 64 documents
"...Lo quale pittore si domanda Sipione Cartaro Gaitano...". Scipione Pulzone, i Colonna e novità sulla committenza per le chiese cappuccine di Sicil…
2013
Grazie all’individuazione di alcuni documenti nell'ambito di una ricerca svolta presso l’Archivio Colonna di Subiaco, si sono potute ricostruire le vicende riguardanti la committenza di alcune opere di Scipione Pulzone da Gaeta, destinate a chiese cappuccine siciliane, da parte di membri della stessa famiglia Colonna. Thanks to the identification of a number of documents in the Colonna Archive in Subiaco, it was possible to reconstruct the events surrounding the commissioning of several works by Scipione Pulzone from Gaeta, destined for Capuchin churches in Sicily, by members of the Colonna family itself.
Cicero and the Opinion of the People: The Nature, Role and Power of Public Opinion in the Late Roman Republic
2007
Abstract This article deals with the concept of public opinion in the life and works of the Roman orator, philosopher and politician Marcus Tullius Cicero (106–43 BC). It is conceptualized as a contribution to the historiography of public opinion theory. The basis for the analysis of Cicero’s body of thought is his complete oeuvre: almost 800 letters, about 60 speeches and more than 20 treatises. After an introduction to the concepts of public opinion, the article is subdivided into four sections. First, Cicero’s terms and definitions of public opinion are excerpted from his speeches and philosophical treatises. Second, the text depicts which role and qualities Cicero attributed to public o…
S. Butler - S. Nooter, eds. Sound and the Ancient Senses (The Senses in Antiquity, vol. 6), London-New York: Routledge, 2019
2021
Review of S. Butler - S. Nooter, eds. Sound and the Ancient Senses (The Senses in Antiquity, vol. 6), London-New York: Routledge, 2019. An essential read for all those interested in the ‘soundscape’ of Antiquity – from rites to the human body, the physiology of hearing, myth, music on the stage, ancient emotions and contemporary attempts in reconstructing ancient sounds –, the volume offers a broad perspective on sounds and hearing in Antiquity by means of its fourteen essays, distributed into three parts (“Ancient soundscapes”, “Theories of sound”, “Philology and sound”).
CCDC 706838: Experimental Crystal Structure Determination
2009
Related Article: J.Frey, C.Tock, J.-P.Collins, V.Heitz, J.-P.Sauvage, K.Rissanen|2008|J.Am.Chem.Soc.|130|11013|doi:10.1021/ja801924y
Generi letterari e storiografia a Roma fra I secolo a.C. e I secolo d.C.
2021
Introduzione alla sezione della rivista che raccoglie gli atti del convegno svoltosi a Palermo il 13 e 14 dicembre 2018. Introduction to the section of the magazine that collects the proceedings of the conference held in Palermo on 13 and 14 December 2018.
Capitolo 8. L’apparato statuario
2022
The section contains a detailed study of the twelve sculptural pieces that were found in the "Gymnasium" complex. These include, beside two "ideal" sculptures - a semicolossal torso of the goddess Rome, and a fragmentary head of a "Vatergottheit" of small scale-, several portrait statues. Two of them (a fragment of a togatus and a fragmentary togatus wearing a ceremonial "laena") date back to the julio-claudian period, like the abovementioned statue of the goddess Rome, and are not in their originary context. Most probably, the laenatus and the statue of the goddess, coming from an official cultic context, yet unrecognized, of Rome and Augustus(?), were reemployed or discarded in the area o…
L'intonaco Li Vigni nell'architettura del XX secolo a Palermo. Nuove conoscenze e applicazioni diagnostiche per la manutenzione
2013
Il saggio presenta lo studio degli intonaci formulati per imitare le pietre e i marmi naturali che si diffondono in Sicilia all’inizio del XX secolo ed evidenzia che le prime applicazioni e la diffusione delle nuove malte, anche nel resto dell’Italia, risentono delle sperimentazioni condotte in tutta l’Europa. Il contributo riassume i risultati di una rigorosa e capillare ricognizione tra i brevetti conservati presso l’Archivio Centrale dello Stato a Roma inerenti alle malte per il confezionamento dell’intonaco a “finta pietra”, ne analizza i contenuti in modo critico e pone in risalto i contatti culturali con le sperimentazioni dei materiali in atto nell’ambito dei grandi cantieri di resta…
Tommaso Maria Napoli Utriusque Architecturae Compendium Roma 1688 Breve trattato sulle fabbriche civili e militari e la conservazione delle architett…
2013
Il volume Tommaso Maria Napoli Utriusque Architecturae Compendium Roma 1688 Breve trattato sulle fabbriche civili e militari e la conservazione delle architetture del frate domenicano Tommaso Maria Napoli, vuole contribuire ad accrescere le nostre conoscenze sui principi che dovevano sottendere alla realizzazione dell’architettura civile e militare del periodo barocco e tardo barocco, così come espressi nel breve trattato scritto dal frate architetto, nato a Palermo, Tommaso Maria Napoli (1659-1725), e pubblicato a Roma alla fine del Seicento. Alla traduzione dal latino del trattato, redatta da esperti (Fabio Zarbo e Pietro Zarbo), è inclusa un’interessante ricerca, redatta congiuntamente c…
Les traductions latines de textes hagiographiques byzantins de la période médio-byzantine
2019
The present article attempts to record and present as much as possible the Latin translations of hagiographical texts during the Middle Byzantine period. The texts are first approached from a literary point of view, then a historical presentation is attempted, referring to their possible functional use in the traditions of the two churches, Constantinople and Rome.
La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992)
2019
This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992), painter par excellence of the Generation of 1927. It will be discovered how this influence, far from becoming a conservative reference, would constitute an incentive for his entailment with the avant-garde, especially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman years, between 1928 and 1929, when he also made important trips to Sicily and Greece, Greece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career.