Search results for " rom"
showing 10 items of 1821 documents
Hronotops A. Manfeldes romānā “Vilcēni”, A. Jundzes romānā “Sarkanais dzīvsudrabs” un J. Joņeva romānā “Jelgava 94”
2022
Maģistra darba “Hronotops A. Manfeldes romānā “Vilcēni”, A. Jundzes romānā “Sarkanais dzīvsudrabs” un J. Joņeva romānā “Jelgava 94” mērķis ir raksturot un analizēt fiktīvo romānu 20. gadsimta 90. gadu laiktelpu Latvijā un citus ar to saistītus literāros hronotopus. Darba teorētiskajā daļā sniegts hronotopa teorētiskais ieskats, ieskats semiotiskajā un naratoloģijas pētniecības metodē; aplūkota hronotopa un romāna saistība; ieskats romānu recepcijā kritikā; sniegts ieskats kultūrvēsturiskajā situācijā un pilsētas laiktelpā. Pētījuma praktiskajā daļā tiek analizēts 20. gadsimta 90. gadu hronotops romānos caur naratīvu un kā tas atklājas caur dažādām semiotiskajām zīmēm pilsētvidē.
Non-invasive Geophysical Surveys in Search of the Roman Temple of Augustus Under the Cathedral of Tarragona (Catalonia, Spain): A Case Study
2018
An integrated geophysical survey has been conducted at the Tarragona’s Cathedral (Catalonia, NE Spain) with the aim to confirm the potential occurrence of archaeological remains of the Roman Temple dedicated to the Emperor Augustus. Many hypotheses have been proposed about its possible location, the last ones regarding the inner part of the Cathedral, which is one of the most renowned temples of Spain (twelfth century) evolving from Romanesque to Gothic styles. A geophysical project including electrical resistivity tomography (ERT) and ground probing radar (GPR) was planned over 1 year considering the administrative and logistic difficulties of such a project inside a cathedral of religious…
Gattopardo nel Gattopardo
2010
Orlando Furioso dalla specola del costrutto causativo
2017
Analisi e riflessioni sulle ricorrenze del costrutto causativo nell'Orlando Furioso che si rivela tratto saliente della lingua e dell'espressione dell'opera. Il poema di Ariosto pullula naturalmente di attori che, osservati dalla specola del costrutto causativo, si qualificano appunto come né sovrumani né subumani. Attori siffatti ne sono i protagonisti. Le loro vicissitudini costituiscono il tema dell’opera e ne sostanziano la trama. Che il costrutto causativo sia tanto frequente nel Furioso non è dunque un accidente e il dato è a questo punto comprensibile, perché integrato in un sistema. Il costrutto causativo è nel cuore del processo narrativo, ne è un motore.