Search results for " sculpture"

showing 10 items of 66 documents

Restoration of a polymateric sculpture of the immaculate conception

2016

This study focuses on the intervention methodologies applied on a polymateric polychrome sculpture of the Immaculate Conception (18th century), located inside the chapel of the Oratorio dei Falegnami in Palermo. The peculiarity of this artefact is the employment of two different supports, upon which both the ground and paint layers are laid: a wooden one, carved and prepared, for the execution of the anatomical parts, and a textile one, sewn, pinned on and stiffened with glue, for the garments. The damage found was mainly attributed to: reaction of the artwork’s materials to the environment, lack of ordinary maintenance, and previous interventions. On the textile support, cleaning was hinde…

conservative restoration consolidation Dispersion K52 polymateric sculpture Regalrez 1094
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Il monastero e la chiesa del Carmine Maggiore di Palermo: gli argenti sacri

2019

Il saggio esamina la statua lignea rivestita in lamine d’argento della Madonna del Carmelo e alcune suppellettili liturgiche custodite nella chiesa del Carmine Maggiore di Palermo. Si tratta di opere realizzate da artisti siciliani tra il Settecento e l’Ottocento. Collocato nell’antico mercato storico di Ballarò, la chiesa, con annesso convento dei PP. Carmelitani, custodisce opere che testimoniano la raffinata committenza dell’Ordine. Tra queste le tavole dello smembrato polittico in cui vi lavorarono Pietro Ruzzolone e Antonello Crescenzo , la Madonna del Carmelo firmata dal pittore Tommaso De Vigilia e altre opere eseguite da Antonello Gagini, Pietro Novelli, Giacomo e Giuseppe Serpotta.…

decorative arts liturgical furnishings wooden sculptures Palermo clients sacred artarti decorative suppellettili liturgiche sculture lignee Palermo committenza arte sacraSettore L-ART/02 - Storia Dell'Arte Moderna
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Fotogrammetria e tecnologia IR per un rilievo digitale low-cost della scultura “Torso”, di Eduardo Chillida

2014

The paper focuses on the analysis of ‘innovative’ technologies for low-cost survey: downstream test metrology and precise coding methodology, which could be of great support in the documen- tation, virtualization and dissemination of the sculptural heritage. The transposition of the museum works in 3D allows the return of models that can be used by remote –for studies, measurements, restorations, etc.–, no needing a physical contact with the piece, so in a non-invasive way. The virtual museum also offers the pos- sibility to organize exhibitions accessible to a wider audience.

homogeneous sculpturekinectSettore ICAR/17 - DisegnoComparison
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L'emploi des roches décoratives dans l'architecture du haut Moyen Âge en Bourgogne : réflexions sur les chapiteaux et colonnes : nouvelles analyses

2004

International audience

industries extractives[SHS.HIST] Humanities and Social Sciences/HistoryArchitectureLa sculpturereligieuse[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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SHINING 3D EINSCAN-PRO, application and validation in the field of Cultural Heritage, from the Chillida-Leku Museum to the Archaeological Museum of S…

2019

Abstract. The following contribution focuses on the low-cost Shining 3D EinScan-Pro scanner, above all the analysis of its precision and accuracy. The need to prove the functioning of this instrumentation in practical cases (the sculptures by Eduardo Chillida preserved in the Chillida-Leku Museum and along with some artefacts collected in the Archaeological Museum of Sarno), has led to the comparison and validation of the instrument through a methodology necessarily diversified from the guideline VDI/VDE 2634, part 2 and part 3, characteristics to the test the optical 3D measuring systems with planar measurement, which works according to the triangulation principle. In particular, two types…

lcsh:Applied optics. Photonicslcsh:TComputer scienceHand heldlcsh:TA1501-1820Low cost Hand-held Structured light Comparison Heritage Sculpture Museumlcsh:TechnologyArchaeologyField (geography)Cultural heritageTriangulation (geometry)lcsh:TA1-2040Settore ICAR/17 - DisegnoMetric (unit)Instrumentation (computer programming)lcsh:Engineering (General). Civil engineering (General)
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Trecento gotico doloroso e cortese in Sicilia: le opere in mostra

2020

Il saggio descrive molte delle opere d'arte del XIV e XV secolo esposte in mostra (dipinti su tavola, sculture lignee, oggetti in argento con smalti, cofanetti in avorio e legno), di fattura locale, italiana, cipriota-egea, iberica, francese e tedesca, tutte provenienti dalla Sicilia, alcune legate alla famiglia Chiaromonte. The essay describes many of the 14th and 15th century works of art on display (paintings on wood, wooden sculptures, silver objects with enamels, ivory and wooden boxes), of local, Italian, Cypriot-egean, Iberian, French and German manufacture, all from Sicily, some related to the Chiaromonte family.

paintings on woodivory and wooden boxeSicily.Sicilia.Settore L-ART/01 - Storia Dell'Arte Medievalearte del XIV e XV secolodipinti su tavola sculture lignee oggetti in argento con smalti cofanetti in avorio e legnowooden sculptureart of the 14th and 15th centurysilver objects with enamel
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THE ‘CRUCIFIED AND DEPOSED CHRIST’ OF MUSEO DIOCESANO OF PALERMO, ITALY. SCIENTIFIC STUDIES OF A SICILIAN PAPIER-MȂSCHÉ POLYCHROME SCULPTURE

2022

In this paper we describe scientific investigations on the artwork ‘Crucified and deposed Christ’ from the Diocesan Museum of Palermo. Multidisciplinary studies were carried out to obtain interesting information about constitutive materials and executive techniques of XVIII century Sicilian papier mâsché, as well as about the sculpture state of conservation and the recognition of the previous treatments.Examination of the polychrome sculpture was both non-invasive (IRR, IRC, UV fluorescence, EDXRF spectroscopy X-Radiography) and micro invasive (optical microscopy, scanning electron microscopy with energy dispersive X-ray spectroscopy SEM-EDX).SEM-EDX results showed the use of materials like…

papier-mâsché SEM-EDS HPLC polychrome sculpture microbial cultureSettore CHIM/03 - Chimica Generale E Inorganica
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Mariano Benlliure Gil, artífice de la recuperación del patrimonio escultórico para la Cofradía California de Cartagena

2020

After the patrimonial destruction that took place during the Civil War of 1936-1939 in the city of Cartagena, religious art and especially sacred sculpture, is greatly affected. The artistic expressions that the Passionist entities took to the streets on the days of Holy Week, disappear almost in their entirety, having to start a tremendously costly reconstruction process in order to alleviate the losses suffered. The Cofradía California commissioned the renovation of its sculptural patrimony heritage, which came to replace the wealth of the works of Salzillo, to the Valencian artist Mariano Benlliure Gil. All this process is the one studied in this article, keeping in mind the different bi…

religious art and especially sacred sculpturehaving to start a tremendously costly reconstruction process in order to alleviate the losses suffered. The Cofradía California commissioned the renovation of its sculptural patrimony heritageUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASis greatly affected. The artistic expressions that the Passionist entities took to the streets on the days of Holy Weekto the Valencian artist Mariano Benlliure Gil. All this process is the one studied in this articleartífice de la recuperación del patrimonio escultórico para la Cofradía California de Cartagena Zambudio MorenoAntonio After the patrimonial destruction that took place during the Civil War of 1936-1939 in the city of Cartagena0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707989 Mariano Benlliure Gil:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]as well as the documentation found in the archive of the Brotherhood itself for an effective analysis of the cause and the insertion of an artistic language that responded to the postulates proclaimed by the society of that t 263 277disappear almost in their entiretywhich came to replace the wealth of the works of Salzillokeeping in mind the different bibliographical sources on this topic
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Frammento di scultura marmorea : serpente

2018

Un frammento marmoreo raffigurante un serpente viene descritto e commentato per stabilirne il possibile significato nello specifico contesto dei bagni medievali, ma anche tenendo conto della varietà di rimandi che l'iimmagine del serpente ha assunto in età classica. A marble fragment of a snake is described and briefly discussed in order to establish its significance in the specific context of the medieval baths but also considering the polysemy of the iconography in the classical period.

scultura marmorea serpente (sikmbolismo) Asclepio e Igea bagni medievaliSettore L-ANT/07 - Archeologia Classicamarble sculpture snake (as symbol) Asklepius and Hygeia medieval bathsSettore L-ANT/08 - Archeologia Cristiana E Medievale
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Statue lignee nel Settecento nelle chiese di Ficarazzi: aggiunte alla produzione di Filippo Quattrocchi e della sua bottega

2020

Il contributo esamina quattro statue lignee, due delle quali inedite, custodite nelle chiese di Ficarazzi, piccolo centro delle province di Palermo. Si tratta di sculture realizzate tra la fine del Settecento e i primi decenni del secolo successivo, che vengono ricondotte per la prima volta al noto Filippo Quattrocchi e alla sua bottega, in particolare al figlio Francesco. Tra queste si cita l’Immacolata Concezione della chiesa di San Girolamo che, restaurata di recente, afferisce ad un prototipo iconografico divulgato dal pittore Vito D’Anna e dallo scultore Ignazio Marabitti su influsso di modelli accademici romani considerato che entrambi gli artisti lavorarono nella Città Eterna. The co…

sculture lignee Ficarazzi arte moderna Filippo Quattrocchi Settecento Romawooden sculptures Ficarazzi modern art Filippo Quattrocchi eighteenth century RomeSettore L-ART/02 - Storia Dell'Arte Moderna
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