Search results for " semiotic"
showing 10 items of 224 documents
A geometrical constructive approach to infinitesimal analysis: epistemological potential and boundaries of tractional motion
2014
Recent foundational approaches to Infinitesimal Analysis are essentially algebraic or computational, whereas the first approaches to such problems were geometrical. From this perspective, we may recall the seventeenth-century investigations of the “inverse tangent problem.” Suggested solutions to this problem involved certain machines, intended as both theoretical and actual instruments, which could construct transcendental curves through so-called tractional motion. The main idea of this work is to further develop tractional motion to investigate if and how, at a very first analysis, these ideal machines (like the ancient straightedge and compass) can constitute the basis of a purely geome…
Ragioneria per le discipline economiche, sociali e statistiche
2010
La monografia dà un'impostazione sistematica alla disciplina in oggetto secondo una rivisitazione critica rispetto alle correnti concezioni della medesima. La prima parte, dedicata alla parte "generale", è rivolta ad ogni classe di azienda, e tocca anche i temi meta-disciplinari della stessa: epistemologia, metodologia, sistematica e relazioni con l'economia generale. La seconda parte, "applicata", tratta i linguaggi della Ragioneria con riferimento alle sue principali determinazioni, private o pubbliche, rivolte a soggetti esterni o interni
Recipe Books and the Structure of Recipes
2020
Learning to cook is no easy task. It takes time and patience, hard work and plenty of passion. Sometimes it can take years and a certain predisposition is necessary. As a result, many give up and few are truly successful. But teaching to cook is equally difficult. In the kitchen, when the teacher and their apprentices are in direct contact working together, things are relatively simple. The teacher carefully demonstrates the various steps to follow when preparing a particular dish or stock or sauce. The appren tices listen and, most importantly, play close attention. Then, slowly, tasting as they go, and - most importantly - imitating the teacher’s movements and gesture, they are able to at…
Postfazione a Barthes
2019
There is a very significant passage in this long unpublished interview by Paolo Fabbri with Roland Barthes: if only because it clearly indicates one of the main theoretical opponents of the structural analysis of narrative. It is the moment when Barthes argues that it is necessary to get rid of certain 'false signifiers' of the narrative text, which are then the traditional categories of literary criticism.
Barthes, le récit, la saisie esthétique. Petite relecture du « Sarrasine » de Balzac
2019
Roland Barthes has written a lot about narrative. But can we say that he was really interested in it? that he grasped its profound formal articulation and its anthropological values? who perceived the theoretical interest, beyond literary narrative itself, of its methodological consequence, narrativity? The answers are not as obvious as they may seem. On the one hand, thanks also to his writings, in the paradigm of the humanities - despite the continuous epiphanies of a resurgent positivism - no one doubts that the narrative form is hermeneutic model essential to the general understanding of social and anthropological phenomena. On the other hand, Barthes' attitude towards narrative is far …
I media digitali nell'attività di ricerca della semiotica italiana
2022
This chapter reconstructs the history of the Italian research in Semiotics on Digital Media, starting from "before" the Internet and the Digital itself up to the latest publications,
Marked Semiotics: Tactics and Strategies
2021
One of Paolo Fabbri’s most recent papers, his plenary speech at the XIV Congress of the International Association for Semiotic Studies, held in Buenos Aires on 9th-13th September 2019, was entitled, ‘Para una semiotica marcada.’ What does this refer to? we might say that it refers to knowledge concerned with intensity. First, for its technical meaning: a term from semi otic metalanguage is used to define semiotics itself. Secondly, for its emotional and psychological meaning: practicing the science of signification as a constitutionally passionate form of life. A knowledge that is in no way ascetic or loftily detached from existence; a knowledge that holds tightly to life as it founds resea…
Postfazione. Sul senso della novità nelle narrazioni seriali
2020
Today we often hear about seriality and its great success. But in these conversations, often interested in showing their media skills, updates on the latest success story or the affirmation of a radical chic taste for lesser-known products, it is rare to hear the troubles of Orlando, the fate of the first comic heroes or the exciting love adventures in the now vintage world of photo novels. Thing of which we have spoken instead in this volume, where the very different manifestations textual investigations, the different approaches compared, the various facets highlighted by the individual essays, they integrated themselves to form an articulated totality and consistent. And in retrospect, a…
Immergersi nel visivo
2021
Con l’avvento delle tecnologie digitali si assiste progressivamente al diffondersi del termine immersività. Questo lemma, che ha la sua radice nel latino mergĕre, tuffare, rimanda a forme esperienziali di un corpo completamente avvolto e inglobato, e rende conto di un rapporto con l’immagine, e in generale con l’oggetto di conoscenza, da una dimensione puramente astantiva a una immersiva, in cui l’esperienza si fa presenza (Eugeni 2018). In questa accezione, l’effetto immersivo solleva una serie di questioni che chiamano in causa la dimensione genealogica delle varie forme mediali e le strategie di costruzione dell’esperienza estetica elaborate in seno alla storia delle arti e delle immagin…
La pittura di mercato. Il “parlar coperto” nel ciclo Fugger di Vincenzo Campi di Lucia Corrain
2021
Recensione del volume di Lucia Corrain, "La pittura di mercato. Il “parlar coperto” nel ciclo Fugger di Vincenzo Campi," Milano-Udine, Mimesis, 2019. Strutturato in tre parti – “Il cibo e la rappresentazione pittorica”, “Il ciclo diVincenzo Campi per Hans Fugger” e “Considerazioni metodologiche e conclusive” –, il libro si concentra su un corpus di cinque opere: una serie che Campi realizzò tra il 1580 e il 1581 per il ricco e devoto banchiere Hans Fugger e ancora oggi conservata nel castello di Kirchheim (Germania). In contrasto con la molteplicità delle interpretazioni che ne sono state date, Lucia Corrain esplicita la singolarità del suo lavoro mosso dalla ricerca di forme di coerenza tr…