Search results for " theater"
showing 10 items of 122 documents
Del abuso de las palabras. La crisis de la crítica cinematográfica en Argentina
2016
Resumen: el presente trabajo analiza la formación del modelo depreciado de la crítica cinematográfica argentina desde 1990 y toma como caso testigo la publicación especializada El amante. Se plantea la edificación de un sistema de validación mutua con el BAFICI (Buenos Aires Festival Internacional de Cine Independiente) y la Universidad del Cine y cómo esto contribuye a la gestación de la marca Nuevo Cine Argentino. Abstract: This article analyses the forming of the devaluation model of Argentine film criticism since 1990, using El amante journal as a case study. The piece presents the construction of a mutual validation system by BAFICI (Buenos Aires International Independent Film Festi…
Meryl Shriver-Rice (2015) Inclusion in New Danish Cinema: Sexuality and Transnational Belonging
2017
Curating as placing stones to be picked up: Interview with Anne-Cécile Sibué-Birkeland
2021
Gatsos traduttore di teatro, Glosa psychìs anghelos. Afieroma stin Eleftheria Giakoumaki
2010
Nikos Gatsos, poeta della generazione del Trenta noto per la sua opera principale, Amorgòs, e per le numerose canzoni composte in tutta la vita, dedicò molto tempo ed energie alla traduzione di testi teatrali dall''inglese, dal francese e dallo spagnolo, conseguendo risultati efficaci sia dal punto di vista linguistico, sia drammaturgico. Nikos Gatsos, poet of the generation of the thirties known for his main work, Amorgòs, and for the many songs composed throughout his life, dedicated much time and energy to the translation of theatrical texts from English, French and Spanish, achieving effective results both linguistically and dramaturgically.
¿Mozart era un mutante?: propuestas didácticas sobre la música preexistente en el cine de superhéroes.
2019
Con el inicio del siglo XXI se produjo el comienzo de una edad dorada para el cine de superhéroes; especialmente, en las películas basadas en cómics de la editorial Marvel. Su éxito se debe, sobre todo, a la adaptación al cine del concepto de 'universo compartido', lo que permite mostrar personajes y situaciones interrelacionadas. Ello ofrece la opción de conectar con diversas promociones de alumnos, puesto que se trata de personajes presentes en los cines durante las últimas dos décadas. Como muestra de ello, en esta propuesta se incluirán fragmentos de dos películas distantes en el tiempo: 'X-Men 2' (2003) y 'Thor: Ragnarok' (2017). La popularidad creciente de estos filmes se ve intensifi…
El poderoso y su doble. Amis y Amiles en el teatro clásico español
2017
El propósito de este artículo es doble. Por un lado, se pretende estudiar dos muestras de la versión teatral española de la leyenda de Amis y Amiles, representada por La sutil maraña de los dos fieles y parescidos amigos Luis y Alejandro y los sucesos de Alejandro y cómo por su saber vino a ser rey de Egipto (BNE, mss. 15049) y Los pronósticos de Alejandre (BNE, mss. 16064) y su conexión con el capítulo 21 de los Siete Sabios de Roma. El análisis de la estructura métrica de estos dramas pone de manifiesto que debieron componerse durante las dos últimas décadas del siglo XVI. Por otro lado, se intenta profundizar en el contexto educativo del futuro Felipe III para explorar los significados q…
Film programming: curating for cinemas, festivals, archives
2016
Private Space in Soviet Cinema: Case Study of Riga
2018
Abstract The aim of this article is to discover the discourse of living spaces of Riga through the films of the Soviet period and to examine essential changes of private space in different residential structures. This study contributes to the field of human geography by conducting content analysis of a vast number of Soviet films with a focus on the development and spatial organization of apartments in Riga. The analysis of 264 films illustrates that living spaces are rarely portrayed in the Soviet cinema and they mostly provide intentionally formed idealistic information about the qualities and achievements of Soviet private space.
"That's Real! That's What You Want!": Producing Fear in George A. Romero's Dawn of the Dead (1978) vs Zack Snyder's remake (2004)
2011
International audience; This article examines traditional oppositions between terror and horror in Dawn of the Dead (1978) and its recent remake (2004), by focusing on one of the major changes made by the producers of the remake: the use of running zombies, which emphasizes the danger the creatures represent to the characters, and enables the film-makers to resort to the kind of cheap startle effects that abound in contemporary slasher and action movies. That the living dead of 1978 were slow-moving allowed for contemplation of their pathetic state and questioned the border between living and dead. The 1978 film underlined how incompatible the living dead were with such techniques that rely…
Cinema audiences reproducibly vary the chemical composition of air during films, by broadcasting scene specific emissions on breath
2016
AbstractHuman beings continuously emit chemicals into the air by breath and through the skin. In order to determine whether these emissions vary predictably in response to audiovisual stimuli, we have continuously monitored carbon dioxide and over one hundred volatile organic compounds in a cinema. It was found that many airborne chemicals in cinema air varied distinctively and reproducibly with time for a particular film, even in different screenings to different audiences. Application of scene labels and advanced data mining methods revealed that specific film events, namely “suspense” or “comedy” caused audiences to change their emission of specific chemicals. These event-type synchronou…