Search results for "132"

showing 10 items of 114 documents

El milagro de Sor Juana

2021

The purpose of this article is to make an approach to the musical world of the illustrious Mexican Jerome nun Sor Juana Inés de la Cruz (1648-1695) who stood out for her wisdom, understanding and mastery in various fields of the arts and sciences in a surprising way .

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASterritorios para el arte 590908 2021 7 8182086 El milagro de Sor Juana Armijo [revista de investigación musical]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Leticia The purpose of this article is to make an approach to the musical world of the illustrious Mexican Jerome nun Sor Juana Inés de la Cruz (1648-1695) who stood out for her wisdomunderstanding and mastery in various fields of the arts and sciences in a surprising way . 565 5732386-8260 13268 Itamarrevista de investigación musical: territorios para el arte 590908 2021 7 8182086 El milagro de Sor Juana Armijo
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Las noches de Chopin

2021

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASterritorios para el arte 590908 2021 7 8182094 Las noches de Chopin Mora [revista de investigación musical]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]revista de investigación musical: territorios para el arte 590908 2021 7 8182094 Las noches de Chopin Mora2386-8260 13268 ItamarÁngeles 638
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VOLUTAS Fotografías de Iván Rodero Millán para ser proyectadas durante la interpretación de Titán Tango de Keyna Wilkins

2021

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASterritorios para el arte 590908 2021 7 8182095 VOLUTAS Fotografías de Iván Rodero Millán para ser proyectadas durante la interpretación de Titán Tango de Keyna Wilkins Rodero Millán [revista de investigación musical]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]2386-8260 13268 Itamarrevista de investigación musical: territorios para el arte 590908 2021 7 8182095 VOLUTAS Fotografías de Iván Rodero Millán para ser proyectadas durante la interpretación de Titán Tango de Keyna Wilkins Rodero MillánIván 639 643
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COLASANTI, Maurizio: La musica è sfinita

2021

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASterritorios para el arte 590908 2021 7 8182100 COLASANTI [revista de investigación musical]Maurizio: La musica è sfinita CarusoLa musica è sfinita Caruso [Maurizio]Giusy 673 678:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]2386-8260 13268 Itamarrevista de investigación musical: territorios para el arte 590908 2021 7 8182100 COLASANTI
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Walter Benjamin, taiteen toinen tekniikka ja avantgarden kulttuuripolitiikka

2018

This article provides a fresh look into Walter Benjamin’s famous essay, “Artwork in the Age of Mechanical Reproduction” (1936). Following Benjamin scholar Esther Leslie, we claim that Benjamin’s lesser-known concept of “second technique” is integral for understanding both the meaning of essay as well as mapping the political and artistic aims of the 1920’s avant-garde movements in general. The article is structured around two cases of avant-garde, both of which are central already for Benjamin, but remain somewhat under-theorized in connection to Benjamin. These are the Soviet constructivist film and the idea of glass construction in Weimar-era German architecture.
 Keywords: Walter Be…

architecturemedia_common.quotation_subjectArt historyMeaning (non-linguistic)Benjamin Walterfilmsecond technique of artGermanPoliticsArchitecturemedia_commonkulttuuripolitiikkata5142ta6132Artarkkitehtuurielokuva (taiteet)language.human_languageBenjaminavantgardetaidepolitiikkata6131languageArtikkelittaideteoriatWalterKulttuuripolitiikan tutkimuksen vuosikirja
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Syväluotaus Taidehallin näyttelytoimintaan Bertel Hintzen toimikaudella

2019

Kirja-arvio Maija Koskisen väitöskirjasta "Taiteellisesti elvyttävää ja poliittisesti ajankohtaista – Helsingin Taidehallin näyttelyt 1928–1968 (Helsingin yliopisto, 2019).

art exhibitionsTaidehallikirja-arvostelutta6132ta615lcsh:NX440-632taidenäyttelytlcsh:History of the artsbook reviewTahiti: taidehistoria tieteenä
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Performing arts and mediation technology in the period of lockdown

2021

Advancements in digital technologies have become novel ways to enrich communication, expression, and transmission of arts knowledge. Technology is increasingly implemented in the performance space, as a source of inspiration for artists. Especially in this period of lockdown, mediation technology has turned out to be an essential tool for different aspects of social life, as in performing arts. With venues, schools and artistic activities closed, performers, students and spectators have been obliged to keep connecting in remote conditions. This article wants to retrace the aesthetic impact of mediation technology in performing arts during this period of lockdown by focusing on the aspects t…

as a source of inspiration for artists. Especially in this period of lockdownUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASGiusy Advancements in digital technologies have become novel ways to enrich communicationterritorios para el arte 590908 2021 7 8182072 Performing arts and mediation technology in the period of lockdown Caruso [revista de investigación musical]schools and artistic activities closed2386-8260 13268 Itamarand transmission of arts knowledge. Technology is increasingly implemented in the performance spaceperformersPerforming Artsrevista de investigación musical: territorios para el arte 590908 2021 7 8182072 Performing arts and mediation technology in the period of lockdown Carusoexpression:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]students and spectators have been obliged to keep connecting in remote conditions. This article wants to retrace the aesthetic impact of mediation technology in performing arts during this period of lockdown by focusing on the aspects that induced advancements of strategies for the transmission of performing arts. The goal is to illustrate the potentialities as well as the challenges of the arttechnology encounter by underlining the transformation of the interaction with and perception of the performance space in remote conditions and in distance learning. The implementation of digital technologies is contributing to the evolution of the performing arts sector by facilitating futuristic approaches. 402 412mediation technology has turned out to be an essential tool for different aspects of social lifeas in performing arts. With venues
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De la performance musicale dans la Guyane traditionnelle : expression cognitive singulière d?une musique-verbe

2021

Guianese culture and traditional music, here evoked, are various. It is more a transcultural process that, along centuries, gave an original result born in the Americas, in Guiana in this case. It is a form of refoundation, of recreation of cultures and new human beings generally called Creoles. The musical performance, that I study here, is the echo of social and cultural space of this reformulation of thought, life, and conception of the world. It is, as well, a mean of transposition and transformation of the values issued of diverse sources and categories. It is in no way a second-rate cultural practice, as it is the place where were born philosophies and actions for common life as well …

as it is the place where were born philosophies and actions for common life as well as for individual life. This organization of the musical experience requires several levels of readings to better understand the underlying performance that is the issue discussed here. What is then the subject of the musical performance in French Guianese traditional society? What are the implementation techniques and the intrinsic forms of knowledge? What is the creation process and for what goal? Without a doubtlifeUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASand conception of the world. It isrevista de investigación musical: territorios para el arte 590908 2021 7 8182062 De la performance musicale dans la Guyane traditionnelle : expression cognitive singulière d?une musique-verbe Anakesa Kululukaalong centuriesin Guiana in this case. It is a form of refoundationis the echo of social and cultural space of this reformulation of thoughtquestions arising from this issue are still numerous and varied. And the answers one can give are just as numerous. The few basic questions mentioned above are a theme for the reflection conducted here by the author on traditional music of French Guiana. 105 1442386-8260 13268 Itamara mean of transposition and transformation of the values issued of diverse sources and categories. It is in no way a second-rate cultural practicehere evokedof recreation of cultures and new human beings generally called Creoles. The musical performancegave an original result born in the Americasterritorios para el arte 590908 2021 7 8182062 De la performance musicale dans la Guyane traditionnelle : expression cognitive singulière d?une musique-verbe Anakesa Kululuka [revista de investigación musical]Apollinaire Guianese culture and traditional musicas well:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]that I study hereare various. It is more a transcultural process that
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Induction of apoptosis by the proteasome inhibitor MG132 in human HCC cells: Possible correlation with specific caspase-dependent cleavage of β-caten…

2004

Proteasome inhibitors, like MG132, can exert cell growth inhibitory and apoptotic effects in different tumor types. The apoptotic mechanism of these compounds involves the activation of the effector caspases. beta-catenin, also an oncogene, represents one of the substrates of these proteases, but the consequences of its cleavage are poorly understood. We investigated its function during apoptosis induced by MG132 in three hepatocellular carcinoma (HCC) cell lines, endowed (HepG2 and HuH-6) or not (HA22T/VGH) with activating mutations of beta-catenin. Induction of apoptosis was associated with cell growth inhibition, accumulation of the cells at the G(2)/M phases of the cell cycle, as well a…

hepatocellular carcinoma ß-catenin apoptosis proteasome MG132 survivinSettore MED/09 - Medicina InternabiologyCell growthGeneral MedicineCell cycleCell biologychemistry.chemical_compoundProteasomechemistryApoptosisMG132SurvivinGeneticsProteasome inhibitormedicineCancer researchbiology.proteinCaspasemedicine.drug
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Aesthetic Appeal and Visual Usability in Four Icon Design Eras

2016

Technological artefacts express time periods in their visual design. Due time, visual culture changes and thus affects the design of pictorial representations in technological products, such as icons in user interfaces. Previous research of temporal aspects in human-computer interaction has been focusing on particular interaction situations, but not on the effects of design eras on user experience. The influence of icon design styles of different eras on aesthetic and usability experiences was studied with the method of primed product comparisons. Affective preferences and their processing times were analysed in order to examine visual usability in terms of semantic distance and aesthetic a…

iconComputer sciencemedia_common.quotation_subjectaffective reaction timesaesthetic appeal050105 experimental psychologyUser experience designHuman–computer interactionvisual usabilitysemantic distance0501 psychology and cognitive sciences050107 human factorsmedia_commonVisual culturecomputer.programming_languageta113Communication designbusiness.industry05 social sciencesta6132UsabilityIcon designdesign erasBeautyIconUser interfacebusinesscomputerProceedings of the 2016 CHI Conference on Human Factors in Computing Systems
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