Search results for "410"
showing 10 items of 567 documents
«Is this life?»:School and University
2013
School and university between modern society and artistic representation.
The Search for The ‘Authentic’ in the Context of Narrative-Inspired Travel
2018
The article discusses the concept of authenticity in relation to literary travel and other forms of media-induced travel. Focusing on the power of fictional narrative to draw members of the audience to locations associated with a story, the paper aims to find out what exactly visitors are expecting to find when journeying to locations with literary and media associations. An overview of previous research demonstrates how the concept of authenticity has been understood in connection with travel inspired by literature, films and TV productions. An analysis of recent research, focusing on literary and screen-induced travel, demonstrates that perceptions of what is authentic varies between indi…
‘bien entendu’ vs ‘naturellement’: deux façons de désubjectiviser le dire
2011
Our study focuses on how the discourse markers (DM) participate in the construction of discursive alterity. In our approach, the DM builds, for an assertion, a guarantor with its own semantics, which is the semantics of the lexical element constituting the basis of DM. Naturellement and bien entendu build referential value which ”disempowers” the speaker as a guarantor of his words. This desubjectivation is realized differently in each case analyzed, and is determined by the semantic identity of the DM. In this article we analyze how the DM build modulated commitment of the speaker in his role as the guarantor, convened by the semantics of the DM in the ”disresponsibilization” of the speake…
Strategie autofinzionali in "Leggenda privata" di Michele Mari
2019
Leggenda privata (2017) is the latest in a series of autobiographical writings by Michele Mari. The novel is the factual narration of the author's childhood and adolescence, documented by family photos, but is also the narration of a fictional and fantastic situation of writing, where the reader is involved in live recording. In particular, the narrative framework is structured almost like a personal essay that engages dialogically the norms and potentials, opportunities and risks of a theory of autobiography. The purpose of this article is to explore the limits, the difficulties, indeed the impossibility of autobiographical writing in Leggenda Privata, which instead verges towards a comple…
The afterworld space in the "Poem strip" (1969) by Dino Buzzati
2018
L’obiettivo del contributo è l’analisi dello spazio oltremondano in Poema a fumetti(1969) di Dino Buzzati, graphic novelante-litteram. Buzzati riscrive, in chiave ultramoderna e laica, sia il mito di Orfeo ed Euridice, restituendo la centralità alla potenza della musica, sia il mito della discesa agli inferi, toposassoluto della letteratura italiana a partire da Dante e rappresentazione allegorica dell’oltretomba cristiano. In particolare Buzzati inventa una rappresentazione visiva dello spazio dell’aldilà dove sono essenziali due elementi: la continuità/discontinuità dei due mondi, nominalmente diversi, e le cornici che permettono il passaggio da un mondo all’altro. Il motivo ricorrente di…
Nye litteraturer: Litterære tekstpraksiser hos voksne innvandrere i norsk grunnskoleopplæring
2020
Voksne innvandrere som tar norsk grunnskoleeksamen har teksterfaringer fra litteraere tradisjoner som kan vaere ukjente i var sammenheng. Basert pa naermere tyve enkeltintervjuer undersoker denne studien bade tidligere og navaerende litteraere tekstpraksiser hos informanter fra Syria, Eritrea og Somalia. Ett av studiens funn er at enkelte informanter med svaert lite skolegang likevel har aktive litteraere tekstpraksiser. Imidlertid vil de fleste litteraere tekstpraksisene sannsynligvis ikke bli gjenkjent i skolesammenheng, ettersom de opptrer utenfor skolens domene og bare unntaksvis er knyttet til trykte, papirbaserte tekster, som boker. I stedet er youtube det mest brukte mediet. Studien …
«A/traverso» la transizione. Le pratiche culturali del movimento del ’77 e il paradigma artistico
2012
Il cosiddetto movimento del ’77, già negli anni della sua emersione ricondotto alle esperienze delle avanguardie artistiche del primo Novecento, riconfigurò i dispositivi di produzione-fruizione della cultura producendo un capovolgimento – orientato verso l’autorappresentazione politica dell’emergente proletariato giovanile – delle tradizionali categorie e mediazioni sociali ancora agenti nella società fordista.