Search results for "58"

showing 10 items of 2229 documents

Obras de arte, imágenes sagradas e imágenes de la memoria. : Pinturas emblemáticas de la Congregación de San Felipe Neri de Valencia

2013

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASimágenes sagradas e imágenes de la memoria. Pinturas emblemáticas de la Congregación de San Felipe Neri de Valencia Marco García:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Víctor 77 960211-5808 9678 Archivo de arte valenciano 367242 2013 94 4718382 Obras de arte
researchProduct

El patrimonio musical en los museos valencianos: : la dispersión de unos materiales poco conocidos.

2013

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASla dispersión de unos materiales poco conocidos. Isusi Fagoaga [0211-5808 9678 Archivo de arte valenciano 367242 2013 94 4718786 El patrimonio musical en los museos valencianos]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]0211-5808 9678 Archivo de arte valenciano 367242 2013 94 4718786 El patrimonio musical en los museos valencianos: la dispersión de unos materiales poco conocidos. Isusi FagoagaRosa 203 212
researchProduct

La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992)

2019

This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992), painter par excellence of the Generation of 1927. It will be discovered how this influence, far from becoming a conservative reference, would constitute an incentive for his entailment with the avant-garde, especially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman years, between 1928 and 1929, when he also made important trips to Sicily and Greece, Greece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASpainter par excellence of the Generation of 1927. It will be discovered how this influencewould constitute an incentive for his entailment with the avant-gardela Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992) García-Luengo Manchado [1135-9560 8276 Studia philologica valentina 536436 2019 21 7225816 La tradición clásica como referencia de vanguardia]between 1928 and 1929when he also made important trips to Sicily and Greecefar from becoming a conservative referenceGreece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career. Gregorio Prieto ? Clásico ? Surrealismo ? Roma ? Greciaespecially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman yearsGregorio Prieto ? Classicism ? Surrealism ? Rome ? Greece 117 132 https://pages.uv.es/SPhV/cas/numero21.wiki//pages.uv.es/SPhV/cas/numero21.wiki [Gregorio Prieto ? Classicism ? Surrealism ? Rome ? Greece 117 132 https]1135-9560 8276 Studia philologica valentina 536436 2019 21 7225816 La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992) García-Luengo Manchado:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Javier This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992)
researchProduct

De Poe a Ravel, pasando por Baudelaire

2011

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASpasando por Baudelaire Mansergas0211-5808 9678 Archivo de arte valenciano 301724 2011 92 3909042 De Poe a Ravel:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]José 177 202
researchProduct

Los canecillos de la Capilla del Cementerio de San Juan del Hospital de Valencia

2020

In the medieval cemetery of the Historic Site of San Juan del Hospital of Valencia is housed a small funeral chapel founded in the late thirteenth century by the knight Arnau de Romaní. Along its cornice there are a series of heads of animals and humans that are one of the few sculptural vestiges inserted into the Romanesque iconographic tradition that are preserved in the city. So far they have not aroused the interest of specialists and no one has dedicated a detailed study to these curious and interesting images located in the marginal spaces of such a beautiful building. This article aims to complete this gap addressing the study of the corbels of the small temple, projecting a thematic…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASprojecting a thematic tour both for its iconography and for its symbolic and functional meaning. Iglesia de San Juan del Hospital / Hospitalarios / Canecillos / Escultura / RománicoChurch of San Juan del Hospital / Hospitalers / Corbels / Sculpture / Romanesque. 9 26Emilio Jesús In the medieval cemetery of the Historic Site of San Juan del Hospital of Valencia is housed a small funeral chapel founded in the late thirteenth century by the knight Arnau de Romaní. Along its cornice there are a series of heads of animals and humans that are one of the few sculptural vestiges inserted into the Romanesque iconographic tradition that are preserved in the city. So far they have not aroused the interest of specialists and no one has dedicated a detailed study to these curious and interesting images located in the marginal spaces of such a beautiful building. This article aims to complete this gap addressing the study of the corbels of the small temple:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707052 Los canecillos de la Capilla del Cementerio de San Juan del Hospital de Valencia Díaz García
researchProduct

Los frescos del Camarín de la Virgen de El Puig de Santa María, del pintor José Vergara : iconografía, significado y valor hermenéutico para los vale…

2010

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASsignificado y valor hermenéutico para los valencianos del siglo XXI Badenes AlmenaraJulio Samuel 105 119:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]0211-5808 9678 Archivo de arte valenciano 277874 2010 91 3629774 Los frescos del Camarín de la Virgen de El Puig de Santa Maríadel pintor José Vergara iconografía
researchProduct

Observaciones sobre una reflexión heterodoxa en los Comentarii de Juan Luis Vives a la Ciudad de Dios de San Agustín

2019

The Patres ecclesiae?s works were a frequent topic of discussion at the time in which many humanists stood against the decadent medieval scholastics. That Juan Luis Vives was part of this tradition is demonstrated in his commentaries on Saint Augustine works. Despite its pedagogical function, the scholia of the Valencian author became quite subjective. In this sense, his ecdotic work or, specially, his «criticisms and censures» can be mentioned. Here, Vives strongly disapproves of the intense political and intellectual turmoil of his epoch. Thus, this article is aimed at describing those annotations in which Vives adopts such an Erasmist point of view to comment Augustine?s De Civitate Dei.…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASthe reiteration of his arguments will be remarked throughout the Commentarii. The modus operandi of Vives is justified by propaedeutic issues and it stimulates the freedom of conscience. anotaciones ? reflexión crítica ? antiescolanticismo ? censurahis ecdotic work orVives strongly disapproves of the intense political and intellectual turmoil of his epoch. Thusthis article is aimed at describing those annotations in which Vives adopts such an Erasmist point of view to comment Augustine?s De Civitate Dei. Thereforewe will analyse the way in which Vives comments the contents of this work. MoreoverPedro The Patres ecclesiae?s works were a frequent topic of discussion at the time in which many humanists stood against the decadent medieval scholastics. That Juan Luis Vives was part of this tradition is demonstrated in his commentaries on Saint Augustine works. Despite its pedagogical function1135-9560 8276 Studia philologica valentina 536436 2019 21 7225813 Observaciones sobre una reflexión heterodoxa en los Comentarii de Juan Luis Vives a la Ciudad de Dios de San Agustín Fernández Requenaspeciallyhis «criticisms and censures» can be mentioned. Here//pages.uv.es/SPhV/cas/numero21.wiki [annotations ? critical reflexion ? anti-scholasticism ? censorship 69 81 https]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]the scholia of the Valencian author became quite subjective. In this senseannotations ? critical reflexion ? anti-scholasticism ? censorship 69 81 https://pages.uv.es/SPhV/cas/numero21.wiki
researchProduct

Ocho notas sobre la Casa Farnsworth de Ludwig Mies van der Rohe

2020

Mies was in the top of his career when he built the Farnsworth House. The analysis of this work shows some characteristics of his architectural thought: the relationships between architecture and nature, the definition of the pavilion type, his concept of architectural space, the role of structure and limits, the idea free plan and the meaning of construction

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASthe role of structure and limits0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707990 Ocho notas sobre la Casa Farnsworth de Ludwig Mies van der Rohe Calduch Cervera:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]the idea free plan and the meaning of construction 279 295Joan Mies was in the top of his career when he built the Farnsworth House. The analysis of this work shows some characteristics of his architectural thought: the relationships between architecture and naturehis concept of architectural spacethe relationships between architecture and nature [Joan Mies was in the top of his career when he built the Farnsworth House. The analysis of this work shows some characteristics of his architectural thought]the definition of the pavilion type
researchProduct

Quot philosophi, tot sanniones: las descripciones de filósofos en la sátira latina

2019

El artículo trata la descripción de los filósofos y pseudofilósofos en la sátira latina. A una breve introducción donde se recalca cómo el ataque personal era un elemento clave en este género, sigue un examen de las descripciones insertas en lo que convencionalmente se conoce como sátira regular, pese a que Varrón también aparece incluido con la intención de completar el panorama. El análisis diacrónico de las descripciones invita a pensar que se trata de un tópico especialmente activo en la poesía satírica y que tiende a incrementarse con el paso del tiempo, proporcionando siempre una imagen negativa de los falsos sabios. Si juzgar la finalidad de este recurso de forma global es complicado…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAStot sanniones: las descripciones de filósofos en la sátira latina Gallego CebolladaEduardo A. El artículo trata la descripción de los filósofos y pseudofilósofos en la sátira latina. A una breve introducción donde se recalca cómo el ataque personal era un elemento clave en este génerolas descripciones de filósofos en la sátira latina Gallego Cebollada [tot sanniones]1135-9560 8276 Studia philologica valentina 536436 2019 21 7225815 Quot philosophi//pages.uv.es/SPhV/cas/numero21.wiki [Satire ? Philosophy ? Philosophers ? Description 101 115 https]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]pese a que Varrón también aparece incluido con la intención de completar el panorama. El análisis diacrónico de las descripciones invita a pensar que se trata de un tópico especialmente activo en la poesía satírica y que tiende a incrementarse con el paso del tiemposigue un examen de las descripciones insertas en lo que convencionalmente se conoce como sátira regularsu presencia en los textos satíricos sugiere entenderlo como un mecanismo para criticar la moral en la mayor parte de las ocasiones. Sátira ? Filosofía ? Filósofos ? Descripciónproporcionando siempre una imagen negativa de los falsos sabios. Si juzgar la finalidad de este recurso de forma global es complicadoSatire ? Philosophy ? Philosophers ? Description 101 115 https://pages.uv.es/SPhV/cas/numero21.wiki
researchProduct

Las cuatro muertes de Cleonice: poder, sexo, violencia y fantasmas

2019

Greek tradition links the death of regent Pausanias of Sparta with ghosts. In this paper, we focus on the well-known episode that revolves around Pausanias himself and a Byzantine maiden and is transmitted by Aristodemus, Plutarch and Pausanias Periegetes. The multiplicity of versions demands a comparative analysis, which we carry out taking into account the three spaces where the narrative action takes place (civic, intimate and ritual spaces). Results indicate a concordance between Plutarch and Pausanias Periegetes, as well as a dissonance between them and Aristodemus. This difference especially affects the narrative treatment of the maiden, a ghost properly so-called in Plutarch and Paus…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASviolencia y fantasmas Sánchez Mañas1135-9560 8276 Studia philologica valentina 536436 2019 21 7225822 Las cuatro muertes de Cleonice: poderpoder [1135-9560 8276 Studia philologica valentina 536436 2019 21 7225822 Las cuatro muertes de Cleonice]but not in Aristodemus. Fantasmas ? Homicidio ? Literatura Griega ? NecromanciaCarmen Greek tradition links the death of regent Pausanias of Sparta with ghosts. In this paper//pages.uv.es/SPhV/cas/numero21.wiki [Ghosts ? Homicide ? Greek Literature ? Necromancy 231 242 https]Plutarch and Pausanias Periegetes. The multiplicity of versions demands a comparative analysisas well as a dissonance between them and Aristodemus. This difference especially affects the narrative treatment of the maidensexowhich we carry out taking into account the three spaces where the narrative action takes place (civic:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]we focus on the well-known episode that revolves around Pausanias himself and a Byzantine maiden and is transmitted by Aristodemusa ghost properly so-called in Plutarch and Pausanias PeriegetesGhosts ? Homicide ? Greek Literature ? Necromancy 231 242 https://pages.uv.es/SPhV/cas/numero21.wikiintimate and ritual spaces). Results indicate a concordance between Plutarch and Pausanias Periegetes
researchProduct