Search results for "613"
showing 10 items of 172 documents
Music and Emotion: Empirical and Theoretical Perspectives
2014
One of the key reasons people engage with music, whether as listener or performer, therapist or researcher, is because of its emotional impact. Music comforts us when we’re sad, lifts us up in happier times, bonds us together. We use music to modify our mood, augment current feelings, release tension. Given the ever-growing presence of music in our everyday lives, the investigation of issues related to and subsequent dissemination of knowledge concerning music and emotion is becoming increasingly relevant. This special issue is based on work presented at the 3rd International Conference on Music & Emotion (ICME3) organised by the Finnish Centre of Excellence in Interdisciplinary Music Resea…
Relationships between perceived emotions in music and music-induced movement
2012
Listening to music makes us move in various ways. Several factors can affect the characteristics of these movements, including individual factors and musical features. Additionally, music-induced movement may also be shaped by the emotional content of the music, since emotions are an important element of musical expression. This study investigates possible relationships between emotional characteristics of music and music-induced, quasi-spontaneous movement. We recorded music-induced movement of 60 individuals, and computationally extracted features from the movement data. Additionally, the emotional content of the stimuli was assessed in a perceptual experiment. A subsequent correlational …
Spatial and bodily metaphors in narrating the experience of listening to sad music
2014
Abstract. This study focuses on the a ffective experiences of listening to self - identified sad music. Previous studies have concentrated on the emotions induced by music by r ationalizing and labelling emotions. However, focusing on such categorization leaves the subjective experiences of the individual aside. The aim of this article is to broaden the methodology of studying music and emotion by analyzing the metaphorical langu age used in the narratives about the subjective experience of listening to music. A total of 373 participants answered to open - ended questions about the experiences of listening to sad music via an online - survey. The responses were then analyzed using syst emat…
Silent music reading: Amateur musicians' visual processing and descriptive skill
2013
This article addresses the silent reading of music notation, combining eye-movement measures with a semantic analysis of readers’ verbal descriptions of the notated music. A group of musical novices ( n = 16) and two groups of musical amateurs (less experienced n = 11 and more experienced n = 10) participated in three separate measurement sessions during a nine-month-long university music course designed for future primary-school teachers. In each session they viewed a notated folk song for 30 s and then described what they had seen. Greater musical experience was found to be connected with shorter fixation durations, more linear scanning of the notated music, and more accurate and integra…
Projekteilla parempaa laatua yliopistoihin?
2005
Markkinatalousvetoisen kulttuurin soveltaminen yliopistoihin ei ole ongelmatonta. Erilaiset laadun kohottamisen nimissä tehtävät kehittämishankkeet ilmentävät markkinataloustumista keskusjohtoisina ja nopeatempoisina. Onnistuessaan kehittämishanke luo perustan aidoille uudistuksille.
Incidence, survival and prevalence of myeloid malignancies in Europe.
2012
Abstract Background The Surveillance of Rare Cancers in Europe (RARECARE) project aims at increasing knowledge of rare cancers in Europe. This manuscript describes the epidemiology of myeloid malignancies (MMs), taking into account the morphological characterisation of these tumours. Methods We used data gathered by RARECARE on cancer patients diagnosed from 1995 to 2002 and archived in 64 European population-based cancer registries, followed up to 31st December 2003 or later. Results The overall annual crude incidence of MMs was 8.6 per 100,000. Acute myeloid leukaemia (AML) and myeloproliferative neoplasms (MPN) were most common, with incidence rates of 3.7 and 3.1 per 100,000 year respec…
Early auditory processing in musicians and dancers during a contemporary dance piece
2016
AbstractThe neural responses to simple tones and short sound sequences have been studied extensively. However, in reality the sounds surrounding us are spectrally and temporally complex, dynamic and overlapping. Thus, research using natural sounds is crucial in understanding the operation of the brain in its natural environment. Music is an excellent example of natural stimulation which, in addition to sensory responses, elicits vast cognitive and emotional processes in the brain. Here we show that the preattentive P50 response evoked by rapid increases in timbral brightness during continuous music is enhanced in dancers when compared to musicians and laymen. In dance, fast changes in brigh…
Auditory and Cognitive Deficits Associated with Acquired Amusia after Stroke: A Magnetoencephalography and Neuropsychological Follow-Up Study
2010
Acquired amusia is a common disorder after damage to the middle cerebral artery (MCA) territory. However, its neurocognitive mechanisms, especially the relative contribution of perceptual and cognitive factors, are still unclear. We studied cognitive and auditory processing in the amusic brain by performing neuropsychological testing as well as magnetoencephalography (MEG) measurements of frequency and duration discrimination using magnetic mismatch negativity (MMNm) recordings. Fifty-three patients with a left (n = 24) or right (n = 29) hemisphere MCA stroke (MRI verified) were investigated 1 week, 3 months, and 6 months after the stroke. Amusia was evaluated using the Montreal Battery of …
Being Moved by Unfamiliar Sad Music Is Associated with High Empathy
2016
The paradox of enjoying listening to music that evokes sadness is yet to be fully understood. Unlike prior studies that have explored potential explanations related to lyrics, memories, and mood regulation, we investigated the types of emotions induced by unfamiliar, instrumental sad music, and whether these responses are consistently associated with certain individual difference variables. One hundred and two participants were drawn from a representative sample to minimize self-selection bias. The results suggest that the emotional responses induced by unfamiliar sad music could be characterized in terms of three underlying factors: Relaxing sadness, Moving sadness, and Nervous sadness. Re…