Search results for "Autobiography"
showing 10 items of 58 documents
How do people talk decades later about their crisis that we call psychosis? : A qualitative study of the personal meaning-making process
2019
Psychosis refers to a severe mental state that often significantly affects the individual’s life course. However, it remains unclear how people with the lived experiences themselves view these phenomena, as part of their life story. In order to evaluate this personal meaning-making process, we conducted in-depth life-story interviews with 20 people who had been diagnosed with non-affective psychosis 10 to 23 years previously in one catchment area. 35% of them were still receiving mental health treatment, and 55% of them were diagnosed with schizophrenia. Only a minority named their experiences as psychosis. On the basis of narrative analysis, two types of stories appeared to encompass how m…
Gli avantesti delle opere abbandonate. Georges Perec e la disseminazione dei fantasmi del romanzo
2022
The abandoned work is a form of voluntary incompletion because the interruption of the writing process is decided by the author himself. Abandonment is preceded by considerations and traces that make the process intelligible, especially when identified in avant-textual documents in which the author often not only plans the construction of the text but also reasons about it by tracing the criticalities that condition its progress. The article aims to reflect on some aspects of Georges Perec's abandoned works, showing how these are integrated within the completed works through the processes of dissemination and proliferation.
Penser la frontière entre essai et autobiographie à partir de la bande dessinée. Are You My Mother? d'Alison Bechdel
2018
Based on Alison Bechdel's autobiographical essay Are You My Mother?, this article is a discussion on two boundaries of the essay : a generic boundary between essay and autobiography, questioned by the possibility of autobiographical essay, and an intermedial boundary challenged by the development of graphic essays in comics. Are You My Mother? is a self-reflexive autobiographical work which describes the author's discovery of psychoanalysis and deals at the same time with mother-child relationships and the continuity between novel writing, autobiography and psychoanalysis, thus articulating autobiographical material and general thoughts. The book can be described in particular as a consiste…
« Au nom du père ou les “autobiographies” de ceux qui ne dessinent pas (Altarriba, Gallardo, Spiegelman, Tardi) »
2015
International audience; Antonio Altarriba, Miguel Angel Gallardo, Art Spiegelman ou encore Jacques Tardi sont autant d'auteurs qui ont dessiné l'autobiographie de leur père. Ces égodocuments, qui sont des oeuvres en collaboration, peuvent-ils encore être qualifiés d'autobiographies ? Faut-il parler d'allobiographies ? d'altrobiographies ? Par ailleurs, ces autobiographies père-fils ajoutent une nouvelle strate contractuelle à ce genre qui n'en manquait déjà pas : celle du modèle maussien du don et du contre-don.
AUTOBIO-GRAPHISMES
2015
Autobio-graphismes, premier ouvrage en langue française dédié intégralement à l'analyse de l'autobiographie dans la bande dessinée, brosse une cartographie de cette pratique devenue caractéristique de la bande dessinée actuelle aux Etats-Unis et en Europe.
""Don't be sad...You will get smart in America,' Context and Startegies of Resistance in Rosa: the Life of an Italian Immigrant as-told-to Marie Hall…
2007
Soglie narrative e fotografiche in “Leggenda privata” di Michele Mari
2018
The aim of the paper is to analyze the narrative and photographic thresholds of Leggenda privata by Michele Mari (2017). The first case is a rhetorical artifice, a horror-gothic-fantastic narrative threshold, that Mari creates to distinguish the present of writing from the past of memories, intended, as I will try to demonstrate, to problematize the crucial questions of autobiography: incipit and explicit of the narration, literature and bios, fiction and non-fiction. Mari adds another expedient to this one: the inclusion of family photographs, selected from his personal archive, and that, for the variety of their authors, reveal another threshold, that between the writer and the photograph…
Entre l’admiration et la culpabilité : aspects de l’amitié dans les "Mémoires d’une jeune fille rangée"
2017
The character of Elisabeth Mabille, a childhood friend nicknamed “Zaza” becomes symbolic in Simone de Beauvoir’s Memoirs of a Dutiful Daughter. Her influence on the writer and her views seems decisive. For the latter, the literary recreation of her friend is a kind of catharsis. Beauvoir transposes the tragic story of Mabille to show the complexity of their relationship and the origin of her calling to be a writer. Through an autobiographical perspective she “resurrects” the prematurely deceased friend to rehabilitate herself and make up for her neglect. This portrayal of Zaza highlights the multidimensionality of friendship and courage of a young woman who paid the highest price in her fig…
Le memorie ingarbugliate. Tensioni autobiografiche nell’Uva puttanella e in Contadini del Sud di Scotellaro
2016
L’intervento s’inserisce nel dibattito sull’autobiografismo di Scotellaro nelle sue due maggiori opere in prosa, arrivateci incomplete e non pronte per la pubblicazione:Contadini del Sud e, soprattutto, L’uva puttanella, che Scotellaro definiva in fase di preparazione un ‘‘romanzo’’. Se Contadini del Sud, nelle parti disponibili oggi, sembra anticipare alcuni esiti dell’attuale non-fiction per via dell’uso disinvolto del materiale documentario, del risalto dato alle testimonianze e alle ricognizioni sul campo, della creazione di veri e propri ‘‘personaggi’’ a tutto tondo che si esprimono direttamente sulla pagina, L’uva puttanella ha caratteristiche che ne sottolineano invece l’inattualita`…
Piccole città per quarantenni. Sul senso di sé nella scrittura storiografica, in margine a un libro di Vanessa Roghi
2019
Starting from an analysis of Vanessa Roghi's recent book, Piccole città, we focus on the link between historiographic writing and autobiography. In particular, it analyzes the way this link changed at the end of the twentieth century, when political categories that had determined identities, even of historians, for more than a century, have finished. Since then, issues considered "private" have emerged in the public debate and in the historiographic debate, as happened for example with drug addiction, at the centre of Roghi's book.