Search results for "Beckett"

Je ne peux pas continuer, je vais continuer… : le bilinguisme de Beckett et la définition de l’humour

2011

International audience

Antropologia filosòfica i literatura (II): TH. W. Adorno i S. Cavell interpreten Fi de partida de S. Beckett

2006

Abstract: This paper is a philosophical reading of Samuel Beckettʼs Endgame, taking into account many of the critic suggestions of Adornoʼs interpretation, from his negative dialectics in the note Versuch, das Endspiel zu verstehen. It deals as well with the acute comments by Stanley Cavell in the chapter V of his book "Must We Mean What We Say?", a view from the philosophy of the ordinary language on this play of the Irish writer. In doing so this paper tries to commemorate the centenary of Beckettʼs birth and claims for the necessary study of the relationships between philosophical anthropology and literature in our present.

Nothing Left but the Core of Murmurs? : Attacks on Linking as Communication in Beckett’s The Unnamable

2022

Literary studies have usually interpreted Samuel Beckett’s The Unnamable (1959) to reflect an area void of meaning and inaccessible to representation. The present article, by contrast, argues that Beckett experientially communicates archaic psychic reality where certain contents develop in an interpersonal relationship. The article offers psychoanalytical close readings of a few key passages in the text, where the function that is integrated in the narrative voice and actively destroys connections manifests itself on different textual levels. Using the psychoanalyst Avner Bergstein’s interpretation of Wilfred Bion’s concept, “attacks on linking”, as a paradoxical form of communication, the …

Beckett et "Oh les beaux jours"

2019

International audience; No abstract.

Antropologia filosòfica i literatura: G. Anders interpreta S. Beckett

2004

Abstract: This paper is intended to stress the importance of studying the relationship between philosophy and literature, or, to put it more precisely, between philosophical anthropology and contemporary dramaturgy. To this purpose, it analyses a deep text that has gone largely unnoticed up to now, namely the interpretation, elaborated in 1955 by the writer and thinker Günther Anders, of one of the most radical and innovative revolutions in contemporary drama: Samuel Beckett’s En attendant Godot (Waiting for Godot). In addition to introducing the life and work of Anders’s, this paper presents the different sections of the central chapter of his most important work, Die Antiquierheit des Men…

Esteettisen kritiikki : moderni kokemus ja esteettinen teoria

2008

Atkārtojums Semjuela Beketa dramaturģiskajā darbā “Luga”

2016

Semjuela Beketa dramatiskais darbs “Luga” ir gan netradicionāls, gan unikāls. Luga uzrakstīta 1963.gadā un atšķiras no citiem darbiem ar bezemocionāliem un neizteiksmīgiem personāžiem. Uz skatuves atrodas trīs personāži, kuri nespēj ne kustēties, ne runāt izteiksmīgi, ne paust emocijas, ne izmantot mīmiku. Lai izprastu šo lugu, jāizpēta tas, kas jau dots – mākslinieciskie izteiksmes līdzekļi. Atkārtojums ir viens no visvairāk izmantotajiem līdzekļiem un katrs personāžs to izmanto citādāk, lai panāktu noteiktu efektu uz klausītāju. Katrs atkārtojums var tikt grupēts atšķirīgās kategorijās un katram no tiem ir sava funkcija dramatiskajā darbā. Visbiežāk atkārtojums izmantots, lai pabeigtu dom…

Marques corporelles dans le théâtre de Samuel Beckett

2014

International audience

Les tropes dans deux pièces de théâtre de l'absurde : analyse rhétorique des tropes dans En attendant Godot et dans Fin de partie par Samuel Beck…

2002

La traumatographie beckettienne

2018

The trauma of Beckett’s dramatic characters consists first of all of greater and greater disability of aging body, and of persvasive emptiness. In an indeterminated space characterized by catastrophy, man’s life was reduced to agony, being relieved by irony and poetry.