Search results for "CINEMA"

showing 10 items of 916 documents

The Classical Antiquity in the Romanian cinema. Ancient Rome: a precious enemy

2008

International audience; français : L'Antiquité, mais particulièrement la Rome Antique fut un sujet très important dans le cinéma roumain pendant le régime de Nicolae Ceauşescu. Certaines périodes de l'histoire romaine sont connectées à la civilisation dace et par conséquent, beaucoup de produits culturels roumains sont focalisés sur la relation entre les Romains et les Daces. Le régime de Ceausescu confère une importance particulière à cette période qui devient le berceau de la nation roumaine. La signification de l'histoire antique évolue d'une acception modérée dans les années 60, caractérisée par la synthèse de deux composants ethniques (le Daces et les Romains) à l'une radicale, pendant…

[ SHS.HIST ] Humanities and Social Sciences/History[SHS.HIST] Humanities and Social Sciences/Historycommunist rulenationalismpeplum[SHS.HIST]Humanities and Social Sciences/HistoryRomanian cinema
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Réseaux et stratégies pour la diffusion du cinéma roumain en France de 1950 à 1954

2015

International audience; Since communists came to power in Romania, cinema became an important propagandatool. The government invested largely, in addition to the production field, in the development ofdistribution and exploitation of movies. Whereas the rural area represented the major target, theforeign exportation was the last domain that concern the government. Nevertheless, in the bipolarcontext of cold war, the new Romanian cinema policy promoted by the communists created theconditions for a larger participation, through cinema, at the ideological fight between East and West.This article analyses the resources, the strategies, the networks and the policies ofRomanian political and cult…

[ SHS.HIST ] Humanities and Social Sciences/Historyfilm exportcold-war[SHS.HIST] Humanities and Social Sciences/HistoryKarlovy VaryFrancecinematographic policies[SHS.HIST]Humanities and Social Sciences/HistorycommunismPCFRomanian cinema
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Gustave Cauvin, the inventor of educational cinema

2008

International audience

[SHS.DROIT]Humanities and Social Sciences/Law[SHS.DROIT] Humanities and Social Sciences/Laweducational cinemaGustave CauvinComputingMilieux_MISCELLANEOUSinventor[ SHS.DROIT ] Humanities and Social Sciences/Law
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Cinéma et anarchisme en France, une identité politique à travers le 7ème art

2006

[SHS.DROIT]Humanities and Social Sciences/Lawidentité politique7ème art[SHS.DROIT] Humanities and Social Sciences/Lawanarchismecinema[ SHS.DROIT ] Humanities and Social Sciences/Law
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La representación de la historia reciente en la ficción televisiva española actual

2017

Based upon the assumption that television has a strong impact in the vision that we have about the pass, along the next pages we analyse the recent history representations present in Spain's tv-fiction and cinematographic productions too. As we establish relationships between both audiovisual productions, we propose to investigate about the construction of Transition's mythos and analyse if there is a television model in the mode of representing the recent history.

[SHS.INFO]Humanities and Social Sciences/Library and information sciencesproducciones televisivasMythsRecent history[SHS.ART]Humanities and Social Sciences/Art and art historyproducciones cinematográficasSpanish Transition[SHS.INFO] Humanities and Social Sciences/Library and information sciencesMitos[SHS]Humanities and Social SciencesTransición española[SHS.HIST] Humanities and Social Sciences/History[SHS.ART] Humanities and Social Sciences/Art and art history[SHS] Humanities and Social SciencesHistoria reciente[SHS.HIST]Humanities and Social Sciences/HistoryTelevision productions
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'There's a [Space] For Us': Place and Space in Screen Versions of Romeo and Juliet in the Spanish 1960s: West Side Story (R. Wise and J. Robbins, 196…

2020

International audience; This article examines the critical reception of the film adaptation of West Side Story (Jerome Robbins and Robert Wise, 1961) in Spanish culture and cinematography. It looks into two other screen versions of Romeo and Juliet: Los Tarantos (Francesc Rovira-Beleta, 1963) and No somos ni Romeo ni Julieta (Alfonso Paso, 1969). West Side Story remains in the Spanish cultural memory as a filmic event associated with the arrival of foreign influence amidst national-catholic dictatorship. I will use the variables “place” and “space,” which distinguish, on one hand, proper orders established by authority and, on the other hand, areas transformable by interactions and changes,…

[SHS.LITT] Humanities and Social Sciences/LiteraturePasoRovira-Beleta[SHS.LITT]Humanities and Social Sciences/LiteratureWest Side StoryNo somos ni Romeo ni JulietaLos Tarantos[SHS] Humanities and Social SciencesCinematografia i literatura[SHS]Humanities and Social Sciences
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Cinematic Features in Gormenghast

1998

International audience; Cet article analyse l'influence des techniques cinématographiques sur la construction de l'espace romanesque dans le roman Gormenghast de Mervyn Peake

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/LiteratureCinematographic storytellingMervyn Peake[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art historyEnglish literature[ SHS.LITT ] Humanities and Social Sciences/Literature[ SHS.ART ] Humanities and Social Sciences/Art and art history
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“Editing Out the Narrator: George Roy Hill’s Adaptation of Slaughterhouse-Five”

1991

International audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/LiteratureSlaughterhouse-FiveGeorge Roy Hillfilm adaptation[ SHS.LITT ] Humanities and Social Sciences/LiteratureAdaptationCinemaComputingMilieux_MISCELLANEOUSKurt VonnegutSlaughter-House Five
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Approaches to Film and Reception Theories

2012

Les différentes approches de la question des réactions du " public ", aussi difficile soit-il de définir ce terme, conçoivent celles-ci comme étant déterminées, soit par la structure de l'œuvre, par le contexte historique et culturel dans lequel cette réception se déroule, ou par les caractéristiques individuelles de ce public, lecteur ou spectateur. Ce recueil propose de faire le point sur l'état de la recherche actuelle, et d'offrir de nouvelles perspectives dans l'étude de la réception, et de la manière dont elle évolue et conditionne notre rapport à l'art. Les travaux présentés ici se concentrent sur la littérature et surtout le cinéma, et visent à croiser des perspectives que la critiq…

[SHS.LITT] Humanities and Social Sciences/Literaturehistoireliteratureaestheticsthéories de la réceptionreception theoriescinema[SHS.ART] Humanities and Social Sciences/Art and art historyhistoryadaptationlittératureesthétique
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Intimacy in Cinema: Critical Essays on English Language Film

2014

International audience; Though intimacy has been a wide concern in the humanities, it has received little critical attention in film studies. This collection of essays investigates both the potential intimacy of cinema as a medium and the possibility of a cinema of intimacy where it is least expected. As a notion defined by binaries--inside and outside, surface and depth, public and private, self and other--intimacy, because it implies sharing, calls into question the boundaries between these extremes, and the border separating mainstream cinema and independent or auteur cinema. Following on Thomas Elsaesser's theories of the relationship between the intimacy of cinema and the cinema of int…

[SHS.LITT]Humanities and Social Sciences/LiteratureAustralianElsaesser[SHS.ART]Humanities and Social Sciences/Art and art historyintimacy[ SHS.LITT ] Humanities and Social Sciences/Literature[ SHS.ART ] Humanities and Social Sciences/Art and art historymainstream[SHS.LITT] Humanities and Social Sciences/LiteratureEnglish-speaking filmsintimeCinéma anglophoneHollywoodEnglishcinema[SHS.ART] Humanities and Social Sciences/Art and art history[SHS] Humanities and Social SciencesCanadian cinema
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