Search results for "Casa"

showing 10 items of 247 documents

Nicola Bonacasa e l’insegnamento dell’Archeologia nell’Università di Palermo

2016

Si ripercorre la storia dell'insegnamento di Archeologia nell'Università di Palermo, focalizzando l'attenzione sull'apporto alla sua riorganizzazione da parte di Nicola Bonacasa, a lungo direttore dell'Istituto di Archeologia e presidente dei corsi di studio dell'ambito. It traces the history of the teaching of Archeology at the University of Palermo, focusing attention on the contribution to its reorganization by Nicola Bonacasa, long director of the Institute of Archeology and president of the study courses in the field.

Storia dell'Università di Palermo storia dell'archeologia italiana Nicola Bonacasa formazione degli archeologiSettore L-ANT/07 - Archeologia ClassicaHistory of the University of Palermo history of Italian archeology Nicola Bonacasa training of archaeologists
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Nicola Bonacasa. L'università di Palermo e il territorio

2016

Nel lavoro si ripercorre l'impegno di Nicola Bonacasa nei rapporti tra Istituto di Archeologia di Palermo e il territorio nei tre aspetti fondamentali di promozione delle ricerche, rapporti con la Soprintendenza di Palermo nella tutela e salvaguardia dei siti archeologici e impegno nell'attività di consulenza nei confronti dell'Assessorato regionale dei Beni Culturali.

Storia dell'archeologiaRicerche nel territorioSettore L-ANT/09 - Topografia AnticaNicola Bonacasa
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La scoperta, sistemazione e conservazione della grande Iscrizione di Gortina, nell'isola di Creta (1884-1921): la protezione delle testimonianze e le…

2013

La scoperta e la conservazione della Grande Iscrizione di Gortina a Creta, da parte degli studiosi italiani, fra la fine del XIX sec. e i primi decenni del XX sec., rappresentò un grande riconoscimento scientifico-culturale per la giovane nazione italiana. Nel passato, l’isola di Creta era stata legata alla Repubblica di Venezia e anche questo rapporto favorì l’invio a Creta del giovane epigrafista F. Halbherr, il quale fra notevoli peripezie rinvenne, assieme all’epigrafista tedesco E. Fabricius, la famosa l’iscrizione nell’antica città di Gortina. L’iscrizione, fra le più antiche e complete finora conosciute in tutta Europa, conteneva le norme sulla famiglia, l’eredità e in generale i dir…

The discovery and preservation of the Great Inscription of Gortyna in Crete by Italian researchers in the late nineteenth century. and the first decades of the twentieth century. was an important cultural and scientific recognition for the young Italian nation. In the past the island of Crete had been tied to the Republic of Venice and this report also favored sending in Crete the young epigraphist F. Halbherr who among considerable vicissitudes came to together to the epigraphist german E. Fabricius the inclusion of the famous ancient city of Gortyna. The inscription among the oldest and most comprehensive so far known throughout Europe the rules contained on the family's legacy in general and the rights and duties of some of the people of the Minoan civilization (480-450 BC). The inscription was carved on blocks organic limestone a restored ancient building which later in Roman times was turned into odeon. The Laws of Gortyn were engraved on the remains of the wall forming the passageway in front of the steps of the odeon. The essay traces the events that led to the discovery and subsequent storage made by Halbherr especially with the help of archaeologist L. Pernier and finally with the help of architect E. Stefani who designed a modern cover on the top of the ambulatory of the segments containing the inscription. This coverage was made to perform during the First World War on the basis of the Italian project from the Greek Government in order to protect the membership from possible war damage but especially from vandalism. The roof brick clay of the Laws of Gortyna still serves its function and ensures the use of the monument bearing witness to the preservation of Italian culture in Greece and more generally in the world. But in Sicily in the remains of the Villa del Casale in Piazza Armerina (Enna) its elegant protection (built in 1957) is representative of a whole period of culture of the Italian restoration is removed and replaced because it has not been able to make a ongoing maintenance is due. A bad example of conservation and management of a UNESCO monument from which arise after the work for the construction of new roofs an equally insulting to the archaeological heritage and scenic Italian and world.Settore ICAR/19 - Restauro
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Atardecida / Atardecer

1949

Textos recogidos en un manuscrito de lo que iba a ser la primera novela de José Vidal-Beneyto, que no llegó a publicarse. El texto mecanografiado titulado "Atardecer" recoge parte del texto manuscrito "Atardecida" y también de "La tarde se ahilaba despacio", como con miedo.

TiempoLejosPatioCasaVidal-Beneyto JoséADOLESCENCIATardeDíaSueñoINFANCIAPuebloPublicaciones: Obra literariaIglesiaNOSTALGIA
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Biografie politiche e carriere transnazionali. Mobilità e stanzialità nella Monarchia Spagnola nella prospettiva della storiografia italiana

2023

In recent decades Italian historiography has been enriched by new research that has allowed us to understand the functioning of the Spanish Monarchy in the Modern Age.In particular, studies carried out on political actors who built their careers in the Mediterranean and Atlantic areas have highlighted how we can reconstruct a connected history that, starting from the individual experiences, gives due attention to both the circulation of knowledge and the relations at the local level.

Transnational CareerGiovanni Vincenzo CasaliCarmine Nicola CaraccioloSpanish Monarchy
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La Casa Cuesta, los toros y el humor cinematográfico

2010

La valenciana Casa Cuesta fue una de firmas productoras más destacadas en los primeros años del cine español. Sus camarógrafos filmaron muchos documentales sobre corridas de toros y otros eventos taurinos que posteriormente se distribuían en el ámbito nacional e internacional. Con su película “Benítez quiere ser torero” abordó ese mismo tema desde la ficción, logrando la primera comedia de la que se tiene noticia en el cine español. De este modo, la Casa Cuesta introdujo el tema taurino en el cine de ficción iniciando una tendencia ampliamente secundada en el cine español, y en menor medida internacional en el internacional, de las décadas posteriores. Valencian Casa Cuesta was one of most …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]cine primitivo españolCasa Cuestacomedia taurina
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La huella de las Erinias en el teatro gallego contemporáneo: "Orestes" de Arcadio López Casanova

2018

López Casanova ha destacado por ser uno de los renovadores de la poesía gallega contemporánea. Sin embargo, su producción literaria despegó con Orestes, una obra de teatro inspirada en la leyenda de los Atridas. Nos proponemos hacer una aproximación a esta obra desde la óptica de los estudios de tradición clásica López Casanova has played an important role on renewing the contemporary Galician poetry. However, his literary production started with Orestes, a play inspired by the legend of the Atreus. Thus, we aim to take a closer look at this work through the perspective of the classical tradition.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASEriniasOrestes:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]tradición clásicateatro gallego contemporáneoLópez Casanova
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Marginacions d’ahir i d’avui: drets humans i discursos discriminatoris a la pel·lícula También la lluvia

2020

Resum: Al present article s’analitza la pel·lícula También la lluvia, una bona mostra de com també el cine «pel gran públic» pot contribuir, a través de les seves representacions, a conscienciar els espectadors; en aquest cas, sobre temes com el genocidi indígena a l’edat moderna, la històrica marginació dels pobles indígenes d’Amèrica Llatina i el dret a l’aigua que hom posa en discussió arreu del món. S’hi destaca, especialment, el racisme inherent als discursos de les elits que estan reproduïts a la pel·lícula i que són una bona mostra –dins del codi realista de También la lluvia– d’idees i d’un llenguatge prou difós.
 
 Paraules clau: Divulgació dels drets humans a través del …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASHistoryLatin Americansindigenous peoples of Latin AmericaBartolomé de las CasasLiterature and Literary TheoryHuman rightsbusiness.industrymedia_common.quotation_subjectcritical discourse analysisGenocideDissemination of human rights through the cinema; critical discourse analysis; indigenous peoples of Latin America; Bolivia in the 20th and 21st centuries; Bartolomé de las CasasBolivia in the 20th and 21st centuriesRacismLanguage and LinguisticsIndigenousDissemination of human rights through the cinemaCritical discourse analysisMovie theaterPolitical science:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]CoDibusinessHumanitiesmedia_commonSCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna
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Ocho notas sobre la Casa Farnsworth de Ludwig Mies van der Rohe

2020

Mies was in the top of his career when he built the Farnsworth House. The analysis of this work shows some characteristics of his architectural thought: the relationships between architecture and nature, the definition of the pavilion type, his concept of architectural space, the role of structure and limits, the idea free plan and the meaning of construction

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASthe role of structure and limits0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707990 Ocho notas sobre la Casa Farnsworth de Ludwig Mies van der Rohe Calduch Cervera:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]the idea free plan and the meaning of construction 279 295Joan Mies was in the top of his career when he built the Farnsworth House. The analysis of this work shows some characteristics of his architectural thought: the relationships between architecture and naturehis concept of architectural spacethe relationships between architecture and nature [Joan Mies was in the top of his career when he built the Farnsworth House. The analysis of this work shows some characteristics of his architectural thought]the definition of the pavilion type
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Escribiendo a Casandra: personajes dramáticos en la narrativa contemporánea

2013

Christa Wolf’s Cassandra is the landmark for refigurations of the Cassandra myth in the contemporary novel. Yet close to its date of publication, Ursule Molinaro (1979), Christine Brooke-Rose (1984) and Hilary Bailey (1993) published their own novelistic reworkings of the Cassandra myth. The presence of the Cassandra myth in the British novel is in contrast with the fruitful reworkings of the Trojan princess in poetry and drama. From the nineteenth century onwards, refigurations of Cassandra in prose writings in English range from the feminist essay to the novel of customs and the fin-de-siècle New Women utopias. Works such as Florence Nightingale’s Cassandra, for example, show how the word…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS::Teoría análisis y crítica literariasnarrativa británicanarrativa contemporánea:CIENCIAS DE LAS ARTES Y LAS LETRAS::Teoría análisis y crítica literarias [UNESCO]Casandra
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