Search results for "Catharsis"
showing 10 items of 11 documents
Le temps de la commémoration ou la tentative impossible du partage de la souffrance. Exemple de la commémoration des 20 ans du génocide de Srebrenica…
2017
National audience
Entre la realidad y la ficción, la razón y la locura: el drama coral como terapia individual y social
2017
Desde la función política de la tragedia griega, las diferentes formas dramáticas occidentales han asumido de manera más o menos explícita unas funciones del espectáculo dramático que integran bajo distintas acepciones la pretendida kátharsis aristotélica, en ocasiones para rechazarla y evitarla, que incluso van más allá del prodesse et delectare horaciano, tendiendo hacia una función terapéutica individual y social en unas formas dramáticas de elevado trasfondo coral en las que los límites entre realidad y ficción, entre cordura y locura se difuminan hasta llegar a confundirse, en las que la llamada “cuarta pared” deja de existir. El objeto de este trabajo es realizar un breve recorrido po…
“Never shake thy gory locks at me” (Macbeth, III.iv.50-51): Objecting to Gestures in Macbeth
2018
International audience; Shakespeare's Macbeth displays a pattern of characters objecting to gestures, be it others' or their own. This includes Macbeth refusing to shake hands with his opponent before the battle, his words to Banquo's ghost quoted in the title above, Banquo's own puzzlement at the weird sisters' placing a finger over their lips, the doctor's suspicions at Lady Macbeth's rubbing her hands and sleepwalking, as well as Malcom's request that Macduff not pull his hat over his eyes. In many of these cases, gesture is pitted against speech, which seems to undermine the classically-derived ideal of "suit[ing] the word to the action, the action to the word" (Hamlet, 3.2.16-18). This…
Tra incantamento e phobos. Alcuni esempi sugli effetti dell'aulos nei dialoghi di Platone e nella catarsi tragica.
2008
Il potere dell‟aulos e i suoi effetti sull‟animo erano così emblematici per i Greci da far loro trasformare lo strumento e le sue sonorità in una metafora di persuasione, come si riscontra in alcuni dialoghi di Platone. Da un altro punto di vista, però, l‟aulos fu anche uno strumento „perturbante‟, come appare ad esempio nella tragedia. In tale contesto esso sembra operare sulle paure (phobos) e le insicurezze dei personaggi tragici, e talora addirittura condurre agli sviluppi conclusivi della performance teatrale. Per quel che riguarda invece l'uditorio in teatro, l‟aulos può aver giocato un ruolo nello sviluppo della catarsi, in quanto gli spettatori potevano essere in grado di collegare …
Correcting ēthos and Purifying the Body. Musical Therapy in Iamblichus’ De vita pythagorica
2015
The tradition relating to the Pythagoreans and music therapy is most widely attested in two Neoplatonic works, Porphyry’s The Life of Pythagoras, and Iamblichus’ On the Pythagorean Way of Life. Although the chronological distance from the early Pythagoreans makes their accounts controversial, they offer interesting evidence on the beneficial effects of music. Iamblichus, whose work will be focused on in this paper, describes the effects of music on health through the notion of catharsis, which he often links with musical ēthos. The latter is not in fact attested before Plato, but Iamblichus, presenting Pythagoras in Platonic terms, emphasizes the importance he gives to the improvement of th…
Music and Medicine
2020
The relationship between music and medicine involves the notions of affinity between the human body and musical structures, relief, catharsis and therapy. The Homeric poems attest to the use of healing songs (paeans) and spells (epaoidai). The early Pythagoreans used musical catharsis for both the soul and the body. The doctrine of musical ēthos (whose main source is Plato) presupposes a relationship between music and character based on mimēsis, also establishing a link between therapy and ēthos. According to Aristotle, melodies performed in the rites are able to arou-se the emotions and purify from their excesses (the same dynamics appear in Theophrastus). The musical notions first detecta…
Aristoxenus and Music Therapy: Fr. 26 Wehrli within the Tradition on Music and Catharsis.
2012
The importance of music for the ancient Pythagoreans, together with recognition of its therapeutic function, favoured the rise of a long tradition relating to the Pythagoreans and music therapy, which in two Neoplatonic works, Vita Pythagorae by Porphyry of Tyre (c. 234-305 AD) and De vita pythagorica by Iamblichus of Chalcis (ca. 245-325 AD), has its best-known testimonies and the ones richest in details. Although the most ancient sources on Pythagoras tell us nothing on the subject, the tradition relating to the Pythagorean use of music therapy at all events dates back to long before the two Neoplatonics, as is shown by a brief and well-known fragment by Aristoxenus (fr. 26 Wehrli) saying…
Klasyczna teoria dramatu i jej wychowawcze implikacje
2009
Musica, catarsi ed eunomía. I Pitagorici in Magna Grecia e l'uso terapeutico del peana.
2011
Accanto allo sviluppo del pensiero filosofico-scientifico e al sorgere di nuovi ordinamenti politici in diverse poleis, la presenza delle comunità pitagoriche in Magna Grecia sembra aver dato impulso anche a livello religioso -ad esempio, con l’affermarsi del culto di Apollo- e musicale. A tale riguardo, si propone una riflessione sulla musicoterapia presso i Pitagorici antichi, e in particolare sull’uso da parte loro del peana, come emerge ad esempio nella Vita Pythagorica di Giamblico (§ 110: la catarsi “primaverile” di gruppo) e nella Vita Pythagorae di Porfirio (§ 32). Il peana, che nella tradizione appare rivolto soprattutto a calmare l’ira (in particolare quella divina, come emerge da…
Per una buona psicoanalisi dell’arte: Vygostskij e il Mosè di Freud
2012
The aim of this article is to show that Vygotskijan and Freudian positions on the psychological analysis of art move from a similar conception of art and of human mind. To demonstrate our thesis we have substantially used two works: Vygostkij’s Psychology of art and Freud’s Moses of Michelangelo. We consider that, in spite of the critic that Vygostkij makes against the psychoanalytic approach to the products of art, probably for historic reasons, the importance that he gives to the notion of form, of social context and of conscious factors in artistic creations is the same that Freud gives in his applied psychoanalysis, and this is clear in the essay on Moses. In particular, if we concentra…