Search results for "Concert"

showing 7 items of 67 documents

Looking for determinants of willingness-to-pay for Sibelius Hall, Lahti

2017

The aim of this paper is to determine the factors affecting the willingness-to-pay for a local concert hall, namely Sibelius Hall in Lahti. Our study argues that a high income, the use of cultural services and a positive attitude towards culture were connected to a high willingness-to-pay for Sibelius Hall. Our study revealed that “I do not know” answers can be partly explained by the character of cultural preferences being an acquired taste. As a consequence, the users and respondents exhibiting a positive attitude towards culture may choose the “I do not know” option instead of making a zero bid. peerReviewed

lcsh:Fine Artsmieltymyksetdc-methodlcsh:ADC-methodconcert hallkulttuuripalvelutmaksuhalukkuusWillingness to paylcsh:AZ20-9990502 economics and businessthe sibelius hallSociology050207 economicsSibelius-talota512lcsh:NX1-820General Arts and Humanities05 social sciencesAdvertisingthe Sibelius Halllcsh:Arts in generallcsh:History of scholarship and learning. The humanitiesfactors of willingness-to-paykulttuuriharrastuksetLahtilcsh:Nlcsh:General Workskonserttisalit050212 sport leisure & tourismCogent Arts & Humanities
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Co-evolution between streaming and live music leads a way to the sustainable growth of music industry : Lessons from the US experiences

2017

While digitization of music, particularly streaming services, has gained increasing popularity, it has also led to a steady decline in the revenues of recorded music industry. This is causing strong concern regarding a potential collapse of the music industry comparable to other print media industries such as newspaper and book publishing. However, recent changes in the music industry initiated by a resurgence of the live music industry are giving rise to some expectations for the survival and growth of the music industry. The parallel paths of increasing popularity of streaming services and a resurgence of live music suggest that these two dynamics are working together in a co-evolutionary…

live musicliiketoimintamallitsuoratoistoSociology and Political Sciencemusic industry020209 energymedia_common.quotation_subjectlive-concert-streaming music industryHuman Factors and Ergonomics02 engineering and technologyBusiness modelco-evolutioncultural industrymusiikkiteollisuusEducation0502 economics and businesskulttuuriteollisuus0202 electrical engineering electronic engineering information engineeringSocial mediaSociologyDynamismbusiness modelsstreamingBusiness and International ManagementMarketingta512media_commonta113Harmony (color)business.industry05 social sciencesconcertstrust-based IDBM with CCSDAdvertisingCreativityPopularityPublishingMusic industrybusinesselävä musiikki050203 business & managementkonsertit
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All Eyes on Me : Behaving as Soloist in Duo Performances Leads to Increased Body Movements and Attracts Observers’ Visual Attention

2020

Duo musicians exhibit a broad variety of bodily gestures, but it is unclear how soloists’ and accompanists’ movements differ and to what extent they attract observers’ visual attention. In Experiment 1, seven musical duos’ body movements were tracked while they performed two pieces in two different conditions. In a congruent condition, soloist and accompanist behaved according to their expected musical roles; in an incongruent condition, the soloist behaved as accompanist and vice versa. Results revealed that behaving as soloist, regardless of the condition, led to more, smoother, and faster head and shoulder movements over a larger area than behaving as accompanist. Moreover, accompanists …

musiikin esittäminenSocial SciencesSEEING MUSICCONCERT DRESSliikkeenkaappauseye trackingyleisösoolo-osuudetPHYSICAL APPEARANCESTAGE BEHAVIORauditory-motor couplingeleetPIANISTSmotion capturesolistittarkkaavaisuusMUSIC PERFORMANCEPERCEPTIONATTRACTIVENESSRECOGNITIONbodily gestures in musical duo performancesArts and Architectureduot (yhtyeet)CROSS-MODAL INTERACTIONSaudio-visual perception and attentionkatseenseuranta
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Hogyan neveljünk értő közönséget a komolyzenének?

2010

musiikkikasvatuskoulutaudience educationkuuntelutottumuksetmusikaalisuuskoululaisettaidemusiikkiUnkariartist educationyleisömarketing mixteaching singing at the schoolyouth concertdissemination of musical knowledgenuoretmarkkinointilistening to classical musiclapsetkonsertit
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Retour d'expériences sur la concertation vue par les acteurs environnementaux et les élus locaux,

2011

Retrouvez le rapport en ligne, sur le site de l'ADEMEhttp://www.ademe.fr/retour-dexperiences-concertation-vue-acteurs-environnementaux-elus-locaux; Cette étude se penche sur les stratégies des grandes familles d'acteurs de la concertation : les élus locaux, l'Etat et les associations environnementales.L’intérêt pour la participation des citoyens à l’action publique a accompagné la montée en puissancedes préoccupations environnementales à partir des années 1960. Les catastrophes et conflitsenvironnementaux ont joué un grand rôle et favorisé l’entrée en politique de l’environnement. Lesconflits liés à l’environnement ont contribué à faire émerger une participation citoyenne,progressivement in…

participation citoyenneADEMEConcertation[SHS.GEO] Humanities and Social Sciences/Geography[SHS.GEO]Humanities and Social Sciences/Geographyenvironnement[ SHS.GEO ] Humanities and Social Sciences/Geography
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À la poursuite des objets prescripteurs : modes de circulation de la musique dans les mondes du hardcore punk et de l’indie rock

2019

Dans cet article, nous approchons la question de la prescription culturelle par son inscription matérielle en nous intéressant à la circulation d'albums au sein de deux mondes musicaux : le monde du hardcore punk et celui de l'indie rock. Dans ces mondes, ces supports sont au centre des attachements que les individus entretiennent avec la musique et jouent un rôle prescriptif important. Celui-ci est double puisque l'album est, à la fois, le résultat des chaînes de prescription qui le transportent, et dispose d'une affordance prescriptive propre. En partant sur les traces de la circulation de ces objets, nous montrons comment la prescription culturelle est distribuée dans ces circulations et…

prescription[SHS.SOCIO]Humanities and Social Sciences/Sociology[SHS.SOCIO] Humanities and Social Sciences/SociologyMusiqueConcertindie rockPrescriptionhardcore punkHardcore punkValuation[SHS]Humanities and Social SciencesCirculationalbumAlbumcirculationIndie rock[SHS] Humanities and Social Sciencesddc:301concertmusiquevaluationComputingMilieux_MISCELLANEOUS
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Saskaņotas darbības izpratne Latvijā.

2018

Šajā darbā autors apskatīs saskaņotu darbību, kas ir viens no aizliegtu vienošanos veidiem, institūtu un piemērošanas praksi gan Eiropas Savienības, gan Latvijas kontekstā. Atšķirībā no konkurenci ierobežojošiem formalizētiem līgumiem un tirgus dalībnieku apvienību pieņemtiem lēmumiem, saskaņotas darbības aptver plašu sadarbības formu loku, tādēļ saskaņotu darbību pārkāpumu izskatīšanā liela loma ir judikatūrai. Latvijā visbiežāk saskaņotas darbības tirgus dalībnieku starpā ir konstatējamas publiskajos iepirkumos, kur pretendenti apmainās ar informāciju par plānoto dalību iepirkumos, kā arī saskaņo piedāvājumus, vienojoties, kurš no viņiem uzvarēs. Darbā tiks aprakstītas pazīmes, kuras liec…

publiskie iepirkumi (public procurement)konkurences ierobežošana (limitation of competition)kartelis (cartel)saskaņota darbība (concerted practice)Juridiskā zinātne
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