Search results for "Criticism"
showing 10 items of 597 documents
L’anecdote entre historiette et emblème ou comment réécrire la vie d’un poète
2019
Cet article s’appuie sur des biographies de poètes romantiques anglais pour analyser la manière dont les biographes utilisent l’anecdote, soit pour donner de l’épaisseur au poète biographé, soit pour le transformer en modèle. L’anecdote, une fois racontée par un proche, est transmise de biographie en biographie, et l’analyse montre son évolution au fil des siècles, dans un statut toujours intermédiaire entre le biographique et le légendaire.
L’Art de l’étrange chez Marie NDiaye : enjeux artistiques et sociaux d’une écriture singulière ("La Sorcière" et "Mon Cœur à l’étroit")
2013
Papers from a conference organized at the Université de Mannheim in May 2011; International audience; no abstract
London Impressions d’Alice Meynell et William Hyde (1898) : fabrique du livre et connectivité
2021
At a time when print was being challenged by new media that dematerialized information flows, the illustrated book London Impressions reflected an ideal of connectivity. A folio published by Constable in 1898, it gathered essays by Alice Meynell and photogravures and etchings by the English artist William Hyde. This article explores the editorial strategy that provided a record of fin-de-siècle urban modernity and aimed to guarantee the sustainability of the book as medium of inscription and transmission in a changing market. It contextualizes the way Hyde’s images were manufactured and tackles the material and medial notion of connectivity from the perspective of ecocriticism and media arc…
Insultes croisées: Byron, Keats et leurs critiques
2005
This paper deals with two British poets, both insulted by reviewers. Byron and Keats share the unenviable privilege of having being severely attacked by Scottish reviewers, on different grounds perhaps, but with the same cutting spite. When does the critical reading of a poem become downright insult? This entails several questions: what exactly is being insulted here, in other words which feature of the writer is attacked by the reviewer, and why is that an attack, thus exceeding the moderate, rational assessment of a poem? Moreover, the very words used for the insult deserve to be examined. Is form insulting in itself? Finally, why be so cruel to mere poets? To add a little spice, Byron an…
Experimentation and new listening experience: the case of A Saucerful of Secrets
2014
International audience
Raport o stanie dyskursu krytycznoliterackiego w Polsce
2017
The article is an attempt to describe the condition of the discourse of literary criticism as practiced in Poland. The author investigates the process of gradual impoverishment and despecification of the language of literary criticism, which reveals itself via diverse socio-literary phenomena, such as the demand for shortenings and evaluative character of literary criticism, the places where literary criticism appears, the disappearance of the quality of the dialogue, and the way literary criticism functions in the Polish contemporary publishing market. A separate part of these considerations is devoted to the overview of the critics’ approaches to the condition of the discourse of literary…
Między estetyką a lingwistyką. Koncepcja ewaluacji jakości tłumaczenia według Sigrid Kupsch-Losereit a przekład literacki
2019
Biorąc za punkt wyjścia perspektywę historyczną oraz ewolucję kultury translacji w Polsce od lat 20. XX wieku aż po czasy współczesne, autorka analizuje stopniową zmianę paradygmatu w odniesieniu do roli i znaczenia przekładu literackiego. W dalszej części zostaje podjęta refleksja na temat wybranych lingwistycznych i estetycznych kryteriów oceny jakości przekładu, w celu zbadania, na ile produktywne może okazać się podejście interdyscyplinarne w tym zakresie. Szczegółowej analizie zostają poddane kryteria oceny jakości tłumaczenia zaproponowane przez Sigrid Kupsch-Losereit pod względem możliwości ich zastosowania do przekładów tekstów literackich.
The Good, the Bad and the Ugly Graffiti
2020
Emotions play an essential role in aesthetic and art experience. Graffiti is an example of urban visual communication, and it can also be understood as a form of art. Like other works of art, graffiti can evoke different aesthetic emotions in its audiences, such as pleasure, wonder, interest and pride but also disinterest, disappointment or embarrassment, and even anger and disgust—further impacting, for example, how they value this art form. However, few studies have explored what kinds of emotions people feel when they appraise graffiti. This chapter discusses emotions in graffiti using examples from participant interviews in the Purkutaide study. Interview quotes are assessed against the…
Starppaaudžu attiecību ētiskie aspekti A. Smitas romānos "Rudens" un "Ziema"
2021
Kopš 20. gadsimta vidus demogrāfisko, tehnoloģisko un sociālpolitisko izmaiņu rezultātā pasaulē vienlaikus līdzāspastāv vairākas paaudzes ar izteikti atšķirīgām iezīmēm. Ir svarīgi uzturēt konstruktīvu, atvērtu dialogu starp dažadājām paaudzēm. Literatūra var piedāvāt telpu neierobežotai dialogu dažādībai. Ali Smitas gadalaiku kvartets ir uzrakstīts esošā laika solī, tādejādi atspoguļojot pašreizējos sociālos un politiskos notikumus Anglijā. Šā darba mērķis ir analizēt literāros paņēmienus, ar kuru palīdzību Ali Smita iesaista diskusijā par neatliekamiem ētikas un politikas jautājumiem starppaaudžu dialogā. Ali Smitas romānu “Rudens” un “Ziema” uzmanīga lasīšana atklāj, ka Smita patiesu not…