Search results for "Crossmodal"
showing 10 items of 17 documents
Speed on the dance floor : auditory and visual cues for musical tempo
2016
Musical tempo is most strongly associated with the rate of the beat or “tactus,” which may be defined as the most prominent rhythmic periodicity present in the music, typically in a range of 1.67–2 Hz. However, other factors such as rhythmic density, mean rhythmic inter-onset interval, metrical (accentual) structure, and rhythmic complexity can affect perceived tempo (Drake et al., 1999 and London, 2011Drake, Gros, & Penel, 1999; London, 2011). Visual information can also give rise to a perceived beat/tempo (Iversen, et al., 2015), and auditory and visual temporal cues can interact and mutually influence each other (Soto-Faraco and Kingstone, 2004 and Spence, 2015). A five-part experiment w…
Having a Drink with Tchaikovsky: The Crossmodal Influence of Background Music on the Taste of Beverages.
2018
Abstract Previous research has shown that auditory cues can influence the flavor of food and drink. For instance, wine tastes better when preferred music is played. We have investigated whether a music background can modify judgments of the specific flavor pattern of a beverage, as opposed to mere preference. This was indeed the case. We explored the nature of this crosstalk between auditory and gustatory perception, and hypothesized that the ‘flavor’ of the background music carries over to the perceived flavor (i.e., descriptive and evaluative aspects) of beverages. First, we collected ratings of the subjective flavor of different music pieces. Then we used a between-subjects design to cro…
Multisensorial Perception in Chronic Migraine and the Role of Medication Overuse.
2020
Multisensory processing can be assessed by measuring susceptibility to crossmodal illusions such as the Sound-Induced Flash Illusion (SIFI). When a single flash is accompanied by 2 or more beeps, it is perceived as multiple flashes (fission illusion); conversely, a fusion illusion is experienced when more flashes are matched with a single beep, leading to the perception of a single flash. Such illusory perceptions are associated to crossmodal changes in visual cortical excitability. Indeed, increasing occipital cortical excitability, by means of transcranial electrical currents, disrupts the SIFI (ie, fission illusion). Similarly, a reduced fission illusion was shown in patients with episod…
Classes of Colors and Timbres: A Clustering Approach
2022
Similarities between different sensory dimensions can be addressed considering common “movements” as causes, and emotional responses as effects. An imaginary movement toward the “dark” produces “dark sounds” and “dark colors,” or, toward the “bright,” “brighter colors” and “brighter sounds.” Following this line of research, we draw upon the confluence of mathematics and cognition, extending to colors and timbres the gestural similarity conjecture, a development of the mathematical theory of musical gestures. Visual “gestures” are seen here as paths in the space of colors, compared with paths in the space of orchestral timbres. We present an approach based on clustering algorithm to evaluate…
Lexical and conceptual components of stem completion priming in patients with Alzheimer's disease
1999
This study evaluated the hypothesis of dissociation between normal lexical but deficient conceptual repetition priming in patients with Alzheimer's disease (AD). For this purpose, we administered to patients with AD and age-matched normal controls the Stem Completion task. In Experiment 1, the level of word processing during study was manipulated by requiring subjects to count vowels (graphemic condition) or generate meanings (semantic condition) of target words. In Experiment 2, the presentation modality was varied during the study to obtain an intramodal and crossmodal repetition priming. Probably due to a floor effect of performance in the graphemic condition, in Experiment 1, AD patient…
Crossmodal Aesthetics: How Music and Dance Can Match
2020
Abstract The relationship between music and dance can sometimes be a ‘match’, a remarkable fit between the audible manifestation that music is and the visual or kinaesthetic manifestation that dance is. A match between two things seems to require a common measure with respect to which the match obtains. What can this be for two so different phenomena as music and dance? I argue that the most promising answer is: movement. This answer will not be satisfactory unless the movement of music and the movement of dance are the same on some level. I suggest that they are: there are qualities of movement that guide both dancers and musicians when producing dance and music as perceptible phenomena. B…
cARTegory Theory: Framing Aesthetics of Mathematics
2019
Mathematics can help investigate hidden patterns and structures in music and visual arts. Also, math in and of itself possesses an intrinsic beauty. We can explore such a specific beauty through the comparison of objects and processes in math with objects and processes in the arts. Recent experimental studies investigate the aesthetics of mathematical proofs compared to those of music. We can contextualize these studies within the framework of category theory applied to the arts (cARTegory theory), thanks to the helpfulness of categories for the analysis of transformations and transformations of transformations. This approach can be effective for the pedagogy of mathematics, mathematical mu…
Crossmodal correspondences between typefaces and food preferences drive congruent choices but not among young consumers
2022
Abstract Several studies suggest that consumers match stimuli across sensory modalities, with angular (vs. round) typefaces typically associated with sourness (vs. sweetness). Drawing on findings from the field of crossmodal correspondences, this study (N = 220) examined potential typeface effects in naturalistic settings and found that exposure to angular (vs. round) typeface increased (decreased) consumers’ preferences for sour (sweet) food but had no impact on their expectations or perceptions of these tastes. Moreover, while typeface did not have a direct effect on food choices, consumers exposed to angular (vs. round) typeface reported a greater relative preference for sour over sweet …
Wearing glasses to hear differently? Aftereffects of visuomanual prismatic adaptation on auditory perception
2022
Sensorimotor plasticity is defined as the ability to produce an appropriate motor response face to environmental or bodily changes. The classical experimental paradigm to study sensorimotor plasticity is prism adaptation, which consists of pointing to visual targets while wearing prisms that shift the visual field laterally or vertically. Its aftereffects are not restricted to sensorimotor behavior but extend to sensorial modalities not directly involved during prism exposition, such as audition. There exists a mental representation of auditory frequencies in which low auditory frequencies are associated with the left part of space and high auditory frequencies with the right part of space.…
Processing of audiovisual associations in the human brain: dependency on expectations and rule complexity
2012
In order to respond to environmental changes appropriately, the human brain must not only be able to detect environmental changes but also to form expectations of forthcoming events. The events in the external environment often have a number of multisensory features such as pitch and form. For integrated percepts of objects and events, crossmodal processing, and crossmodally induced expectations of forthcoming events are needed. The aim of the present study was to determine whether the expectations created by visual stimuli can modulate the deviance detection in the auditory modality, as reflected by auditory event-related potentials (ERPs). Additionally, it was studied whether the complexi…