Search results for "English literature"
showing 10 items of 82 documents
Liminal characters in the science fiction of Philip K. Dick
2011
Masteroppgave i engelsk- Universitetet i Agder 2011
The loss of the real : hyper-reality in A Scanner darkly by Philip K Dick and Fight Club by Chuck Palahniuk
2012
Masteroppgave i engelsk- Universitetet i Agder, 2012
Full circle : the apocalyptic motif in Cormac McCarthy's The road and Robert Browning's Childe Roland to the dark tower came
2014
Masteroppgave engelsk- Universitetet i Agder, 2014
South Park´s ambiguoues satiric expression
2010
Masteroppgave i engelsk- Universitetet i Agder 2010
Living in dangerous times : identity, volition and anxiety in Don DeLillo`s White noise and Falling man
2009
Masteroppgave i engelsk- Universitetet i Agder 2009
Corpus linguistics and its aplications in higher education
2010
The aim of this paper is to review and analyse relevant factors related to the implementation of corpus linguistics (CL) in higher education. First we set out to describe underlying principles of CL and its developments in relation to theoretical linguistics and its applications in modern teaching practices. Then we attempt to establish how different types of corpora have contributed to the development of direct and indirect approaches in language teaching. We single out Data Driven Learning (DDL) due to its relevance in applied linguistics literature, and examine in detail advantages and drawbacks. Finally, we outline problems concerning the implementation of CL in the classroom since awar…
“Things which don’t shift and grow are dead things”: Revisiting Betonie’s Waste-Lands in Leslie Silko’s Ceremony
2014
This article explores the socio-political background that led to widespread Native American urban relocation in the period following World War II – a historical episode which is featured in Leslie Marmon Silko’s acclaimed novel Ceremony (1977). Through an analysis of the recycling, reinterpreting practices carried out by one of Ceremony’s memorable supporting characters, Navajo healer Betonie, Silko’s political aim to interrogate the state of things and to re-value Native traditions in a context of ongoing relations of coloniality is made most clear. In Silko’s novel, Betonie acts as an organic intellectual who is able to identify and challenge the 1950s neocolonial structure that forced Na…
“Come, Dark-eyed Sleep”: Michael Field and the Performance of the Lyric as a Radical Fantasy
2021
This article seeks to illustrate how the Michael Fields articulate their Sapphic poetry in Long Ago (1889) not only in keeping with their own Shakespearean aspirations and with Robert Browning’s hybrid formula of dramatic lyrics, but also in connection with Jonathan Culler’s theory of the lyric as a performative genre. Much recent scholarship has broken ground in the rediscovery and reappraisal of the Fields’ literary stature, yet the general critical approach has been divisive in addressing their poetry and their verse dramas separately. Some critics have taken heed of how their lyrics in general exhibit an intrinsic dramatic temper, yet no systematic inquiry has discussed how this lyrical…
Gallivanting Round the Globe: Translating National Identities in Henry V
2012
In this article we shall be looking at the character of MacMorris in Henry V, and at his small but important role in the four captains’ scene. We shall explore some of the historical, cultural, political, dramaturgical and linguistic complexities of his portrayal of Irishness as a necessary preliminary study to its translation into other languages, both for the printed page and for the stage. Spanish and Catalan translations of the scene will be briefly analysed in what we hope will be the framework of a wider, multilingual preoccupation: how does national identity translate in a global context? How does —or can— MacMorris speak in other languages?
Vindicating Pablo Avecilla’s Spanish ‘Imitation’ of Hamlet (1856)
2012
This essay examines Pablo Avecilla’s Hamlet, an ‘imitation’ of Shakespeare’s tragedy of the prince of Denmark published in 1856, both in its own terms and in the historical context of its publication. This Shakespearean adaptation has been negatively judged as preposterous and unworthy of comment, but it deserves to be approached as what it claimed to be, a free handling of the Shakespearean model, and as responding to its own cultural moment. Avecilla turns the Shakespearean sacrificial prince into a righteous sovereign that has kept the love of a lower-ranked lady and, by pursuing revenge, has successfully overthrown a dishonourable and corrupt ruler. This re-focusing of the Shakespearean…